Author:Simon Brett,Lisa Coleman,Rosemary Leach,Angela Thorne,Celia Imrie,Felicity Montagu,Full Cast,Bill Nighy
Series 6-9 of the BBC Radio comedy drama following the fortunes of three forty-something sisters
Sisters Anna, Victoria and Charlotte are back for four more series, in which relationships are forged, hearts are broken and family ties are strained - but not severed.
Older sister Anna continues to live her life on her own terms, despite her sisters' insistence on being there for her. But when she suffers a couple of knocks to her confidence and needs a shoulder to cry on, they are too self-absorbed to be any use. Fortunately, niece Emily provides moral support, and Anna reciprocates with some down-to-earth advice about Emily's love life.
With their daughter away at university, Emily's parents find themselves reassessing their marriage. Roger is tempted to stray, while Victoria become even more insecure - and a death in the family sends shock waves rippling in unexpected directions.
Meanwhile, Charlotte's star rises and falls, as she makes her soap opera debut and finally acquires celebrity status, only to have her bubble cruelly burst. With her acting career seemingly on the decline, she embarks on a quest to find herself - and makes some surprising discoveries...
Written by Simon Brett, this much-loved sitcom stars Rosemary Leach as Anna, with Angela Thorne as Victoria, Celia Imrie and Felicity Montagu as Charlotte, Lisa Coleman as Emily and Bill Nighy as Roger.
Produced by Maria Esposito (Series 6-8) and Simon Brett (Series 9)
Music composed by Elizabeth Parker, BBC Radiophonic Workshop
Cast
Anna - Rosemary Leach
Victoria - Angela Thorne
Charlotte - Celia Imrie/Felicity Montagu
Roger - Bill Nighy
Eddie - James Greene
Emily - Lisa Coleman
With Edward de Souza, Christian Rodska, Joanna Monro, Will Ing, Jane Gibson, Alan Cowan, Alison Skilbeck, Simon Brett, Tracy-Ann Obermann, Bruce Alexander, James Vaughan, Colin Starkey, Kenny Blythe, Natalie Casey, Jason Done, Michael Jayston
First broadcast BBC Radio 4, 14 July-18 August 1999 (Series 6), 31 January-7 March 2001 (Series 7), 2 January-6 February 2002 (Series 8), 1 January-5 February 2003 (Series 9)
Richly enigmatic, with regular flashes of Coetzee's piercing intelligence
—— Theo Tait , GuardianAs ever, JM Coetzee manages to dodge every category with mesmeric cunning... This limpid, gnomic and surprisingly witty tale will take root in your imagination’
—— Boyd Tonkin , IndependentThere are lots of traditions and tales mixed in – along with mathematics and a wonderfully poetic use of language
—— Financial TimesEngaging and thoughtful
—— Theo Hobson , TabletWritten with all of Coetzee’s penetrating rigour, it will be an early contender for an unprecedented third Booker prize
—— Tim Adams , ObserverDouble Booker Prize-winner Coetzee's fable has a dream-like, Kafkaesque quality. Are we in some kind of heaven, purgatory or simply another staging post of existence? Clear answers are elusive, but this is a riveting, thought-provoking read and surely Coetzee's best novel since Disgrace more than a decade ago
—— John Harding , Daily MailA fine, haunting novel that gets under your skin and into your marrow
—— Jake Kerridge , Daily ExpressThe Childhood of Jesus represents a return to the allegorical mode that made him famous... The Childhood of Jesus does ample justice to his giant reputation: it’s richly enigmatic, with regular flashes of Coetzee’s piercing intelligence
—— Theo Tait , GuardianHe’s not quite the Messiah but J.M. Coeztee is a devilishly clever novelist… J.M. Coetzee fashions prose of a lapidary clarity and grace… Coetzee has returned to the (paradoxically) clear and yet opaque fable mode of master-works such as Waiting for the Barbarians. Given the title, one might expect a bleak retelling of gospel stories…but Coetzee never makes things so simple for disciples
—— Boyd Tonkin , IndependentThis book will continue to act, silently and unexpectedly, on the reader’s imagination. It unpicks the Christian myth and braids it together with folk tales, the early novel, Pythagorean mysticism, Platonic philosophy, Buddhist epigrams, mathematics – powerful and poetic languages that underwrite our world
—— Hedley Twidle , Financial TimesAs well as an intriguing literary and metaphysical puzzle, the book is also one of profound and painful humanity, preoccupied with some of the most essential questions about what it means to be a parent and what happens when noble principles are confronted with the grubby details of everyday life
—— Patrick Flanery , Washington PostIt's a relief after reading a lot of contemporary fiction to come across the sober prose of Coetzee. He doesn't shout at you... He knows what he's doing... The whole novel is a kind of escape act, an elaborate rope trick... magical
—— Benjamin Markovits , ObserverThis is a book to make you think. This is a book to forcefully turn you away from mindless entertainment and set you on a journey inwards, where you ask yourself the important questions in life. It's philosophy as fiction... Part of his achievement is down to how fit for purpose his prose is. It is remarkably sparse and yet feels dense, weighted with layers and layers of meaning
—— Irish Independent[A] moving but mysterious story of a lost childhood... Is it possible to be deeply affected by a book without really knowing what it's about? Before reading J.M. Coetzee's new novel I might have said no - but now I'm not so sure... [As] disquieting as it is moving... [All] I can say is that ever since I finished it, it's been going round and round inside my head like nothing else I've read in ages
—— John Preston , Sunday TelegraphWhat JM Coetzee writes matters... [A narrative mode] akin to that of Kafka... At once lucid and elusive
—— David Sexton , Scotland on SundayReading JM Coetzee is like swimming in a sea with a calm surface and a savage undertow. His sentences are lean; his subjects menacing: power, race, animal rights and confession
—— Intelligent LifeTormented states of mind, ambivalence and guilt stalk his work, as do the dual influences of Kafka and Beckett
—— Eileen Battersby , Irish TimesA retelling of the gospels? A fable about Utopian, Chaves-style socialism? Coeztee moves in mysterious, but mesmerising, ways
—— iThere are knotty concerns here on reading, on order and chaos, on political engagement, on almost anything you can think of. But, “you think too much,” Elena says to Simón. “This has nothing to do with thinking.”... What Coetzee has given us is a book not of answers but of questions... Coetzee’s prose is clean and efficient, driving the reader on through the mazy stasis of life in Novilla. There is plenty of what, to avoid a cliché, we might call Kafkaish stuff... These qualities, combined with the enjoyable and unaccustomed exercise of thinking about the book – wanting to think about it – all the way through, meant that in a strange sense, The Childhood of Jesus is the most fun I’ve had with a novel in ages
—— The AsylumThere aren’t many subjects bigger than the question of faith – and with The Childhood of Jesus, Coetzee appears to have found a subject worthy of his high-level craftsmanship
—— Nadine O'Regan , Sunday Business PostAn intellectual adventure
—— Shanice McBean , Socialist ReviewA perversely comic, intellectually profound and obscurely allegorical novel
—— Vivek Santayana , Edinburgh Journal