Author:Herman Melville,William Spengemann,William Spengemann
'Ambiguities indeed! One long brain-muddling, soul-bewildering ambiguity (to borrow Mr. Melville's style), like Melchisedeck, without beginning or end-a labyrinth without a clue - an Irish bog without so much as a Jack o'the'lantern to guide the wanderer's footsteps - the dream of a distempered stomach, disordered by a hasty supper on half-cooked pork chops." So judged the New York Herald when Pierre was first published in 1852, with most contemporary reviewers joining in the general condemnation: 'a dead failure,' 'this crazy rigmarole,' and "a literary mare's nest." Latter-day critics have recognized in the story of Melville's idealistic young hero a corrosive satire of the
Beautiful and heroic...Every passage merits attention and gives satisfaction
—— New York Times Book ReviewOne of the greatest magicians of fiction ... White's scope is vast and his invention endless
—— ObserverPatrick White is, in the finest sense, a world novelist. His themes are catholic and complex and he pursues them with a single-minded energy and vision
—— GuardianThe outstanding figure in Australian fiction
—— New York TimesIn his major postwar novels, the pain and earnestness of the individual’s quest for ‘meaning and design’ can be felt more intensely than perhaps anywhere else in contemporary Western prose
—— Sunday TimesAn antipodean King Lear writ gentle and tragicomic, almost Chekhovian . . . an intensely dramatic masterpiece.
—— The Australian