'A fever-dream of a book, destined to become a Cold War classic'

'Quirky, affecting and powerful'

'A novel with a distinctive cutting vision...[Its] immediate ancestor is Catch-22'

A real stunner of a debut: Long Lankin is a wonderful, imaginative slow burner of a thriller . . . Lindsey Barraclough's first novel is written with a style and intelligence that would put many an adult thriller to shame

Such an impressive debut. Every element is spot on - from the elegant prose, through the realistic portrayal of various aspects of family life, the three-dimensional characters and the occasional comic set-piece, to the supernatural horror underpinning it, which is absolutely chilling. Highly recommended

Well written and well paced, with more than a sprinkling of hair-raising moments

A story to get lost in

Barraclough's debut, which is based on a centuries-old British ballad, is a ghost story through and through, chock-full of mysterious apparitions, strange voices, cryptic warnings, and townsfolk who chorus beware

The story, based on a traditional poem, moves to a chilling conclusion

Barraclough's depiction of Bryers Guerdon, a village half-immersed in mist-clad marshes, is as vivid as it is frightening; its silent and close-lipped inhabitants are reminiscent of those of Crythin Gifford in Susan Hill's The Woman in Black. Much of our time is spent in Guerdon Hall, a sinking wreck of a house, exploring the dusty tombs of its abandoned rooms. As the action builds, the cellar and, perhaps most notably, the nearby churchyard become the focus of a gripping, supernatural climax

This atmospheric, pulse-pounding debut makes the most of its rural, post–World War II setting, a time and place where folklore uneasily informs reality. Barraclough controls her narrative with authority, shifting voices and tenses to provide both perspective and the occasional welcome respite from tension . . . A good, old-fashioned literary horror tale for sophisticated readers

Harvey's talent is in the details of both characters and relationships that seem trivial but are telling ... Harvey is a master of language, adept at both Wildean one-liners ... and more profound expression

In this Socrates-like story Samantha Harvey examines a dramatic sibling relationship whilst questioning the place of philosophy in modern life

Lovely observations on a sibling relationship

Graceful and full of sharp observation and moments of understated pathos

[A] satirical debut about the newspaper business

A cutting, hilarious portrait of British print journalism... An entirely human story that brilliantly recreates and analyses the recent past

Those gripped by the escalating News International scandal might enjoy the latest newspaper novel Annalena McAfee's The Spoiler

authentic, entertaining and draws on her own experience as an arts journalist

The Spoiler - set in the halcyon days before phone hacking - was one of the funniest and sharpest fleet street novels in years.

McAfee - herself a former journalist - evokes two distinct eras and styles of journalism, that of fearless frontline reportage and that of its successor: style-oriented, celebrity-obsessed features coverage... This is a pacy read that leaves little doubt in the reader's mind that one school of journalism deserves more mourning than the other

Marvellous satire...the novel is cunningly plotted and satisfyingly nuanced

If the peek into the world of newspaper journalism afforded by the Leveson inquiry has you gasping for more, then this timely paperback release is perfect...a fiendishly funny (and frighteningly plausible) world of fiddled expenses and suspect tactics

Thoroughly enjoyable behind-the-scenes expose of an ambitious celebrity journalist's attempt to nail the scoop of her life

This is the paperback edition. The hardback appeared before the News Corporation bosses were dragged into the Commons. McAfee was either very prescient or close to the action, holding her fictional hacks to account for printing false stories gleaned from disreputable sources

This fictionalised version of HG Wells dramatises the author's life, which was full of politics, writing and women

David Lodge's HG Wells was both a visionary and a chancer; as arrogant as he was insecure; with as many noble goals as base instincts; a mass of very human contradictions; as Lodge has it, a man of parts