Author:Various,Emily Fragos

For centuries poets in all the world's cultures have offered eloquent thanks and praise for the earth and its people. Both an emotion and a conscious practice, gratitude is a cherishing of what is over what has been or could be. It celebrates the joy in our lives while acknowledging the sorrows and losses that give that joy its keenness. The voices collected here range from Horace to Herrick, from Wordsworth and Keats, Yeats and Frost, to Czeslaw Milosz, Constantine Cavafy, Primo Levi, Langston Hughes, Anne Sexton, Nikki Giovanni, and many many more. Devotional lyrics drawn from the major religious traditions offer their perspectives, alongside poetic tributes to autumn and the harvest season that draw our attention to nature's bounty and poignant beauty as winter approaches.
A thrilling tale of political action and love . . . Breslin evokes compassion for the hapless Imperial family, without losing sense of the crisis facing Russia’s people, and seamlessly inserts her characters into the events leading to the rise of the Bolsheviks
—— Financial TimesTheresa Breslin gives a gripping account of Nina’s life in St Petersburg amongst the growing unrest of The Russian Revolution, seamlessly blending historical events and traditional folk tales with a dramatic plot. This meticulously researched book is a must-read for historical fiction fans and a great way to mark the centenary of the Russian Revolution.
—— Scottish Book Trust (Children's Book of the Month)Breslin's young adult book takes on some big themes from Russian history and makes them accessible to all.
—— Irish IndependentRich with historical detail this fascinating and epic tale will sweep you away whilst reminding us of the chaos and turmoil of the Russian Revolution. Riveting.
—— South Wales Evening PostThere will no doubt be many more novels about the [Russian] revolution this year and this will be at the forefront.
—— Books for Keeps[A] wonderful historical novel, filled with fear and violence, starvation and romance.
—— The BookwitchThere are thrills and surprises along the way, and the invented characters mingle with those taken from the historical record. The novel is a very good way to introduce young adults to these extraordinary people.
—— The History GirlsI absolutely loved The Rasputin Dagger. [I] completely fell in love with the writing in The Rasputin Dagger, and I will definitely be diving into more stories by [Breslin]. Breslin really is an expert storyteller; she reeled me into her world of revolutionary Russia, and I was very sad to leave it at the end of the book.
—— Delightful Book ReviewsTheresa has woven her magic again! Everything felt so real (probably because some of it was). Be sure to add this to your book collection - its now on [my] reread shelf!
—— Nayu's Reading CornerThe Rasputin Dagger was my first historical YA in a while, and I was really craving a good one. Luckily it
delivered! I found it totally immersive . . . I adored the way politics was woven in, something which is often neglected or glossed over in YA books.
Each of Nicola Barker’s books is a world unto itself; with H(A)PPY, winner of the Goldsmiths prize, she pushed the novel towards objet d’art, using colour and madcap typography to conjure a visionary dystopia of surveillance and control in which creativity and individuality refuse to be constrained.
—— Justine Jordan , Guardian, Books of the YearNicola Barker’s extravagant, rambling, joyous and more-than-slightly insane novels always present a certain challenge to the reader … No one else writes like Barker does…a reason to cherish her extraordinary work … [H(A)PPY is] an info-shamanic freakout. It’s a work of print art … You don’t read this novel; you let it pour over you … Once again: no one else writes like Barker, and no one else could have written this book.
—— Daily TelegraphExquisite and unpredictable prose … fluidity is without a doubt the most prominent feature of this novel, which dips into poetry as abruptly as it springs up a diagram.
—— Independent[A] timely, invigorating novel.
—— SpectatorAs a physical object this book itself is a work of art; a mind-bending adventure in typography and consciousness to be looked at as much as read.
—— Guardian, Readers' Books of the YearAs unconventional as its narrator … Mira A is out of kilter, and her rebellious thoughts and emotions cascade across the pages of this visually starting, hugely original tale in a burst of colour as she desperately struggles for freedom and independence over authoritarian control.
—— Mail on SundayProfoundly different from anything I’ve read previously … I will keep coming back to the story for months to come.
—— i newsMira, the heroine of Nicola Barker’s hugely original book, strives to step outside the confines of the story that she has been told to keep, in a desperate struggle for freedom. A startling read.
—— PsychologiesScience fiction-meets-satire piece that mediates on the true meaning of life ... a must-read.
—— Irish Tatler[A] visually starting, hugely original tale.
—— Mail OnlineAn essential story to read….Barker, whose previous novels have been longlisted for the Man Booker Prize, continues to dazzle with H(A)PPY.
—— Oxford StudentHag-Seed is funny and poignant, and offers much to amuse and delight.
