Author:James Robertson
WINNER OF THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION
'To tell the story of a country or a continent is surely a great and complex undertaking; but the story of a quiet, unnoticed place where there are few people, fewer memories and almost no reliable records - a place such as Glen Conach - may actually be harder to piece together. The hazier everything becomes, the more whatever facts there are become entangled with myth and legend. . .'
Deep in the mountains of north-east Scotland lies Glen Conach, a place of secrets and memories, fable and history. In particular, it holds the stories of three different eras, separated by centuries yet linked by location, by an ancient manuscript and by echoes that travel across time.
In ancient Pictland, the Christian hermit Conach contemplates God and nature, performs miracles and prepares himself for sacrifice. Long after his death, legends about him are set down by an unknown hand in the Book of Conach.
Generations later, in the early nineteenth century, self-promoting antiquarian Charles Kirkliston Gibb is drawn to the Glen, and into the big house at the heart of its fragile community.
In the present day, young Lachie whispers to Maja of a ghost he thinks he has seen. Reflecting on her long life, Maja believes him, for she is haunted by ghosts of her own.
News of the Dead is a captivating exploration of refuge, retreat and the reception of strangers. It measures the space between the stories people tell of themselves - what they forget and what they invent - and the stories through which they may, or may not, be remembered.
A haunted, haunting, and deeply humane book
—— Robert CrawfordIt's like some beautifully ornate kist or jewel-box that for most of the encounter you admire for its own sake, only to find a key, near the end, that opens onto even more treasure
—— Gavin FrancisIt is another wonderful piece of storytelling from James Robertson, offering a penetrating exploration of the complexities of collective memory and the tenacity of tradition, all played out through a thousand years of life in a single glen. It has all the makings of a timeless classic in its own right.
—— Professor Gary WestJames Robertson is an extremely fine novelist . . . This is a superb book. . . It is not a book anyone will forget quickly.
—— Scotland on SundayOne of Robertson's skills as a novelist is to make both events real and imagined feel equally convincing.
—— ProspectSubtly explores the relationship between place and identity
—— The Sunday TimesI fell into Checkout 19 and didn't want to climb back out. It is wonderful - I'm not sure why, and that makes it all the more wonderful.
—— Roddy DoyleBennett is a leading exponent of a new modernism, but her voice is all her own. Her prose is profoundly surprising; she gets to places you didn't know were there.
—— Anne EnrightReading Checkout 19 filled me with joy, it is so good! The writing is exceptional; rich, playful and at the same time full of presence and urgency. It is a book about literature, how reading both expands our world and takes us away from it, and it is also a book about life {when it is] at its most vulnerable, and these two merge into the question: how can we take back our own story? What is our own story? Bennett writes like no one else, she is in complete control of the language, skilfull and innovative in an almost joycean way. She is a rare talent, and Checkout 19 is a masterful novel.
—— Karl Ove KnausgaardI'll remember this book for its disarmingly figurative language and its subtle observational humour...Bennett...traces one person's idiosyncratic, recursive artistic becoming - not just the reading, writing, and cigarette smoking but the relationships and experiences that unlock new ways of seeing.
—— Vulture, *Books We Can't Wait to Read in 2022*This is the book - the one you've been looking for. It really is. It's full of desire, rage, mischief, opulence. This is the book. It's about what's important - about finding it, grasping it, losing it. This is the book.
—— Toby LittOn the basis of just one book, the mysterious Pond, Claire-Louise Bennett established a devoted following pretty much worldwide. This is her new book to shake the world anew.
—— Sebastian BarryCHECKOUT 19 has radically altered my idea of what is possible in a novel, while being continuously gripping, sometimes deeply moving and often very funny. There are long passages in here which feel touched by the hand of god, more channelled than written.
There's no one in whose language and rhythms I'd rather immerse than Claire-Louise Bennett, as her character plumbs her own past and a personal history of literature, via classrooms and train stations, supermarket aisles and Viennese opera houses, pickled cucumber and cheese on toast. Witty, moving and propulsive, Checkout-19 makes a triumphant case for what novels - and reading - can do.
