Author:Simon Brett,Rosemary Leach,Celia Imrie,Josie Lawrence,Full Cast,Nicola Pagett,Bill Nighy
The first five series of the BBC Radio comedy drama about the lives and squabbles of three very different sisters
After years of looking her after elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around?
Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears. Throughout these five series, she becomes embroiled in their various dramas and crises, as actress Charlotte suffers a series of career and romantic disappointments and housewife Victoria grows increasingly discontented with her husband Roger. And as Victoria's daughter Emily grows from sulky teen to young woman, she, too, starts to confide in her aunt Anna.
With all her relatives involving her in their affairs, will Anna still be able to forge her own path - and maybe even find romance?
Created by award-winning author Simon Brett, whose radio sitcom credits include After Henry and Smelling of Roses, this classic comedy about sisterly dissension stars Rosemary Leach as Anna, with Nicola Pagett as Victoria and Celia Imrie and Josie Lawrence as Charlotte.
Produced by Paul Schlesinger (Series 1 & 2), Ann Jobson (Series 3 & 4) and Maria Esposito (Series 5)
Music composed by Elizabeth Parker, BBC Radiophonic Workshop
Cast
Anna - Rosemary Leach
Victoria - Nicola Pagett
Charlotte - Celia Imrie/Josie Lawrence
Delia - Maxine Audley
Roger - Stephen Moore/Roger Llloyd Pack/Jonathan Coy/Bill Nighy
Eddie - James Greene
Emily - Lisa Coleman/Natalie Walter
With Andrew Wincott, Benjamin Whitrow, Ronald Herdman, Mark Straker, Theresa Streatfeild, Robert Bathurst, Peter Penry-Jones, Nicholas Murchie, David Swift, Neil Roberts, Teresa Gallagher, Dominic Letts, Jillie Meers, William Osborne, Philip Anthony, Simon Treves, David Thorpe, John Baddeley, David Antrobus, Michael Tudor-Barnes, Rachel Atkins, Jonathan Keeble, Derek Waring, Ian Masters, Kim Wall, Kelda Holmes, Geoffrey Whitehead, Joshua Towb, Jon Glover, Edward de Souza
First broadcast BBC Radio 4, 9 January-13 February 1992 (Series 1), 29 July-2 September 1993 (Series 2), 24 November-29 December 1994 (Series 3), 24 July-28 August 1996 (Series 4), 9 July-13 August 1998 (Series 5)
An action-packed and very promising start to the new High Republic era of Star Wars.
—— Digital SpyThe ultimate Star Wars in medias res . . . an excellent adventure. Cool creatures, inventive action that bends but never breaks the rules of the Force, and compelling relationships and perspectives are all here
—— Den of GeekAn intriguing and ambitious start to a new era . . . I can't wait to read more.
—— Slash FilmA welcome celebration of the Jedi. Gripping in a way that's absolutely thrilling . . . The action is breathtaking
—— Screen RantGive us the version of the Jedi Knights fans have been hoping for . . . lighting the way for it to be one of the most engaging Star Wars projects in recent years.
—— Radio TimesFeels like Star Wars unchained . . . The Jedi of the High Republic are a bunch of awesome space wizards bringing justice with the Force, and it feels like they're having fun every step of the way.
—— CNETA blockbuster piece of theater, a major American play
—— New York Daily News on 'Fences'A moving story line and a hero almost Shakespearean in contour
—— Wall Street Journal on 'Fences'In his work, August Wilson depicted the struggles of black Americans with uncommon lyrical richness, theatrical density and emotional heft, in plays that give vivid voices to people on the frayed margins of life
—— New York TimesSure to be a best-seller, this debut novel looks set to make big waves and is the perfect read for people looking to hear a familiar story told from an entirely new and fresh perspective.
—— Buzz MagIf you've been looking for a novel that spins its plot around history, love, racism, ambition, faith, friendship and the sometimes crushing expectations of family, call off the search ... I've struggled with my attention span when it comes to reading during the third lockdown but this had me absolutely hooked ... incredibly skillful. I can't wait to see what she does next.
Zayyan brings attention to a period of history that many may be unaware of and reckons with some of the real world consequences of colonialism in an interesting and personalised way. It is a brave book in those terms ... we also witness some very believable and relatable instances of modern day racism as well as a strong and interesting account of how he struggles to balance his way of life with the wishes of his parents ... Zayyan writes very well ... in Sameer she writes a complex, interesting character who makes sense as a product of his life circumstances ... We Are All Birds of Uganda does tell stories that I haven't often read before, and brings attention to parts of history that really need to be focused on in our current climate.
