Author:Enrique Vila-Matas,Jonathan Dunne

A man's obsession with literature leads him to see the world through the eyes of fiction
Literature can be contagious; it can also be our only means of salvation. That at least is the experience of Montano, the 'unreliable narrator' of Enrique Vila-Matas' prize-winning novel, a man and a writer who is so obsessed with the books of certain celebrated contemporaries that he is unable to put pen to paper or utter a word without summoning up their work or their lives, and whose malady is that he finds it impossible to distinguish between real life and fictional reality. Part picaresque novel, part intimate diary, part memoir, part philosophical musings, Vila-Matas has created a labyrinth in which writers as various as Cervantes, Sterne, Kafka, Musil, Perec, Bolaño, Coetzee, Sebald and Magris cross endlessly surprising paths, while his protagonist leads the reader on an unsettling journey from European cities such as Nantes, Barcelona, Lisbon, Prague and Budapest to the Azores and the Chilean port of Valparaíso.
Yet for all the author's dazzling literary pyrotechnics, this is a novel that is always witty and accessible.
Makkai’s second novel defies genre – part literary mystery, part comedy of manners, part wickedly funny satire. Whichever way you look at it, it’s remarkable.
—— Daily MailRebecca Makkai is a writer to watch, as sneakily ambitious as she is unpretentious.
—— Richard RussoMakkai humorously turns the conventional family saga on its head, in a clever exploration of metamorphosis and secrecy.
—— Huffington PostMakkai has written a novel that reads almost like early Muriel Spark – clever, competent, and concealing an unsettling and skewed reality ... The hand that keeps giving the kaleidoscope another turn, controlling just how the pieces land, isn't fate, of course. It's the artist, Makkai is one.
—— Chicago TribuneA big-hearted gothic novel, an intergenerational mystery, a story of heartbreak and a romance, all crammed into one grand Midwestern estate ... A juicy and moving story of art and love and the luck it takes for either to last.
—— Los Angeles TimesAn entertaining, ambitious saga ... Makkai's lyrical prose quietly lifts off the page while her carefully crafted plot charges forward.
—— The Boston GlobeThis novel is stunning: ambitious, readable, and intriguing. Its gothic elements, complexity, and plot twists are reminiscent of Margaret Atwood's The Blind Assassin. Chilling and thoroughly enjoyable ... A daring takeoff from her entertaining debut.
—— Library Journal (starred review)Makkai’s second novel is a lively and clever story starring an estate with an intricate history . . . The book is exceptionally well constructed, with engaging characters busy reinventing themselves throughout, and delightful twists that surprise and satisfy
—— Publishers Weekly (starred review)Charmingly clever and mischievously funny, Makkai follows her enthusiastically praised first novel, The Borrower (2011), with an intriguingly structured tale — each section takes a step back in time — set on a fabled, possibly haunted estate north of Chicago ... Her offbeat characters and suspenseful story could have added up to a stylish romp. Instead, Makkai offers that and much more as she stealthily investigates the complexities of ambition, sexism, violence, creativity, and love in this diverting yet richly dimensional novel.
—— Booklist (starred review)Makkai fulfills the promise of her debut with this witty and darkly acerbic novel set in the rich soils of an artists' colony. The inverted timeline of the multi-generational narrative deepens the layered mysteries at its heart. As decades unfold in reverse, we find that nothing about Laurelfield's various inhabitants is at it first appears, and neither talent nor history sits on solid ground.
—— Ru Freeman, author of On Sal Mal Lane and A Disobedient GirlRebecca Makkai's The Hundred-Year House is a funny, sad and delightful romp through the beginning, middle and end of an artists' colony as well as the family mansion that sheltered it and the family members who do and don't survive it. Told backwards from the viewpoints of an array of eccentric and intertwined characters, the story's secrets are revealed with stunning acuity. An ambitious work, well realized.
—— B.A. Shapiro, author of The Art ForgerRebecca Makkai is the most refreshing kind of writer there is: both genius and generous. Every masterfully crafted connection, every lovingly nestled detail, is a gift to the attentive reader. Playful, poignant, and richly rewarding, The Hundred-Year House is the most absorbing book I've read in ages. Before you've finished, you'll want to read it again.
—— Eleanor Henderson, author of Ten Thousand SaintsSavit’s story is aimed at anyone who will listen. A 10-year-old may identify with Anna. A teenage reader will absorb the deftness and sophistication of the telling. An adult will find his or her expectations challenged.
