Author:Menander,Norma Miller,Norma Miller

Menander (c. 341-291 BC) was the foremost innovator of Greek New Comedy, a dramatic style that moved away from the fantastical to focus upon the problems of ordinary Athenians. This collection contains the full text of 'Old Cantankerous' (Dyskolos), the only surviving complete example of New Comedy, as well as fragments from works including 'The Girl from Samos' and 'The Rape of the Locks', all of which are concerned with domestic catastrophes, the hazards of love and the trials of family life. Written in a poetic style regarded by the ancients as second only to Homer, these polished works - profoundly influential upon both Roman playwrights such as Plautus and Terence, and the wider Western tradition - may be regarded as the first true comedies of manners.
'Rip-roaring...a rollicking yarn with razor-sharp dialogue, introducing a hilarious protagonist'
—— Good Book Guide'Will fill the gaping hole stoved in the timbers of the sea-saga genre by the sad death of Patrick O'Brian...Jerrold swashes his buckles and splices his mainbraces to good effect'
—— Scotland on Sunday'At last, the nautical Flashman! Martin Jerrold looks set to become one of the great British anti-heroes, boozing and lusting his way through Regency England'
—— Andrew Roberts'This is a great book, exciting and utterly unique. Edwin Thomas's portrayal of the 18th Century is spot on, from his depiction of the smugglers' underworld to life aboard a small British navy man-of-war. And while other writers have achieved the same, Thomas has created in Lt. Martin Jerrold someone whom the reader of nautical fiction has never seen before - a character we love despite ourselves, and despite his many faults, faults to which he himself happy admits. Jerrold is no dashing and fearless naval hero, he revels in and celebrates his own shortcomings and ineptitude and he takes us happily along on that wild and hilarious ride. For the lover of naval fiction, historical fiction, mysteries, this book has it all. I eagerly await the next.'
—— James Nelson






