Author:George Bernard Shaw,David Edgar,Dan Laurence

With Plays Unpleasant, Shaw issued a radical challenge to his audiences' complacency and exposed social evils through his dramatization of the moral conflicts between youthful idealism and economic reality, promiscuity and marriage, and the duties of women to others and to themselves. His first play, Widowers' Houses, depicts Harry Trench's dilemma on learning that the inheritance of his fiancée comes from her father's income as a slum landlord. In The Philanderer, charismatic Leonard Charteris proposes marriage to Grace, while he is still involved with the beautiful Julia Craven - who is not inclined to give him up so easily. And in Mrs Warren's Profession, Vivie Warren is forced to reconsider her own future when she discovers that her mother's immoral earnings funded her genteel upbringing.
A very special novel indeed
—— Tom Boncza-Tomaszewski , Independent on SundayJones has a flair for luminous and accurate prose... A passionate book
—— GuardianGem-like, lyrical portrait of a girl growing-up
—— Boyd Tonkin , IndependentReads like a luminous album of photographs marked by an almost unbearable sadness
—— Weekend AustralianAn immensely well crafted novel
—— Sunday IndependentA transcendentally harmonious and compassionate work
—— Times Literary SupplementA surprisingly tender book... Amid the terror a classic story about love sneaks through: love lost, love imagined, love morphed into madness
—— New York Times Book ReviewBeautifully written... It puts a human face on the suffering inflicted by the Taliban... Disturbing and mesmerizing, The Swallows of Kabul will stay with you long after you've finished it
—— San Francisco ChronicleRiveting... Spare, taut, and pristinely clear prose... An uncanny knack for making moral tension palpable... Extraordinarily moving
—— Philadelphia InquirerA novel very much in the tradition of Albert Camus, not only in its humanism and concern with the consequences of individual choices but also in its determination to bear witness to the absurdities of daily life... [A] chilling portrait of fundamentalism run amok and its fallout on ordinary people
—— New York Times