—— New York TimesThere’s much for adults to love about Gavriel Savit’s beautiful tale
—— Sun, Fabulous MagazineThe book that brings magic to the 20th century's darkest hour
—— MashableSavit captures the moods, fears and delightful conversation of this odd couple on their implausible odyssey. It’s a touching tale, both sad and sweet
—— Mail on Sunday, EVENT magazine - Best New FictionAn astonishingly accomplished debut about war, survival and humanity . . . this is very much in the territory of The Book Thief and The Boy in the Striped Pyjamas with all the potential that such a comparison suggests
—— Fiona Noble , The Bookseller - One to Watch[a] complex graceful book
—— Financial TimesExquisite
—— Irish IndependentExquisite debut novel
—— Wall Street JournalLike the characters in his debut novel, author Gavriel Savit has harnessed the power of language. He’s a talented wordsmith, wielding words and sentences with a precision that allows them to wriggle deep into this reader’s heart, leaving me both enchanted and brokenhearted.
—— Sara Grochowski , Publishers WeeklyOne of those all ages and no age stories . . . told by a genuine wordsmith . . . And it's a story of generosity in the worst of times. Of friendship and loyalty and yes, of love despite all the horror. We won't forget how it felt to read it. Ever.
—— Jill Murphy , The BookbagA beautiful and stunning read . . . It creeps slowly into your heart just like Morris Gleitzman's Once, and The Boy in the Striped Pyjamas did.
—— Mr Ripley's Enchanted BooksSuch an important, painful, beautiful, hopeful read
—— Bloggers Heart BooksA harsh tale of innocence lost, yet touched with magic.
—— HeraldThis is cleverly done and beautifully written tale of loss, hope, survival and trust
—— Kate OrmandSavit spins a dark and heart-breaking tale of history and fable seen through the eyes of a child. A thought-provoking read, great for book clubs
—— South Wales Evening Post, Children's Book of the WeekA complex, gruelling trip through the midnight of the last century
—— Financial Times - Summer Reading 2016The winner of the Man Booker Prize for The Finkler Question pulls off a neat trick in this almost perversely serious comic novel, creating a parallel world to Shakespeare's Venice in the wealthy, cultured Golden Triangle of Cheshire, and peopling it with parallel-ish characters...The author shows full power and ingenuity putting Strulovitch and Shylock in the same place and time.
—— Paul Levy , The SpectatorExplores the meaning of Shakespeare's play, uses its enduring relevance to examine the contemporary world and challenges us to interrogate our prejudices...Energetic, authentic and biting.
—— IndependentThat Shylock should thus materialise for a present-day Jewish protagonist, and become...a confidant, an exemplar...an advisor is a brilliant conceit...a powerful reimagining and reinvention.
—— Adam Lively , The Sunday TimesAlive with humanity and fierce debate, the book offers a nice twist on that notorious pound of flesh.
—— Hephzibah Anderson , Mail on SundayFunny and dark by turns… A gripping tale of love, plastic surgery and that notorious pound of flesh… This warm, witty and brilliantly written book provides a challenging feast for the imagination.
—— Rebecca Wallersteiner , The LadyA master of serious-minded comedy, Jacobson is one of the greats of his generation.
—— Culture WhisperBrilliantly witty inventive.
—— Kate Saunders , SagaA crackling dialectic on fatherhood, faith and what it means to be merciful… The echoes of Shakespeare’s story in Strulovitch’s are obvious…But the quips and the characters are pure Jacobson… It’s a treat.
—— Emma Hughes , The TabletHilarious reimagining of Shakespeare’s The Merchant of Venice.
—— EsquireOffering witty twists to a play long experienced by many as a racial tragedy.
—— Tova Reich , Washington PostAffectionate retelling… At the heart of the novel is the profound question of whether obligation…should be tempered by mercy.
—— Giulia Miller , Jewish QuarterlyEven those familiar with that book will be surprised by the twists now composed by Jacobson, whose most idle words have purpose, as well as point… Clever mockery and racial self-depreciation give the novel its provocative brilliance… Jacobson pours the quality of mercy through a large strainer, but Shylock’s fortitude and unswerving tribal fidelity are offered as a kind of redemption, a way, if you like, of forgiving Shakespeare. And of sending you back to him, not only just to check
—— Mary leland , Irish ExaminerAs characteristically ingenious, witty and dark as his musings on what it means to be Jewish.
—— Simon Shaw , Mail on SundayIt hooks you into a great debate.
—— William Leith , Evening StandardI don’t think any other author writes as well about the experience of Jewishness and he manages to be serious but with that laconic humour.