—— Anne Sexton , Hot PressGreat fun, full of wit and invention and incident
—— Irish IndependentInspired and witty
—— Woman & HomeGenuinely moving ... The tender way in which Atwood handles [Felix's] story really gives Hag-Seed its power
—— Samantha Ellis , Literary ReviewAtwood on mischievous form
—— RedWitty and clever
—— Good HousekeepingStella Loves: Taking on a re-write of Shakespeare's The Tempest is a tall order. But Margaret Atwood is well up to the task with her new novel Hag-Seed
—— Stella MagazineBlows layers of dust off the play while asking clever questions about the relationship between power, delusion and creativity
—— MetroA delight... not only an unputdownable tale of revenge, it is also a masterclass in how to teach Shakespeare to those who think they won't like it
—— Alice O'Keefe , BooksellerAtwood’s canny remix offers multiple pleasures: seeing the inmates’ takes on their characters, watching Felix make use of the limited resources the prison affords (legal and less so), and marveling at the ways she changes, updates, and parallels the play’s magic, grief, vengeance, and showmanship
—— Publishers WeeklySo inventive, heartfelt, and swiftly rendered... Highly recommended.
—— Library JournalFellow fans, I am thrilled to report: Atwood is just as brilliant as ever. I would suggest scheduling some cozy armchair time with her book in the weeks to come
—— Yahoo, Top Reads this AutumnThe new novels promise an intriguing opportunity to revisit the tales we know so well and see them in a new light.
—— The Culture TripAtwood joins the roll call of literary stars retelling Shakespeare's plays... masterful... My favourite retelling so far
—— BooksellerAn ingenious construction.
—— Metro , Claire AllfreeShe merely understands that fiction can be a powerful weapon of
persuasion… A woman with inexhaustible talents
[A] triumphant reworking of The Tempest.
—— Sunday TimesAtwood’s take on The Tempest is intense and extravagant… Atwood beautifully reimagine Shakespeare’s The Tempest… She writes with gusto and brilliance.
—— UK Press SyndicationHag-Seed enchants, endears and empowers. Seeing The Tempest through the cast of characters Atwood creates and the author's own overarching narrative gives the original play new life.
—— Morning StarAtwood beautifully reimagines Shakespeare's The Tempest as Felix's personal and professional stories so aptly mirror the plot of the mystical and magical play. She writes with gusto and brilliance, making her the dream author to be part of the Shakespeare series.
—— Irish NewsThe most successful 'retelling' of Shakespeare yet in Hogarth's anniversary series [...] us a thrilling revenge drama ... [It] rattles along with Atwood nimbly reworking the classic
—— Donal O'Donoghue , RTE[Atwood's] unique take on vengeance, enchantment and second chances is sure to delight old and new fans alike
—— Image MagazineA novel of great humour and creativity
—— Socialist ReviewA fitting tribute to a play built on magic and illusion. It’s a celebration of theatre, yes, but just as much a celebration of learning and teaching. Atwood’s spellbinding adaptation is a testament to Shakespeare’s lasting relevance.
—— Grace Beard , Culture TripAtwood’s novel reflects the play’s multifaceted nature… A fun and imaginative novel.
—— Brad Davies , i, Book of the YearAtwood unrolls a dazzling remake of The Tempest… Ebullient comedy and keen perceptiveness combine in a bravura fictional tribute to Shakespeare.
—— Peter Kemp , Sunday Times, Book of the YearA passionately original, heady, often musical modern remix.
—— A.M. Holmes , Observer, Book of the YearI’d love to wake up on Christmas morning with Margaret Atwood’s Hag-Seed nestled in my stocking.
—— Rohan Silva , Observer, Book of the Year[A] highlight.
—— Justine Jordan , Guardian, Book of the Year[Hag-Seed is] particularly clever and witty, with layer upon layer of correspondences with the original text waiting to be teased out by readers.
—— Suzi Feay , TabletWhat’s impressive here is not just 77-year-old Atwood’s undimmed brilliance but the sheer effort she puts into the project… An absorbing read but also an erudite examination and explanation of the play’s themes. Not to be missed.
—— John Harding , Daily Mail, Book of the Year[It] would make an amazing Christmas present.
—— Starburst, Book of the YearAtwood brings forth a cast of characters that comfortably inhabit their own world but often burst out of the page in song and rhyme. It is a playful piece of writing, tempered by grief and revenge and the bitterness that can consume, but ultimately this is a book full of the joys of redemption and hope. Wonderful.
—— Carina Buckley , Times Higher EducationCleverly done… Very complex, like a set of Russian dolls. But it works amazingly well.
—— William Leith , Evening StandardDelightfully crazy.
—— Daily TelegraphRich and inventive… The play-within-a-play tripe is audaciously Shakespearean, and so is Atwood’s free-ranging imagination and witty way with language.
—— Simon Shaw , Mail on SundayMasterful… Clever, funny and tender
—— Woman & HomeShe casts The Tempest adrift in a prison and makes a magisterial case for the timeless, classless relevance of Shakespeare’s plays.
—— Jim Crace , New StatesmanI am in awe of Atwood
—— AM Homes , GuardianA real must read
—— Elizabeth Mansfield , Yorkshire Post






