Author:Rafael Chirbes,Margaret Jull Costa

The acclaimed novel of Spain's economic crisis - a timely masterpiece.
Under a weak winter sun in small-town Spain, a man discovers a rotting corpse in a marsh. It’s a despairing town filled with half-finished housing developments and unemployment, a place defeated by the burst of the economic bubble.
Stuck in the same town is Esteban, his small factory bankrupt, his investments gone, the sole carer to his mute, invalid father. As Esteban’s disappointment and fury lead him to form a dramatic plan to reverse financial ruin, other voices float up from the wreckage. Stories of loss twist together to form a kaleidoscopic image of Spain’s crisis. And the corpse in the marsh is just one.
Chirbes’s rhythmic, torrential style creates a Spanish masterpiece for our age.
Utterly convincing in its psychological details, but also memorable for the beauty of its writing and rhythms
—— Colm TóibínA dizzying survey of the last 90 years of Spanish history... Margaret Jull Costa's incandescent translation carries along Esteban's turbulent torrent... When this book finally releases its grip, you may find your lapels sullied by grubby fingerprints you are in no rush to scrub out
—— Mara Faye Lethem , New York TimesChirbes, one of Spain’s premier writers, is at his best when fully immersed, as he is in this novel. If Proust and an Old Testament prophet had collaborated to write about Spain’s recession, it might have been something like the writing here - agonized, dense, full of rage, and difficult to forget
—— Publishers WeeklyOn the Edge, Chirbes’s masterpiece, arrives as a message in a bottle among all the cans, rusting appliances, and tangled tackle. The fumes of the lagoon mix with the lingering sulfur of the Atocha railway-station bombing; the Spanish economy has all but collapsed. Who, or what, is to blame? Chirbes’s novel accuses everyone
—— Joshua Cohen , Harper'sA moving, densely detailed portrait of people without hope
—— Kirkus ReviewsOn the Edge is masterful, a centrifugal novel with sentences like sticky tentacles that clutch onto readers and suck them into a swirling, tempestuous, pulsating center
—— Valerie MilesThis is the great novel of the crisis. The corrosive voice of Rafael Chirbes paints a portrait of a universe of unemployment and disappointment?the long hangover that follows the party of corruption
—— El PaísLiterature, as Adorno once said, is a clock that keeps ticking. But it is also the best tool for understanding the world when reality is torn to shreds. Both rules are strictly complied with by great authors. And Rafael Chirbes is one of them
—— El MundoChirbes has lent his main narrator an engaging voice of cultured pessimism… On the Edge is at its best when it locks the reader into Esteban’s fluid internal monologue. From this a fascinating portrait emerges of a whole society… This is a disquieting and consistently illuminating novel.
—— Times Literary SupplementStand[s] out among contemporary Spanish fiction.
—— Liza Cox , Totally DublinExhilarating… Chirbes is a novelist who asks a lot of his readers… If you meet the demand, you are richly rewarded.
—— Allan Massie , ScotsmanOver the past decade, [Chirbes] has become justly celebrated in Spain for his ambitious, panoramic novels about the economic crisis, political corruption and their attendant social ills – one of his best works produced in this line is [On The Edge]’
—— Times Literary SupplementOne of the finest Spanish novelists of his generation… An exhilarating ride.
—— Yorkshire PostAn impassioned examination of the Spanish collapse.
—— David Mills , Sunday TimesA wise, topical and important book.
—— Lucy Chatburn , BookmunchWe benefit greatly from this rangy, relentless and damning view from below
—— GuardianBeautifully written... profoundly sad
—— Patrick Anderson , Washington PostA powerful novel about one of the defining issues of our age.
—— BooksellerAt its best, Mahajan’s prose sings with novelty, sensuousness and empathy, keenly alive to many kinds of pleasure.
—— Nakul Krishna , Literary Review[A] thoughtful second novel
—— Hari Kunzru , GuardianThis is a superb novel… In mimicking the bomb’s structure, Mahajan creates its opposite: a careful, discriminate and moral work of art
—— Luke Brown , Financial TimesA steadily intelligent novel.
—— Thump, Book of the YearA novel that takes us all the way around the bombing, a story about the lives of the victims, the survivors and the bomber. A novel about India that is a novel about the world... A heartbreakingly true and daring novel...that can truly help us understand ourselves, and others, in the dangerous world in which we live
—— Alexander CheeAsk[s] us to consider...lives which rarely find themselves mentioned on the pages of newspapers, let alone in novels
—— Alex Preston, Best Fiction of 2016 , ObserverKaran Mahajan's masterful novel explores the aftermath of a small bomb detonation in the '90s in Delhi, and the many people whose lives it alters – from the families of victims to the bombers themselves. With great empathy and no lack of humour, Mahajan shows the multitudinous sides to the kind of story that we usually read a line or two about in a newspaper, or hear short mention of on television
—— EsquireThe Association of Small Bombs deftly shifts the reader’s sympathy back and forth between the two men who pull off a relatively insignificant small blast, and the people, sometimes dislikeable, who suffer the consequences. But the moral power of his novel comes from his determination to take individual losses – and choices – seriously, rather than assigning a scale whereby the degree of tragedy is calibrated by high or low body-counts
—— Nilanjana Roy , Financial TimesKaran Mahajan is a writer with great command and acute and original insights. He offers what few can: a stereoscopic view of reality in dark, contemporary times
—— Rachel KushnerThe Association of Small Bombs is...packed with small wonders of beauty and heartbreak that are impossible to resist
—— Dinaw MengestuIt’s a brave and frequently devastating novel whose themes of displacement and dehumanisation are all too timely
—— Paul Murray , ObserverThe last book that made my heart race? That’d be Neel Mukherjee’s A State of Freedom: completely propulsive and horrifying and astonishing
—— Hanya Yanagihara , GuardianA powerful novel about alienation and the illusion of freedom.
—— Hannah Beckerman , The ObserverStories of displacement, alienation and inequality add up to dynamic, life-affirming symphony – albeit one punctuated with discordant and unsettling notes.
—— Juanita Coulson , The LadyMukherjee confronts head-on the appalling deprivation and the caste stigma that bedevil so many lives, and the result is as powerful as it is disturbing.
—— Simon Shaw , Mail on SundayMesmerising complexity and the sharpness mixed with compassion and empathy. All the stories are beautifully written… Long after I finished it I realized the characters were still with me, vivid, compelling, haunting
—— Elif Shafak , Guardian






