Author:George Orwell

'Politics and the English Language' is widely considered Orwell's most important essay on style. Style, for Orwell, was never simply a question of aesthetics; it was always inextricably linked to politics and to truth.'All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia.When the general atmosphere is bad, language must suffer.'Language is a political issue, and slovenly use of language and cliches make it easier for those in power to deliberately use misleading language to hide unpleasant political facts. Bad English, he believed, was a vehicle for oppressive ideology, and it is no accident that 'Politics and the English Language' was written after the close of World War II.
Jacob, of whom people speak, of whom they think, but who is never shown. And yet that denial of presence on the part of the author makes of him one of the most living presences in world literature. It’s a remarkable achievement.
—— New StatesmanVirginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realisation of experimental achievements that have completely broken with tradition
—— New York TimesThe oil lamps of his little provincial hospital seemed to him a lonely beacon which symbolised the battle between light and darkness... These straighforward yet extraordinary sketches gain their strength from also being the account of a young man's growth. One begins to see that he became a novelist not because he had material but because he was storing up passion and temperament
—— V.S. Pritchett , New StatesmanWryly funny and fascinating
—— Sunday TimesBlizzards blow, wolves run loose in the forests, the doctor duels with Death, who is never satisfied
—— Harpers & QueenIntensely cinematic
—— Big IssueDeft exploration of the wondrous and sad inscrutability of the human heart.
—— New York TimesYan is a keen observer of the cruel and the magical, and has a fine sense of the permeable line between high hilarity and Kafkan nightmare.
—— Waterbridge ReviewMasterful
—— Lancashire Evening PostMasterful novel… Spare, beautifully understated prose…
—— Pam Norfolk , UK Regional Press SyndicationBlurs fact and fiction with aplomb… Royle’s novel is a sharp portrait of a man going very wrong.
—— Ben Felsenburg , MetroExtremely good.
—— John Burnside , The TimesDazzling… Royle attended last year’s Man Booker Prize ceremony as editor of one of the shortlisted titles, Alison Moore’s The Lighthouse… I wouldn’t bet against Royle having to dry-clean the tux on his own account next time.
—— Anthony Cummins , Sunday TelegraphRoyle’s coup is to deliver the pithy sting of a good short story many times over the course of a whole novel.
—— Claire Lowdon , New StatesmenI admired it so much and wanted to go back and see how it was all put together. His book absolutely enchanted me.
—— Jenn Ashworth , IndependentThis may be a tricksily metafictional novel but Royle hasn’t forgotten his readers.
—— Stephanie Cross , Daily Mail5 stars, gripping, innovative and fluent.
—— BookmebookblogNicholas Royle has produced the holy grail: a literary page-turner. Although it’s published in January, I’ll be astonished if it doesn’t make the short list of many a prize at the end of the year.
—— BookmunchA strange, unsettling brew that simply entertains at first before revealing darker and more dangerous depths as it progresses; a dark and delicious treat for lovers of literary fiction who like to have their grey cells tickled.
—— JustwilliamsluckA vertiginous murder mystery with echoes of JG Ballard, David Lodge and Alain Robbe-Grillet
—— Sunday TelegraphIf writing about creative writing is to risk a novel eating itself, we can be thankful that a writer of Royle's skills put himself in charge of the banquet
—— Gerard Woodward , GuardianA brilliant, eerie mix of campus meta-novel, whodunnit, failed-love story and existential contemplation
—— Peter J. Smith , Times Higher EducationThis just might be the exceptional book which should be judged by its cover
—— Liam Heylin , Irish ExaminerAn ingenious tale
—— ObserverCleverly metafictional, humorously perverse, and impressively original
—— Courtney Garner , Yorker