—— BookmunchRapper Stormzy's favourite debut soars by asking: Who are we - and how do we belong?
—— Shivani Kochhar , Mail OnlineOn the evidence of this book, which is set in England and Uganda, [Zayyan] is an exciting new literary talent.
—— Phoenix Paper[A] tender, beautifully written read ... This remarkably accomplished debut is a moving tale of love and loss, told between two continents over a troubled century.
—— Irish Country MagazineZayyan's novel is emotive, multi-layered and makes for necessary reading.
—— StudioFrom the moment the Afrori Team saw this book we were captivated. It is one of the most remarkable debut novels we have come across. A book you will not forget.
—— Afori Books...It's a complex and delicately flavoured dish to be savoured and digested slowly.
—— The Northern EchoImpressive and admirable.
—— Shiny New BooksBeautiful.
—— Lonesome ReaderSo brilliant, moving and just prescient for today that I just want to keep on waffling about it.
—— Crazed Red HeadA truly thought provoking novel which makes you wonder and question yourself and the world long after putting it down. A real success.
—— Candid Book ClubA stirring exploration of love and displacement.
—— Woman & HomeA remarkably accomplished, polished debut.
—— Malorie BlackmanOne of the hottest titles right now, Jennie Fagan's Luckenbooth has won all round acclaim.
—— Edinburgh Evening NewsThe novel unfolds like a set of dark short stories, with a different character narrating or guiding each one. But there's a twist: Luckenbooth is not just haunted by the realities of time and history, but also by the strong musk of the gothic imagination ... Thickly worked and carefully assembled, the novel functions as a claustrophobic chiller and as a testament to lives led beyond the margins and in the shadows.
—— Bidisha , The ObserverLuckenbooth ... is littered with lines like this. The sort of lines that demand to be read and reread: splendid in isolation, electric in combination. Fagan writes with drama. She can pick out the fine detail, in neat brush strokes, no doubt, but it is in drawing her arm back and attacking a story with great, sweeping lyricism that she propels Luckenbooth forward, dragging the reader through the 20th century, as experienced by a compelling cast of characters.
—— Buzz MagSlips and slides through layers of history, tears in the fabric of time and a series of strange shape shifting characters - it's a wonderful work that is a trip into a spectral interzone but also staged in a warped reality - great writing and a major talent.
—— John Robb , Louder Than WarA novel for readers with sophisticated tastes.
—— Fantasy HiveUniquely gripping visions of the hidden social, economic and spiritual forces at play in 20th-century Edinburgh.
—— Morning StarDazzlingly ambitious.
—— Douglas Stuart, author of Shuggie Bain , The WeekAs sexy and horrifying as any fairy story, it is a book concerned, not only with a structure, but with structures: alphabetical, architectural, societal, what they are built upon and how they crumble
—— Bella CaledoniaPrize-winning author Jenni Fagan does not disappoint with her latest novel, Luckenbooth, which is easily her most compelling yet. In her usual poetic style, Fagan tells of a nine-storey Edinburgh tenement just off the Royal Mile that is creaking with secrets. Throughout this haunting novel, characters' secrets and memories live on in the howling gales of the spirit world, desperate to re-enter their lives. The narrative takes us through eight decades - from 1910 to 1999 - working its way up all nine floors of the building in hopscotch fashion, allowing for an intriguing interpretation of 20th-century life in the capital. Prepare to be transported into a Fagan's weird and wonderful imagination. It is a whirlwind read and one that I could not put down until the final page had turned.
—— Scottish FieldAs sexy and horrifying as any fairy story, it is a book concerned, not only with a structure, but with structures: alphabetical, architectural, societal, what they are built upon and how they crumble.
—— Bella CaledoniaAn Edinburgh tenement building is haunted by tall stories and unnerving strangers, from William Burroughs to the devil's daughter, in this weird and wonderful gothic confection.
—— GuardianHer "world building" is highly effective, and each character fully inhabits their decade. Fagan's writing is anchored in societal issues, the wrongs done and the ways individuals have challenged those wrongs and asserted their individuality and sexuality in ways that might make them seem misfits, outcasts. Fagan certainly pulls no punches and is determined that these passionate, authentic stories should not be confined to the periphery.
—— Historical Novels ReviewA deliciously weird gothic horror
—— The Washington PostAn ambitious and ravishing novel that will haunt me long after
—— The New York Times