Author:Dannie Abse
The year 2009 marks the 60th anniversary of the publication of Dannie Abse's first poetry collection, After Every Green Thing, and since that time he has published an astonishing range of books, including poetry, fiction, criticism and autobiography. He remains a writer of great distinction who is at the height of his powers - his memoir, The Presence, won the Wales Book of the Year in 2008. But it is as a poet that Dannie Abse is best known, and to mark this extraordinary milestone he has compiled a new and definitive volume of selected poems which includes new work combining both passion and maturity.
The Presence is a fragment of autobiography written from the most private part of a poet's heart, with a pen dipped in blood and tears
—— Carol Ann Duffy, The Daily TelegraphFor all its painful honesty [The Presence is] a surprisingly joyful and compelling book... Imbued with all the best qualities of what it means to human and in love
—— Owen Sheers, Independent on SundayHis best work in a long life of brilliant writing
—— Maggie Gee, New StatesmanAbse's poems are filled with wonder. He remains one of our few great poets of married love
—— Elaine Feinstein, The TimesCompassionate without resorting to sentimentality, clever without ever losing its honesty, an undisguised novel of ideas which is also Ian McEwan's most human work
—— Times Literary SupplementThoughtful and compassionate
—— London Review of BooksThis book describes the panic of losing a child… The engulfing destructive pain is brilliantly explored
—— Alison Steadman , WeekThe Child in Time is a dense, atmospheric book as much concerned with philosophical debate as with plot.
—— Daily TelegraphThe Child in Time is an extraordinary achievement in which form and content, theory and practice, are so expertly and inseparably interwoven that the novel becomes an advertisement for, or proof of, its own thesis.
—— Sheila Macleod , GuardianA book of great maturity, beautifully alive to the fragility of happiness and all forms of violence... Everyone should read Saturday
—— Financial TimesThe supreme novelist of his generation
—— Sunday TimesDazzling... Profound and urgent
—— ObserverA brilliant novel.It is McEwan writing on absolute top form
—— Daily MailRefreshing and engrossing, dense with revelation. Superb
—— Independent on SundayA rich book, sensuous and thoughtful... McEwan has found in Saturday the right form to showcase his dazzling talents
—— The TimesMcEwan is word-perfect at handling the awkward comedy of this relationship and, as ever, turning it into something far more disturbing
—— ObserverTwo characters so vibrant they step straight off the page
—— Yvonne Cassidy , The TabletMcEwan's brilliance as a novelist lies in his ability to isolate discrete moments in life and invest them with incredible significance
—— Tim Adams , ObserverMcEwan's style is lean and clear...every sentence feels carefully crafted, the words all perfectly in place
—— John Harding , Daily MailA tightly focused human drama... McEwan gives the reader access to both characters' thoughts with his usual skill, and the comedy of embarrassment, or of the kind of erotic misunderstanding that Milan Kundera used to specialise in, quickly disappears as the marital bed begins to seem more and more ominous... The bedroom scene itself is carried off brilliantly
—— Christopher Taylor , Sunday TelegraphA fine book, homing in with devastating precision on a kind of Englishness which McEwan understands better than any other living writer, the Englishness of deceit, evasion, repression and regret. In On Chesil Beach McEwan has combined the intensity of his narrowly focused early work with his more expansive later flowered to devastating effect
—— Justin Cartwright , Independent on SundayMcEwan is the kind of author who can say more in a sentence than most can say in a chapter...This is a thoughtful book which provokes thought. But more immediately than that, this is a book which, while managing to be very funny, gives us a wonderful and moving portrait of a specific time, and two of its hostages, and of how to make a mess of love
—— Keith Ridgeway , Irish TimesMcEwan conveys the near-numinous significance of a single moment with quiet, almost unbearable grace
—— MetroA heavenly read
—— Marie Claire