Author:Stephen L Carter

When The Emperor of Ocean Park was published, the Observer declared: 'The book is superb, both as a thriller and as a novel of social observation.' Now, with that same astute social observation, narrative drive, and richness of plot and character, Stephen Carter returns us to the New England university town of Elm Harbor, where the murder of a renowned African-American economist opens a door on the racial complications of the town's past, on one family's secrets, and on the most hidden and powerful bastions of African-American political influence.
At the centre are Lemaster and Julia Carlyle. He is president of the university, she is a dean at the divinity school - African-Americans living in 'the heart of whiteness'. Lemaster's connections lead to the President of the United States, his old college room-mate. Julia is connected to the dead man, Kellen Zant, her lover before she met Lemaster. The meeting point of these connections - a murder committed and covered up in Elm Harbor thirty years ago, and the shocking plans carried out by a fraternity of the 'darker nation' - forms the core of a mystery that deepens even as Julia, guided by clues left her by Zant, closes in on the politically earth-shattering motive behind his murder.
Suspenseful from first to last, galvanising in its exploration of the profound difference between allegiance to ideas and to people, New England White is a resounding confirmation of Stephen Carter's gifts as a writer of fiction.
My ideal literary thriller. Not only genuinely exciting, it is bursting with ideas and insights
—— Daily MailAbsorbing and beautifully written
—— Daily TelegraphA shivers-down-your-spine mystery...The book crackles with depictions of campus politics and strained relations between black and white America
—— Financial TimesA very rare thing indeed: an intellectually stimulating thriller by a writer who is as concerned with an exploration of character and motive as he is in ending each of his short mini-chapters with a cliffhanger
—— Irish TimesTaut and beautiful poems.
—— Edna O'Brien , GuardianBrave, generous and very moving.
—— Mark Sanderson , Sunday Telegraph[It] amazed me...great, heartfelt, monumental book.
—— Toby Litt , New StatesmanEach image of Sharon Olds' searing Stag's Leap brands itself on retina and heart - how will I ever forget the "Tiny Siren" found by accident in the washing machine?
—— Gerda Stevenson , Morning StarThe most powerful piece of writing I've encountered in decades... The raw emotion of break up transcends every known cliché thanks to her generosity of spirit and the awe-inspiring choreography of her language.
—— Laura George , Image MagazineI read this poetry collection with my heart in my mouth.
—— Jamie Quatro , GuardianI treasure this collection of poems: so beautiful, so personal, so revolutionary. Every time I return to this book I find a line, a stanza that I understand better, differently, appreciate just a little more.
—— Cherie Jones , GuardianA devastating tale of subterfuge, poverty and privilege set in the cobbled streets of Victorian London.
—— Daily RecordMagnificent, bringing the Dickensian streets to grubby, teeming life
—— Eithne Farry , Daily MailCements his reputation as an accomplished and challenging novelist… Though it takes place 130 years ago, the questions that The Streets poses about how, as a society and individuals, we tackle deprivation arguably remain just as pertinent
—— Peter Stanford , IndependentQuinn blends his history, his political concerns, his ideals, his plot and his characters elegantly, with a light hand and the pace of a thriller
—— Louisa Young , Daily TelegraphQuinn’s most mature novel yet… His picture of poverty’s shaming, dehumanizing effect is powerful, and the recurrent call for pity heartfelt. Ms Eliot and Mr Dickens would surely approve
—— Holly Kyte , Sunday TelegraphAnthony Quinn is a terrific storyteller. He has a thrilling knack for turning familiar periods of history into something surprising and often shocking, and for making the fortunes and misfortunes of his characters matter
—— Juliet Nicholson , Evening StandardDisplays the unsentimental yet powerful flair for romance that characterized his previous novel, Half of the Human Race. Perhaps most exciting of all, there is a sense that he is still writing within himself
—— Tom Cox , Sunday TimesQuinn brings the period in question vividly to life: his research is exemplary, and his subject absorbing
—— Lucy Scholes , ObserverAll the ingredients of an upmarket page-turner
—— Max Davidson , Mail on SundayAmbitious, gripping and disturbingly well done
—— Kate Saunders , The TimesBeyond its splendid feel for the era’s chat and patter, the novel pits philanthropy and opportunism, ideals and selfishness, bracingly at odds
—— Boyd Tonkin , IndependentThis novel is refreshingly different and contains a cornucopia of wonderful material and evocative descriptions
—— Good Book GuideThe best book I’ve read in ages… You have to read it.
—— Hilary Rose , The Times






