Author:Claire Fuller

WINNER OF THE DESMOND ELLIOTT PRIZE
An imaginative, mysterious modern fairytale from the Women's Prize-shortlisted author of Unsettled Ground
1976: Peggy Hillcoat is eight. She spends her summer camping with her father, playing her beloved record of The Railway Children and listening to her mother's grand piano, but her pretty life is about to change.
Her survivalist father, who has been stockpiling provisions for the end which is surely coming soon, takes her from London to a cabin in a remote European forest. There he tells Peggy the rest of the world has disappeared.
Her life is reduced to a piano which makes music but no sound, a forest where all that grows is a means of survival. And a tiny wooden hut that is Everything.
'Fuller handles the tension masterfully in this grown-up thriller of a fairytale, full of clues, questions and intrigue' The Times
'Bewitching . . . a rivetingly dark tale' Sunday Express
'Extraordinary . . . From the opening sentence it is gripping' Sunday Times
Extraordinary...From the opening sentence it is gripping...Fuller writes with a singing simplicity that finds beauty amid the terror...might well have you crying out for more.
—— The Sunday TimesFuller handles the tension masterfully in this grown-up thriller of a fairytale, full of clues, questions and intrigue.
—— The TimesBewitching...a rivetingly dark tale...spellbinding.
—— Sunday ExpressFuller's twisted tale is compulsive, treading the fine line between charming and sinister. With its disturbing twist, Our Endless Numbered Days could well become a classic.
—— Stylist, 'Book Wars'Rewardingly unsettling...as warped and sinister as any Brothers Grimm fairytale, this tautly written, tense novel is brilliant at evoking both the bewitching beauty of its setting - and its inherent dangers...haunting, suspenseful and deftly written...memorably chilling.
—— MetroStraightaway I was intrigued to find out where this novel was heading... Fuller evokes the natural world's beauty and brutality.
—— The IndependentA debut novel that brings to mind such unlikely bedfellows as Thoreau's Walden and Emma Donoghue's Room...gripping.
—— GuardianI tore through it, found it utterly gripping and loved its hypnotic atmosphere. The beauty and pleasures of the natural world pitted against the unravelling horrors of isolation and insanity worked brilliantly.
—— Esther FreudA remarkable first novel, I was much impressed by the conviction of the child's eye view, the vivid climate and the power of the narrative.
—— Penelope LivelyOur Endless Numbered Days is suspenseful, utterly riveting, and as dark as midnight in the forest.
—— Rebecca Hunt (author of Everland and Mr Chartwell)Excellent...I loved the combination of Peggy/Punzel's absolutely authentic child's precision for detail and her day-to-day matter-of-factness (often very funny) with the strangeness of the world she inhabited...very powerfully imagined... absolutely compelling.
—— Morag Joss (author of The Night Following)Narrated with warmth and compassion, Our Endless Numbered Days is a haunting and beautiful novel. I loved every page.
—— Daniel Clay (author of Broken)Hemmings deftly deploys her idyllic setting, leavens tragedy with humor, avoids sentimentality, and offers characters whom readers will find very appealing.
—— Booklist ***With a deft and dry humor, Hemmings tackles the unique and unexpectedly humorous ways in which one is expected to mourn… But, on closer inspection, the novel is a treatise on parenthood: Sarah struggles less with Cully’s death, and more with the fear that she never really knew him at all.
—— PW (starred) and Pick of the WeekA graceful, subtle primer on freedom - the means by which we free (and forgive) ourselves, our parents, and our children, as well as the almost unbearable getting-of-wisdom by which we free our beloved dead. The Possibilities is familiar to us, in all its wit and intelligence, because we know the characters. We are the characters.
—— Susanna Moore, author of The Life of ObjectsIn smooth, nuanced prose, Kaui Hart Hemmings deftly captures the emotional hurdles that pin our day-to-day lives to the map of the universe. The Possibilities is a heartrending story of grief, resilience, and ultimately joy in all the tumult that loving other people inevitably demands. A soulful gem of a novel that reminds us to treasure every fleeting, crystalline moment of family love and our imperfect lives.
