Author:Michael Morpurgo,Ian Beck

Published to mark the centenary of the outbreak of the First World War, this beautiful anthology collects favourite extracts, poems and images from some of the UK’s leading cultural, political and literary figures.
Poems, short stories, personal letters, newspaper articles, scripts, photographs and paintings are just some of the elements of this astonishing collection, with cover and artwork by renowned illustrator, Ian Beck.
Among the many contributors are Her Royal Highness the Duchess of Cornwall, Sir Andrew Motion, Miranda Hart, Dame Jacqueline Wilson, Anthony Horowitz, Eoin Colfer, Antony Beevor, Emma Thompson, David Almond, Dr Rowan Williams, Richard Curtis, Joanna Lumley, Raymond Briggs, Shami Chakrabarti and Sir Tony Robinson.
Royalties from the publication will be spilt between the Royal British Legion and projects for soldiers' children and families at SSAFA.
A compelling mix of fable with the day-to-day account of a working-class boy… It is hard to think of a novel that so precisely and vividly conveys the pain and disorientation of puberty
—— John Burnside , GuardianIs there a living writer better at conveying the disconcerting relationship between time and memory?... There is pleasure, too, in watching Petterson shift through the gears from pleasure to unease in one of those gloriously sinuous sentences that have become something of a trademark
—— Adrian Turpin , Financial TimesPetterson is remarkably gifted
—— James Wood , New YorkerIt packs a powerful punch… A clear-cut jewel of nameless dread and nagging anxiety: Scandinavian gloom par excellence.
—— Andrew Van Loon , Sunday TelegraphHis eerily terse prose luxuriates in the hazy strangeness of the Danish landscape and is particularly brilliant at nailing adolescence as an inchoate, restless state in which life is felt much more fiercely than it is understood.
—— Claire Allfree , Mail on SundayLike an old photograph, it illuminates everything to a sudden point of clarity… Petterson’s writing is so evocative of life on the cusp of becoming a teenager that when I close the book, I go back to the beginning and I re-read… Echoland is a novel that tastes of the sea and the sun and of frightening and beautiful thunderstorms.
—— BookmunchThe finest, boldest and funniest piece of fiction which Philip Roth has yet produced
—— SpectatorOne of Roth's most unsparing and revealing books - forceful and startling
—— NewsdayA savage, heart-wrenching novella
—— Harper's BazaarA simple beautiful ending to a deeply sombre book
—— Scotland on SundayA wonderfully risky project...an ambitious, multi-layered creation...an energising and uplifting story
—— The Daily TelegraphA moving exploration of the intricacies of the imagination, a sly teasing-out of a host of big ideas and small revelations, all hovering around a timeless quandary: how to observe, how to be
—— The New York TimesI wonder: How does she manage to so wonderfully weave in and out of time, to layer time, while creating something that feels like it was written this morning after she read today's newspaper?
—— PBS News HourPublisher's description. Autumn 2016: the UK is in pieces, divided by a historic once-in-a-generation summer. Love is won, love is lost. The seasons roll round as ever. From the imagination of the peerless Ali Smith comes a shape-shifting, light-footed, time-travelling novel. This is a story about right now, this minute; about ageing and time and love and stories themselves. Here comes Autumn.
—— PenguinTranscendental writing about art, death, political lies, trees and all the dimensions of love
—— Deborah LevyUnbearably moving, shrewd and dreamy, playful, strange [and] soulful...[An] assessment of what it means to be alive...Ali Smith has a beautiful mind and where her mind goes, you want to follow...I am struck by, and stuck on, Autumn.
—— New York TimesFantastic writing, big ideas and generosity of spirit
—— Cressida ConnollyThe first serious Brexit novel
—— Financial TimesShe is, of course, Scotland's Nobel laureate-in-waiting
—— ObserverAutumn is a beautiful, poignant symphony of memories, dreams and transient realities
—— The GuardianIt's all great fun, full of wit and invention and incident… And Hag-Seed is very funny, very often. The scenes where Felix's hard-chaw prisoners insult each other strictly through Shakespearean language are especially enjoyable.
—— Darragh McManus , Irish IndependentHag-Seed is funny and poignant, and offers much to amuse and delight.