—— Tony Robinson , Radio Times Christmas Gift GuideAn intelligent, funny and enjoyable novel.
—— Brad Davies , i, Book of the YearFor my favourite novel I’m choosing Shylock is my Name… It’s a dark, witty, provocative re-imagine of Shakespeare…seriously brilliant on many levels.
—— Bel Mooney , Daily Mail, Book of the YearA marvellous meditation on the Cold War era and particularly the battles of conscience that besiege a man living under tyranny.
—— Richard Fitzpatrick , Irish ExaminerThe tone is intimate and aphoristic, the paragraphs succinct.
—— David Gutman , GramophoneA fascinating account of the life of Dimitri Shostakovich… Perceptive, symbolic… The Noise of Time is an essential read, and not only for musicians.
—— Classical MusicA finely-tuned masterpiece... Barnes' prose is supreme.
—— Western Morning NewsAn intimate portrait of a public intellectual living in a totalitarian atmosphere… Immersive… The Noise of Time presents a compelling story in engaging and original prose.
—— Conor O'Donovan , HeadstuffKaleidoscopic portrait… Barnes deftly constructs a life history... A masterfully told story of survival. *****
—— Nick Shave , BBC Music MagazineBeautifully composed.
—— Jenny Comita , W MagazineWithout a doubt, Barnes has succeeded the high expectations of the people who waited with bated breath for the release of The Noise of Time. In a work that feels both original and authentic, he encourages us to consider the importance of art, in whatever form, and the influence it can have on us all.
—— Beth Blakemore , Student NewspaperBarnes at his best...a poignant fictional recreation of the artistic agonies of the composer Shostakovich.
—— Sunday TimesA very sensitive account of how art can be in conflict with naked political power.
—— ObserverA book I’d like to tuck myself away for a day to read. It’s short in length but by all accounts big on ideas and power.
—— Susie Dent , Radio Times Christmas Gift GuideHis Dmitri Shostakovich is completely believable.
—— Margaret MacMillan , New Statesman, Book of the Year[A] brilliant study of the relationship between art and an oppressive regime… A compelling depiction of the country’s history and a richly imagined close-up of the artist.
—— Lady, Book of the YearA poignant and thoughtful portrait of the persecuted artist.
—— Brad Davies , i, Book of the Year[It is] elegant.
—— Duncan White , Daily Telegraph, Book of the YearAnother Brilliant reinvention by Barnes.
—— Daily Telegraph, Book of the Year #26My favourite book of this year is The Noise of Time.
—— Margaret MacMillan , New Statesman, Book of the YearHis best for ages. It is gripping, outward-looking, generous with plot and atmosphere and far beyond the powers of McEwan, Amis, Ishiguro, Rushidie et al…. This book grabbed me by the nuts like nothing of his since Starting at the Sun.
—— Giles Coren , The Times, Book of the Year[A] haunting novel on the agonies of Shostakovitch under Stalin and his successors… I recommended it to a friend who for years was one of the great reviewers at the Washington Post. His reply: “It’s an extraordinary book. It’s a book that makes me wish I were reviewing again.”
—— Alex Russell , Financial Times, Book of the YearA mini-masterpiece.
—— Rebecca Rose , Financial Times, Book of the YearAn elegant portrait of Shostakovitch.
—— Ali Smith , Guardian, Book of the YearWritten with Barnes’ characteristic low-key elegance, the book becomes a meditation on artistic integrity and its limits in a brutal regime
—— Irish Independent, Book of the YearAn impressive narrative of personal integrity.
—— G. Van Der Zwaan , Times Higher Education, Book of the YearAs a portrait of the composer and his time this book is a complete success… The Noise of Time is also convincing in the details… A book in which a certain grim humour is never too far away.
—— Nicholas Lezard , Guardian[A] gem of a novel.
—— Mail on SundayA compelling read that combines sharp insights, lyrical passages and dramatic tension.
—— LadyBlack humour and retrospective anguish prevail in Julian Barnes’s latest novel.
—— Lara Enoch , GuardianA beautifully told story, this is subtle and powerful.
—— William Leith , Evening StandardThis small novel is an elegant and unflinching account of a life lived under extreme pressure, during Stalin’s Great Terror. Julian Barnes fleshes out the life of the composer Shostakovich whose life is under threat. A powerful story, well-crafted and beautifully written about the humanity and torments of a creative soul… An informative, thought provoking read.
—— Western Morning NewsAn immense emotional and intellectual punch.
—— Sunday Times