—— Francesca WadeA profound and very funny book about growth and promise, and how not to kill them off; about women reading and writing and how they survive... thrilling.
—— London Review of BooksAn extraordinary document about the richness of inner life... It is rare to feel the sensation of another mind as vividly as in this radiant book.
—— Phil Baker , Sunday TimesUnconventional and imaginative... this is a book about memory, reading and writing that is intelligent and often absorbing.
—— Fanny Blake , Daily MailCheckout 19 inches close to what it is to love... The novel is defiantly told through impulse - the impulse to write a certain character, to read a particular book, to say something or stay quiet - and in this way, a woman, and a writer, emerges.
—— Rebecca Watson , Financial TimesCheckout 19 is a fresh take on the coming-of-age novel-one in which we don't already know how the story will end, or if it will have an 'ending' at all. Bennett manages to convince the reader that somewhere, her narrator continues to think and ponder and live and wrestle with being in a body, like the rest of us.
—— Lit Hub, *Most Anticipated Books of 2022*A fantastically various novel consisting of seven sections in which we loosely follow a narrator...at different ages and in different places - through an intricate collage of ideas, sensations and emotions.
—— Alex Clark , GuardianClaire-Louise Bennett is a once-in-a-generation talent. Plugging into and transforming the rich (if much suppressed) seam of literary history that runs via Ann Quin, B. S. Johnson, Ingeborg Bachmann and Mary (not Percy) Shelley all the way back to Milton and beyond, she affirms a real belief in literature-as-literature: the confidence to let it do its thing on its own terms, and a jubilant pleasure in watching it all unfurl.
—— Tom McCarthySurprisingly exhilarating, packing both an intellectual and emotional punch... Checkout 19 offers plenty to relish: fizzing sentences, set pieces that are funny, alarming or both a convincingly fractured portrait of a convincingly fractured narrator.
—— James Walton , Daily TelegraphThis is one of the most extraordinary books it has been my privilege to review... elegant... marvellous... phenomenally engineered... If I were a Booker judge again, I would move heaven and earth to get this on the shortlist.
—— ScotsmanAn immersion in literature serves to inspire in a larger sense, to inflame a feeling of wonder and possibility - a dynamic not only evoked but also achieved by this elatingly risky and irreducible book.
—— Leo Robson , GuardianThat we come to life through reading is the idea that grounds these free-roaming stories. Experiencing Checkout 19 is equally earth-shaking; mundanity is spun into the magical... This is a book that is meant to be read backwards as much as forwards - turning back the pages, fishing for jewels missed the first time around.
—— Miriam Balanescu , iA book that refuses to abide by conventional expectations of storytelling... What emerges, all the more affectingly for being so serpentine, is an invigorating portrait of the artist as a young - and then older, surer - woman... Turn the final page of this most uncompromising of works and you'll be filled with admiration for the way in which its freewheeling momentum turns out to have been so sinuously choreographed, its every mystery, commonplace and apparently defunct deviation mesmerically apposite
—— Hephzibah Anderson , GuardianBennett's stunning debut introduced us to a writer of extraordinary talent, and this follow-up is sure to cement her position among the finest contemporary storytellers.
—— Monocle[An] intriguing, at times hallucinogenic, debut novel.
—— Ellen Peirson-Hagger , New StatesmanClaire-Louise Bennett's Checkout 19 is a book unlike anything you will have read before... at times a fast changing novel, at others a magnificent listing of a life lived in books, and at others a smartly written polemic on the vicissitudes of contemporary society, it's simply unclassifiable.
—— Patrick Maxwell , Big IssueBrilliantly clever and brilliantly fun
—— Tom Overton , White Review, *Books of the Year*Encompassing literary criticism, suggestive fables, feminist polemic, a portrait of the artist, and a phenomenology of reading, [Checkout 19] transfixes on both the right page and the left. Bennett marvels once again.
—— Starred Publishers WeeklyAmbitious, unsettling and funny, this book is full of desire and mischief with surprising results.
—— Platinum, *Summer Reads of 2022*