—— Carol Cassella, author of GeminiAn astonishingly accomplished debut about war, survival and humanity . . . this is very much in the territory of The Book Thief and The Boy in the Striped Pyjamas with all the potential that such a comparison suggests
—— Fiona Noble , The Bookseller - One to Watch[a] complex graceful book
—— Financial TimesExquisite
—— Irish IndependentExquisite debut novel
—— Wall Street JournalLike the characters in his debut novel, author Gavriel Savit has harnessed the power of language. He’s a talented wordsmith, wielding words and sentences with a precision that allows them to wriggle deep into this reader’s heart, leaving me both enchanted and brokenhearted.
—— Sara Grochowski , Publishers WeeklyOne of those all ages and no age stories . . . told by a genuine wordsmith . . . And it's a story of generosity in the worst of times. Of friendship and loyalty and yes, of love despite all the horror. We won't forget how it felt to read it. Ever.
—— Jill Murphy , The BookbagA beautiful and stunning read . . . It creeps slowly into your heart just like Morris Gleitzman's Once, and The Boy in the Striped Pyjamas did.
—— Mr Ripley's Enchanted BooksSuch an important, painful, beautiful, hopeful read
—— Bloggers Heart BooksA harsh tale of innocence lost, yet touched with magic.
—— HeraldThis is cleverly done and beautifully written tale of loss, hope, survival and trust
—— Kate OrmandSavit spins a dark and heart-breaking tale of history and fable seen through the eyes of a child. A thought-provoking read, great for book clubs
—— South Wales Evening Post, Children's Book of the WeekA complex, gruelling trip through the midnight of the last century
—— Financial Times - Summer Reading 2016The winner of the Man Booker Prize for The Finkler Question pulls off a neat trick in this almost perversely serious comic novel, creating a parallel world to Shakespeare's Venice in the wealthy, cultured Golden Triangle of Cheshire, and peopling it with parallel-ish characters...The author shows full power and ingenuity putting Strulovitch and Shylock in the same place and time.
—— Paul Levy , The SpectatorExplores the meaning of Shakespeare's play, uses its enduring relevance to examine the contemporary world and challenges us to interrogate our prejudices...Energetic, authentic and biting.
—— IndependentThat Shylock should thus materialise for a present-day Jewish protagonist, and become...a confidant, an exemplar...an advisor is a brilliant conceit...a powerful reimagining and reinvention.
—— Adam Lively , The Sunday TimesAlive with humanity and fierce debate, the book offers a nice twist on that notorious pound of flesh.
—— Hephzibah Anderson , Mail on SundayFunny and dark by turns… A gripping tale of love, plastic surgery and that notorious pound of flesh… This warm, witty and brilliantly written book provides a challenging feast for the imagination.
—— Rebecca Wallersteiner , The LadyA master of serious-minded comedy, Jacobson is one of the greats of his generation.
—— Culture WhisperBrilliantly witty inventive.
—— Kate Saunders , SagaA crackling dialectic on fatherhood, faith and what it means to be merciful… The echoes of Shakespeare’s story in Strulovitch’s are obvious…But the quips and the characters are pure Jacobson… It’s a treat.
—— Emma Hughes , The TabletHilarious reimagining of Shakespeare’s The Merchant of Venice.
—— EsquireOffering witty twists to a play long experienced by many as a racial tragedy.
—— Tova Reich , Washington PostAffectionate retelling… At the heart of the novel is the profound question of whether obligation…should be tempered by mercy.
—— Giulia Miller , Jewish QuarterlyEven those familiar with that book will be surprised by the twists now composed by Jacobson, whose most idle words have purpose, as well as point… Clever mockery and racial self-depreciation give the novel its provocative brilliance… Jacobson pours the quality of mercy through a large strainer, but Shylock’s fortitude and unswerving tribal fidelity are offered as a kind of redemption, a way, if you like, of forgiving Shakespeare. And of sending you back to him, not only just to check
—— Mary leland , Irish ExaminerAs characteristically ingenious, witty and dark as his musings on what it means to be Jewish.
—— Simon Shaw , Mail on SundayIt hooks you into a great debate.
—— William Leith , Evening StandardI don’t think any other author writes as well about the experience of Jewishness and he manages to be serious but with that laconic humour.
—— Tony Robinson , Radio Times Christmas Gift GuideAn intelligent, funny and enjoyable novel.
—— Brad Davies , i, Book of the YearFor my favourite novel I’m choosing Shylock is my Name… It’s a dark, witty, provocative re-imagine of Shakespeare…seriously brilliant on many levels.
