Phillips's writing is distinctive, audacious and powerful

A brilliant writer, utterly original and with an astonishing range

Jayne Anne Phillips combines extraordinary perception with extraordinary versatility and power

No number of books read or films seen can deaden one to the intimate act of art by which this wonderful young writer has penetrated the definitive experience of her generation

Delicate compassion and hard-edged honesty... MotherKind is further proof of an extraordinary ability to reflect the texture of real life

An enchanting story of love and loss and just how far you would go for the one you love

Yan, one of China’s most successful writers, is still gaining attention abroad, but this story of a village that decides to buy Lenin’s corpse is Yan at the peak of his absurdist powers. He writes in the spirit of the dissident writer Vladimir Voinovich, who observed that “reality and satire are the same”

I read Lenin’s Kisses, a fierce, funny, painful and playful novel by a great Chinese writer; Yan Lianke. It is much more than just a poignant, daring political parody: it is also a subtle study of evil and stupidity, misery and compassion

This is a tale of modern China with all its wonders, marvels and absurdities and ironies roped together, making it a must-read. It’s little wonder that the author has won both China's equivalences of the National Book Award and the Pulitzer Prize.

Lenin's Kisses wickedly satirizes a sycophantic society where money and power are indiscriminately worshiped ... As the traveling circus gains fans across the country, it becomes clear that the officials behind the scenes, not the performers, are the true freaks

Sprawling, sometimes goofy, always seditious novel of modern life in the remotest corner of China . . . Set Rabelais down in the mountains of, say, Xinjiang, mix in some Günter Grass, Thomas Pynchon and Gabriel García Márquez, and you’re in the approximate territory of Lianke’s latest exercise in épatering the powers that be . . . A satirical masterpiece

The novel's depth lies in its ability to express an unbearable sorrow, even while constantly making the reader laugh out loud ... a truly miraculous novel

Yan Lianke weaves a passionate satire of today's China, a marvellous circus where the one eyed-man is king . . . Brutal. And wickedly funny

Lenin's Kisses shines with both the lyrical flourishes of magical realism and the keenly sharpened knives of great satire. The reader joins the inhabitants of the village of Liven as they confront the great upheavals of 20th Century Chinese history armed with both whimsy and their obsessive determination to prevail. This tale is at once breathtaking and seriously funny. Anyone who wishes to understand the psychic world-view of the modern People's Republic of China must read this fine novel.

With its distinctive language, structure and narrative approach, Lenin's Kisses presents a distictive version of 'rural china' and 'revolutionary China', even while establishing a new literary 'native China'

Yan Lianke sees and describes his characters with great tenderness . . . this talented and sensitive writer exposes the absurdity of our time

Sophie Hannah is a real star.

Sophie Hannah has quickly established herself as a doyenne of the 'home horror' school of psychological tension, taking domestic situations and wringing from them dark, gothic thrills.

Hannah is a master of intense psychological thrillers . . . Full of twists and turns, and terrifying, too.

She grips from start to finish - a grip which held me against my will because the sustained atmosphere of mild hysteria is hard to take . . . I couldn't put it down.

Pynchon’s latest novel is a historical romance set in during the internet’s infancy in the spring of 2001.

Bleeding Edge is a romp. On full display are Pynchon’s trademark linguistic and imaginative acrobatics… It may sound frivolous but an emotional maturity counterpoints the silly songs, deliberately bad puns, and pop-cultural references

When he’s in his hardboiled vein, [Pynchon] writes the most entertaining dialogue in any year.

Pynchon's best novel since Mason & Dixon, an exhilarating shaggy-dog private-detective story that punctured its own garrulous charm with sharp stabs of betrayal and threat. Astonishing, too, that that a 76-year-old should produce a novel with such wild and slangy bounce.

Pynchon at his most hilarious, it gave way to more sombre realities involving a suspicious Silicon Alley tech company and its possible links to international terrorism and who knows what else.

Suspenseful and darkly humorous.

Intriguing, and probably the most straightforwardly readable of his books.

A thrilling ride through the first tech bubble, filled with "bleeding edge" technology... Accomplished, funny and digressive.

Pynchon's take on the attack on the Twin Towers. Will he reject the conspiracy theories of the "truthers" or spin some new conspiracies of his own? I think the answer is both. But I wouldn't swear to it.

· Pynchon delivered a piece of typically raggedy brilliance with Bleeding Edge.

Engrossing, hilarious and shocking.

Pynchon’s high-energy writing crackles with dark wit and foreboding

Playful and paranoid New York noir

Readers will have to decide for themselves how they feel about an open-ended mystery, but for those who don’t care so much about the destination, the journey is more than worth it