Author:Ben Elton

'A writer who provokes, almost as much as he entertains' Daily Mail
'Engaging and smartly plotted' Observer
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With old friends like these, who needs enemies?
It's a question mild mannered detective Edward Newson is forced to ask himself when, in romantic desperation, he logs on to the Friends Reunited website in search of the girlfriends of his youth. Newson is not the only member of the Class of '88 who has been raking over the ashes of the past. As his old class begins to reassemble in cyberspace, the years slip away and old feuds and passions burn hot once more.
Meanwhile, back in the present, Newson's life is no less complicated. He is secretly in love with Natasha, his lovely but very attached sergeant, and failing comprehensively to solve a series of baffling and peculiarly gruesome murders. A school reunion is planned and as history begins to repeat itself, the past crashes headlong into the present. Neither will ever be the same again.
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What readers are saying:
***** 'Fun, frightful and relentlessly gripping.'
***** 'Clever and original . . . a great read'
***** 'Darkly comic, intriguing . . . and with a real twist in the tail.'
Fans will love it
—— HeatEngaging and smartly plotted
—— ObserverIt's warm-hearted characterisation and deft pacing should make the paperback popular on next summer's beaches
—— The Sunday TimesPast Mortem confirms Elton as craftsmanlike, thoughtful and readable. Fans will find plenty to enjoy
—— Daily MailA writer who provokes almost as much as he entertains
—— Daily MailA brilliantly vivid piece of storytelling
—— The ScotsmanAtmospheric coming-of-age tale by one of Norway’s most renowned writers
—— ObserverThe detail is perfect; the emotions are raw and beautifully conveyed
—— William Leith , Evening StandardPetterson’s novel is a compelling study… Petterson’s beautifully spare prose subtly captures the effort that comes with this seeming inaction, this lack of fight, providing us with a lens through which we come to see Audun’s grim inertia as a paralyzing struggle to forget the past and get on with the task of living
—— ObserverBeautifully crafted but undeniably bleak; its spare prose, mournfully succinct characterisation and disorientating chronology deliver an edgy read
—— James Urquhart , Financial TimesMelancholic
—— Emma Hagestadt , IndependentCovering the twenty years that turned Catherine the Great from a young bride on approval to the legendary Empress of Russia, Eva Stachniak's novel gives a magical insight into the hopes and fears that haunted the corridors of the St Petersburg palace. It brings alive the very tastes and textures of the mid-eighteenth century
—— Sarah Gristwood, author of Arbella and The Girl in the MirrorAn intimate portrait of 18th century girl-power
—— IndependentA wry moral tale exploring the little evasions and compromises of everyday life. Translator Agnes Scott does justice to Solstad’s measured voice
—— Emma Hagestadt , IndependentThis short-but-striking novel quickly reveals itself to be…crime fiction, yes, but also a subtle and deeply introspective consideration of the inertia of lonely middle-age, its philosophy existentialist in the manner of Jean Paul Sartre, Ingmar Bergman and certain novels of Georges Simenon. The result is a highly complex and accomplished work
—— Billy O'Callaghan , Irish ExaminerIntriguing tale… Solstad expertly navigates the bizarre mind of a clever but lonely man locked in an existentialist nightmare
—— TelegraphThis is no straightforward crime novel…an exploration of guilt, inaction and moral quandaries
—— Nic Bottomley , Bath Life