—— Bel Mooney , Daily Mail, Book of the YearA marvellous meditation on the Cold War era and particularly the battles of conscience that besiege a man living under tyranny.
—— Richard Fitzpatrick , Irish ExaminerThe tone is intimate and aphoristic, the paragraphs succinct.
—— David Gutman , GramophoneA fascinating account of the life of Dimitri Shostakovich… Perceptive, symbolic… The Noise of Time is an essential read, and not only for musicians.
—— Classical MusicA finely-tuned masterpiece... Barnes' prose is supreme.
—— Western Morning NewsAn intimate portrait of a public intellectual living in a totalitarian atmosphere… Immersive… The Noise of Time presents a compelling story in engaging and original prose.
—— Conor O'Donovan , HeadstuffKaleidoscopic portrait… Barnes deftly constructs a life history... A masterfully told story of survival. *****
—— Nick Shave , BBC Music MagazineBeautifully composed.
—— Jenny Comita , W MagazineWithout a doubt, Barnes has succeeded the high expectations of the people who waited with bated breath for the release of The Noise of Time. In a work that feels both original and authentic, he encourages us to consider the importance of art, in whatever form, and the influence it can have on us all.
—— Beth Blakemore , Student NewspaperBarnes at his best...a poignant fictional recreation of the artistic agonies of the composer Shostakovich.
—— Sunday TimesA very sensitive account of how art can be in conflict with naked political power.
—— ObserverA book I’d like to tuck myself away for a day to read. It’s short in length but by all accounts big on ideas and power.
—— Susie Dent , Radio Times Christmas Gift GuideHis Dmitri Shostakovich is completely believable.
—— Margaret MacMillan , New Statesman, Book of the Year[A] brilliant study of the relationship between art and an oppressive regime… A compelling depiction of the country’s history and a richly imagined close-up of the artist.
—— Lady, Book of the YearA poignant and thoughtful portrait of the persecuted artist.
—— Brad Davies , i, Book of the Year[It is] elegant.
—— Duncan White , Daily Telegraph, Book of the YearAnother Brilliant reinvention by Barnes.
—— Daily Telegraph, Book of the Year #26My favourite book of this year is The Noise of Time.
—— Margaret MacMillan , New Statesman, Book of the YearHis best for ages. It is gripping, outward-looking, generous with plot and atmosphere and far beyond the powers of McEwan, Amis, Ishiguro, Rushidie et al…. This book grabbed me by the nuts like nothing of his since Starting at the Sun.
—— Giles Coren , The Times, Book of the Year[A] haunting novel on the agonies of Shostakovitch under Stalin and his successors… I recommended it to a friend who for years was one of the great reviewers at the Washington Post. His reply: “It’s an extraordinary book. It’s a book that makes me wish I were reviewing again.”
—— Alex Russell , Financial Times, Book of the YearA mini-masterpiece.
—— Rebecca Rose , Financial Times, Book of the YearAn elegant portrait of Shostakovitch.
—— Ali Smith , Guardian, Book of the YearWritten with Barnes’ characteristic low-key elegance, the book becomes a meditation on artistic integrity and its limits in a brutal regime
—— Irish Independent, Book of the YearAn impressive narrative of personal integrity.
—— G. Van Der Zwaan , Times Higher Education, Book of the YearAs a portrait of the composer and his time this book is a complete success… The Noise of Time is also convincing in the details… A book in which a certain grim humour is never too far away.
—— Nicholas Lezard , Guardian[A] gem of a novel.
—— Mail on SundayA compelling read that combines sharp insights, lyrical passages and dramatic tension.
—— LadyBlack humour and retrospective anguish prevail in Julian Barnes’s latest novel.
—— Lara Enoch , GuardianA beautifully told story, this is subtle and powerful.
—— William Leith , Evening StandardThis small novel is an elegant and unflinching account of a life lived under extreme pressure, during Stalin’s Great Terror. Julian Barnes fleshes out the life of the composer Shostakovich whose life is under threat. A powerful story, well-crafted and beautifully written about the humanity and torments of a creative soul… An informative, thought provoking read.
—— Western Morning NewsAn immense emotional and intellectual punch.
—— Sunday Times