—— Anne Sexton , Hot PressGreat fun, full of wit and invention and incident
—— Irish IndependentInspired and witty
—— Woman & HomeGenuinely moving ... The tender way in which Atwood handles [Felix's] story really gives Hag-Seed its power
—— Samantha Ellis , Literary ReviewAtwood on mischievous form
—— RedWitty and clever
—— Good HousekeepingStella Loves: Taking on a re-write of Shakespeare's The Tempest is a tall order. But Margaret Atwood is well up to the task with her new novel Hag-Seed
—— Stella MagazineBlows layers of dust off the play while asking clever questions about the relationship between power, delusion and creativity
—— MetroA delight... not only an unputdownable tale of revenge, it is also a masterclass in how to teach Shakespeare to those who think they won't like it
—— Alice O'Keefe , BooksellerAtwood’s canny remix offers multiple pleasures: seeing the inmates’ takes on their characters, watching Felix make use of the limited resources the prison affords (legal and less so), and marveling at the ways she changes, updates, and parallels the play’s magic, grief, vengeance, and showmanship
—— Publishers WeeklySo inventive, heartfelt, and swiftly rendered... Highly recommended.
—— Library JournalFellow fans, I am thrilled to report: Atwood is just as brilliant as ever. I would suggest scheduling some cozy armchair time with her book in the weeks to come
—— Yahoo, Top Reads this AutumnThe new novels promise an intriguing opportunity to revisit the tales we know so well and see them in a new light.
—— The Culture TripAtwood joins the roll call of literary stars retelling Shakespeare's plays... masterful... My favourite retelling so far
—— BooksellerAn ingenious construction.
—— Metro , Claire AllfreeShe merely understands that fiction can be a powerful weapon of
persuasion… A woman with inexhaustible talents
[A] triumphant reworking of The Tempest.
—— Sunday TimesAtwood’s take on The Tempest is intense and extravagant… Atwood beautifully reimagine Shakespeare’s The Tempest… She writes with gusto and brilliance.
—— UK Press SyndicationHag-Seed enchants, endears and empowers. Seeing The Tempest through the cast of characters Atwood creates and the author's own overarching narrative gives the original play new life.
—— Morning StarAtwood beautifully reimagines Shakespeare's The Tempest as Felix's personal and professional stories so aptly mirror the plot of the mystical and magical play. She writes with gusto and brilliance, making her the dream author to be part of the Shakespeare series.
—— Irish NewsThe most successful 'retelling' of Shakespeare yet in Hogarth's anniversary series [...] us a thrilling revenge drama ... [It] rattles along with Atwood nimbly reworking the classic
—— Donal O'Donoghue , RTE[Atwood's] unique take on vengeance, enchantment and second chances is sure to delight old and new fans alike
—— Image MagazineA novel of great humour and creativity
—— Socialist ReviewA fitting tribute to a play built on magic and illusion. It’s a celebration of theatre, yes, but just as much a celebration of learning and teaching. Atwood’s spellbinding adaptation is a testament to Shakespeare’s lasting relevance.
—— Grace Beard , Culture TripAtwood’s novel reflects the play’s multifaceted nature… A fun and imaginative novel.
—— Brad Davies , i, Book of the YearAtwood unrolls a dazzling remake of The Tempest… Ebullient comedy and keen perceptiveness combine in a bravura fictional tribute to Shakespeare.
—— Peter Kemp , Sunday Times, Book of the YearA passionately original, heady, often musical modern remix.
—— A.M. Holmes , Observer, Book of the YearI’d love to wake up on Christmas morning with Margaret Atwood’s Hag-Seed nestled in my stocking.
—— Rohan Silva , Observer, Book of the Year[A] highlight.
—— Justine Jordan , Guardian, Book of the Year[Hag-Seed is] particularly clever and witty, with layer upon layer of correspondences with the original text waiting to be teased out by readers.
—— Suzi Feay , TabletWhat’s impressive here is not just 77-year-old Atwood’s undimmed brilliance but the sheer effort she puts into the project… An absorbing read but also an erudite examination and explanation of the play’s themes. Not to be missed.
—— John Harding , Daily Mail, Book of the Year[It] would make an amazing Christmas present.
—— Starburst, Book of the YearAtwood brings forth a cast of characters that comfortably inhabit their own world but often burst out of the page in song and rhyme. It is a playful piece of writing, tempered by grief and revenge and the bitterness that can consume, but ultimately this is a book full of the joys of redemption and hope. Wonderful.
—— Carina Buckley , Times Higher EducationCleverly done… Very complex, like a set of Russian dolls. But it works amazingly well.
—— William Leith , Evening StandardDelightfully crazy.
—— Daily TelegraphRich and inventive… The play-within-a-play tripe is audaciously Shakespearean, and so is Atwood’s free-ranging imagination and witty way with language.
—— Simon Shaw , Mail on SundayMasterful… Clever, funny and tender
—— Woman & HomeShe casts The Tempest adrift in a prison and makes a magisterial case for the timeless, classless relevance of Shakespeare’s plays.
—— Jim Crace , New StatesmanI am in awe of Atwood
—— AM Homes , GuardianA real must read
—— Elizabeth Mansfield , Yorkshire Post