Author:Jane Austen,Gillian Beer,Gillian Beer

'In Persuasion, Jane Austen is beginning to discover that the world is larger, more mysterious, and more romantic than she had supposed' Virginia Woolf
Jane Austen's moving late novel of missed opportunities and second chances centres on Anne Elliot, no longer young and with few romantic prospects. Eight years earlier, she was persuaded by others to break off her engagement to poor, handsome naval captain Frederick Wentworth. What happens when they meet again is movingly told in Austen's last completed novel. Set in the fashionable societies of Lyme Regis and Bath, Persuasion is a brilliant satire of vanity and pretension, and a mature, tender love story tinged with heartache.
Edited with an Introduction by Gillian Beer
Cecelia loses her chicklit crown to Sinéad
—— Irish IndependentSinéad Moriarty can bring readers from hilarity to heartbreak with great deftness
—— Sunday IndependentGripping... This is a memorable, richly allusive story, skillfully interweaving thoughts from Kafka to the poet Elizabeth Bishop. Barrett probes not only the surface but the depths of who we are
—— Anita Sethi , ObserverWonderfully imagined, and very funny… a dazzling first novel by one of Africa’s best young writers
—— Kate Saunders , The TimesAs well as being a fable about race and identity, Blackass is in large part a love letter to Lagos… For Barrett, race is inevitably one part of a person’s identity, but it is one that asserts itself principally through the eyes of others, through how they “read” those they encounter. People will inevitably discuss this book, and Barrett’s work in general, in the context of a resurgent Nigerian literary scene that includes writers such as Teju Cole, Chimamanda Ngozi Adichie and Helon Habila. But, to read him only as a Nigerian writer would be to do him a disservice. For Blackass is a strange, compelling novel, and Barrett has something to tell us all.
—— Jon Day , Financial TimesA bold riff on Kafka’s Metamorphosis... Igoni Barrett’s greatest asset is his ability to satirise the ridiculous extents people, especially Lagosians, go to in order to appear important. His characters’ every foible is captured and amplified for effect.
—— Helon Habila , GuardianAn inventive and playful take on power and identity in modern Nigeria... [with] nods to Achebe and Yeats
—— Sarah Gilmartin , Irish TimesA highly original story about selfishness, inequality and perceptions
—— VoiceA confident, original and occasionally laugh-out-loud-funny novel which may have an agenda but is certainly not hijacked by it
—— Lucy Chatburn , BookmunchA suitably surreal cocktail of Kafka, Lagos life and Nigerian wit
—— Christine Wallop , TelegraphA really interesting and different novel from many of the things I have read, or have seen published, this year. You can simply read it as a darkly witty escapist fairytale/myth/fable or you can or as a wonderful, satirical and occasionally daring way to look at society and questions of class, gender and race. Either way you are going to have a great read ahead of you
—— Savidge ReadsBarrett’s novel forces the reader to consider important questions regarding the human condition and is a worthwhile read precisely because of the difficult questions it raises.
—— Cristina Tomàs , Totally DublinBarrett reworks Kafka’s family drama as an urban odyssey and make a stunning success of it.
—— Ainehi Edoro , Guardian






