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Now I Rise
Now I Rise
Nov 12, 2025 3:22 AM

Author:Kiersten White

Now I Rise

Empires will topple, thrones will be won . . . and souls will be lost. The mind-blowing sequel to AND I DARKEN, described by Buzzfeed as ‘A dark, gritty, and seriously badass epic’ is a sweeping Ottoman-inspired historical adventure. Starring the inimitable anti-princess Lada, the dagger-wielding drama of her story is perfect for fans of Sarah J. Maas and Victoria Aveyard.

Lada Dracul has no allies and no throne. After failing to seize the crown she believes is hers, Lada is out to punish anyone who dares to cross her. Filled with a white-hot rage, she storms the countryside terrorizing the land. But brute force isn’t getting her what she wants. And thinking of Mehmed, the sultan she might have been in love with, brings little comfort to her thorny heart. She left him before he could leave her.

Lada needs her brother Radu’s subtlety and skill. But Mehmed has sent him to Constantinople as his reluctant spy. Radu longs for his sister’s fierce confidence but for the first time in his life, he rejects her unexpected plea for help. Torn between loyalties to faith, to the Ottomans, and to Mehmed, he knows he owes Lada nothing. If she dies, he could never forgive himself, but if he fails in Constantinople, will Mehmed ever forgive him?

Reviews

A dark, gritty, and seriously badass epic that will have you dying for more . . . required reading for every feminist fantasy fan

—— Praise for AND I DARKEN , Buzzfeed

Lada – so ugly and mean that readers will adore her – stubbornly rejects gender roles . . . and the characters . . . benefit from complex motivations and an unconventional love triangle. Addictive intrigue

—— Praise for AND I DARKEN , Kirkus

In this sly and unexpected novel, Laub asks how some thrive in spite of trauma and others fall apart in the face of success.

—— Financial Times

DIARY OF THE FALL: Extraordinary... In my world, this novel is already a classic

—— Karl Ove Knausgaard

DIARY OF THE FALL: A work of immense incantatory power

—— Neel Mukherjee , Literary Review

One of Brazil’s finest authors offers a meditation on betrayal, guilt, survival and the many ways in which personal and collective histories collide.

—— Financial Times, Best Books of 2017

The narrator is. . . a Nick Carraway-type whose apparent detachment eventually collapses to reveal deep emotion. In this sly and unexpected novel, Laub asks how some thrive in spite of trauma and others fall apart in the face of success.

—— Financial Times

An erudite page-turner.

—— Lady

It’s wonderful how Emily Hauser brings alive this Bronze Age world . . . this is immersive writing, marvellously descriptive and evocative . . . an elegant, exciting and in some ways moving story.

—— Kate Atherton , For Winter Nights

It is Atalanta, determined to prove herself every bit as good as a man, who turns this into a story which speaks to us . . . Despite the will of the gods, she is very clearly in charge of her own destiny. It is this mixture of feminism and self-determination which makes For the Winner a very modern and relevant novel.

—— Historical Novel Society

This is the sort of story I dreamed of covering when I was a journalist. The sort of story for which the phrase You couldn’t make it up was invented. The Adversary takes a deep, mesmerising dive into the darkness of a human soul. There were moments when I truly could not believe what I was reading. But unlike other serial killer noirs sitting on my shelves, this horror is real. And so much more chilling for that.

—— Fiona Barton, author of The Widow

[A] book that fairly struck me over the head was The Adversary… it’s the coexistence of almost unimaginably variant realities within a family that haunts you.

—— Megan Nolan , New Statesman, *Books of the Year*

A remarkably thoughtful and unnerving book...mesmerising

—— Sunday Telegraph

Profoundly disturbing...a remarkable and undoubtedly important book - perhaps even a necessary one

—— Daily Express

A fascinating meditation on Jean-Claude Romand and what his bizarre life might mean... Carrère's inquiry is highly personal, written in lucid prose...the narrative is often mesmerizing, and revealing about the fragility of human relationships

—— New York Times

As a writer, Carrère is straight berserk; as a storyteller he is so freakishly talented, so unassuming in grace and power that you only realize the hold he's got on you when you attempt to pull away... You say: True crime and Literature? I don't believe it. I say: Believe it

—— Junot Díaz

Justifiably considered the French In Cold Blood

—— Paris Review

The sense of dread he conveys is authentic – it is a loss of self, of connection to the world...dystopian

—— London Review of Books

It’s fascinating, watching Carrere dig around in Romand’s inner life… By the end you feel this clever, intriguing book is too good for its banal human subject.

—— Robbie Millen , The Times

Dark, strange, astonishing.

—— Marcel Theroux , Big Issue

A jaw-dropping tale of murder and deception that goes right to the heart of what it means to be human... The perfect antidote to an excess of sunshine

—— Paul Murray, author of THE BEE STING , Observer, *Summer Reads of 2023*

The perfect antidote to Trump.

—— Sarah Churchwell , Guardian

This book is a compelling study of the relationship between artist and spectator, and how suffering feeds into art, and he’s made of it a bravura performance… Extraordinary.

—— Alastair Mabbott , Herald

A haunting, intense and Man Booker International prize-winning novel from a great writer.

—— Mail on Sunday

Incredibly fast paced, and the dialogue comes at you like a machine gun… It is powerful in its own right.

—— Sara Garland , Nudge

Abrasive, unexpected and eventually heartbreaking, it is a masterclass in characterisation and structure, and it beat off some exceptionally strong competition to win the prize… A Horse Walks into a Bar is quite unlike any other Grossman book except in one important respect: it’s another masterpiece.

—— Nick Barley , New Statesman

Excellent.

—— Dara Ó Briain , Observer

Pitch-perfect black comedy

—— Salman Rushdie , Guardian
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