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Politics and the English Language
Politics and the English Language
Jan 12, 2026 8:39 AM

Author:George Orwell

Politics and the English Language

'Politics and the English Language' is widely considered Orwell's most important essay on style. Style, for Orwell, was never simply a question of aesthetics; it was always inextricably linked to politics and to truth.'All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia.When the general atmosphere is bad, language must suffer.'Language is a political issue, and slovenly use of language and cliches make it easier for those in power to deliberately use misleading language to hide unpleasant political facts. Bad English, he believed, was a vehicle for oppressive ideology, and it is no accident that 'Politics and the English Language' was written after the close of World War II.

Reviews

Jacob, of whom people speak, of whom they think, but who is never shown. And yet that denial of presence on the part of the author makes of him one of the most living presences in world literature. It’s a remarkable achievement.

—— New Statesman

Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realisation of experimental achievements that have completely broken with tradition

—— New York Times

The oil lamps of his little provincial hospital seemed to him a lonely beacon which symbolised the battle between light and darkness... These straighforward yet extraordinary sketches gain their strength from also being the account of a young man's growth. One begins to see that he became a novelist not because he had material but because he was storing up passion and temperament

—— V.S. Pritchett , New Statesman

Wryly funny and fascinating

—— Sunday Times

Blizzards blow, wolves run loose in the forests, the doctor duels with Death, who is never satisfied

—— Harpers & Queen

Intensely cinematic

—— Big Issue

Deft exploration of the wondrous and sad inscrutability of the human heart.

—— New York Times

Yan is a keen observer of the cruel and the magical, and has a fine sense of the permeable line between high hilarity and Kafkan nightmare.

—— Waterbridge Review

Masterful

—— Lancashire Evening Post

Masterful novel… Spare, beautifully understated prose…

—— Pam Norfolk , UK Regional Press Syndication

Blurs fact and fiction with aplomb… Royle’s novel is a sharp portrait of a man going very wrong.

—— Ben Felsenburg , Metro

Extremely good.

—— John Burnside , The Times

Dazzling… Royle attended last year’s Man Booker Prize ceremony as editor of one of the shortlisted titles, Alison Moore’s The Lighthouse… I wouldn’t bet against Royle having to dry-clean the tux on his own account next time.

—— Anthony Cummins , Sunday Telegraph

Royle’s coup is to deliver the pithy sting of a good short story many times over the course of a whole novel.

—— Claire Lowdon , New Statesmen

I admired it so much and wanted to go back and see how it was all put together. His book absolutely enchanted me.

—— Jenn Ashworth , Independent

This may be a tricksily metafictional novel but Royle hasn’t forgotten his readers.

—— Stephanie Cross , Daily Mail

5 stars, gripping, innovative and fluent.

—— Bookmebookblog

Nicholas Royle has produced the holy grail: a literary page-turner. Although it’s published in January, I’ll be astonished if it doesn’t make the short list of many a prize at the end of the year.

—— Bookmunch

A strange, unsettling brew that simply entertains at first before revealing darker and more dangerous depths as it progresses; a dark and delicious treat for lovers of literary fiction who like to have their grey cells tickled.

—— Justwilliamsluck

A vertiginous murder mystery with echoes of JG Ballard, David Lodge and Alain Robbe-Grillet

—— Sunday Telegraph

If writing about creative writing is to risk a novel eating itself, we can be thankful that a writer of Royle's skills put himself in charge of the banquet

—— Gerard Woodward , Guardian

A brilliant, eerie mix of campus meta-novel, whodunnit, failed-love story and existential contemplation

—— Peter J. Smith , Times Higher Education

This just might be the exceptional book which should be judged by its cover

—— Liam Heylin , Irish Examiner

An ingenious tale

—— Observer

Cleverly metafictional, humorously perverse, and impressively original

—— Courtney Garner , Yorker
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