Author:Ovid,Stephanie McCarter,Stephanie McCarter,Stephanie McCarter

A bold, transformative new translation of Ovid's classic
Ovid's epic poem has, with its timeless stories, inspired and influenced generations of writers and artists, from Shakespeare and Chaucer to Picasso and Ted Hughes. The events it describes - the flight of Icarus, the music of Orpheus, Perseus' rescue of Andromeda, the fall of Troy - speak toward the essence of human experience: of power, of fate and, most fundamentally, of transformation.
Stephanie McCarter's new rendering, the first female translation in over sixty years, places its emphasis on the sexual violence at the heart of the poem - nearly fifty of the epic's tales involve the rape or attempted rape of women. While past translations have often obscured or mitigated this fact, expressing Ovid's language in consensual terms, McCarter considers it explicitly, and so offers a powerful new exploration of this essential work.
Britain's answer to Donna Tartt
—— Sunday TimesTense and full of menace
—— Johanna Thomas-Corr , New Statesman, Books of the YearHighly accomplished . . . It's idealistic, gripping and beautifully textured, moving with great power. It's rare to see such attention to character and setting, and I think Wood is one of Britain's best young writers
—— Philip Womack , Spectator, Best Books of 2022This satisfyingly old fashioned- feeling novel from a youngish author strikingly conveys its 1950s rural setting, and has a grim pull of foreboding . . . Benjamin Wood's perspective-shifting novel weaves elements of
thriller, romance and coming-of-age to gripping, memorable effect
A treat . . . Wood's daring narrative decisions show he hasn't lost the old spark, but has just added to it with his new repertoire. What, it asks, are the opportunities available to somoen who wants to leap clear of their wrong beginnings, when everything that hurts has already been cut?
—— John Self , Critic, Fiction Books of the YearBenjamin Wood knows how to generate tension, makes lively characters you can see and hear, and writes about rural England in a sensitive, considered way that doesn't stray into the nostalgic. A huge talent
—— Hilary MantelWood is a seriously talented writer, able to enter the minds of his characters with eerie precision. The Young Accomplice is an involving tale of revenge and responsibility, which, while it devastates, also tells us that new lives can be built among the ashes
—— FT[Wood's] best novel yet . . . [he] deserves to be far better known
—— John Self , Irish Times, 2022 Books of the YearA British novelist who deserves more attention than he has had . . . Wood blends storytelling punch with literary sensibility . . . The Young Accomplice shows the difference between a book that slides down the surface of things, and one that digs it claws into you and sticks there
—— The TimesBenjamin Wood is a beautiful writer and this is his best novel yet, both gripping and unputdownable. Like people in Thomas Hardy, his characters surge from the page, and the mystery unfolds with a sureness seldom seen in contemporary British fiction
His most original [novel] yet . . . The Young Accomplice has already been compared to Thomas Hardy novels and there are echoes of Tess of the d'Urbervilles in the story of a vulnerable young woman whose past catches up with her. Wood is also wonderful on the intricacies of love and architecture as a means of enriching people's lives. It's a novel that feels as if it has been imagined with slow and tender care - and I suspect it will be cherished by readers for a long time
—— Sunday TimesWith deceptive ease, the books weaves elements of crime, mystery, love story and coming of age . . . a well-wrought novel whose pleasure is in each careful scene, moment and sentence
—— Irish TimesBlown away by A Station On The Path To Somewhere Better . . . Dark and disturbing, but wise, moving and beautifully written. Am immediately going to seek out his other books now. What a writer
—— Richard Osman on A Station On The Path To Somewhere BetterBenjamin Wood is building a sublime body of work. This masterful, suspenseful novel is his best yet. It swallows you up. I love it
—— David Whitehouse, author of About A SonA novelist to watch
—— The Times, on A Station on the Path to Somewhere BetterA resounding achievement . . . Rich, beautiful and written by an author of great depth and resource
—— Guardian, on The EclipticExhilarating, earthy, cerebral, frank and unflinching . . . A masterfully paced and suspenseful read
—— Independent, on The EclipticKiller debut about class, love and money
—— GraziaIt's the novel Jane Austen would have written . . . if Jane Austen lived in Brooklyn Heights in the 21st century
—— New York TimesIf you're in search of the fiction trifecta - a captivating story that's masterfully constructed, vividly peopled, and crisply written - look no further. Jenny Jackson's Pineapple Street is pure reading pleasure, hilarious, big-hearted, and full of emotional truths. It's the kind of novel you hope will never end
—— Adrienne BrodeurA witty, easy-to-devour story of wealth and love's never-ending war in the modern age
—— ElleThis novel...is laugh-out-loud good....Love and money have always mixed like oil and water (not well), but Jackson finds new humor and warmth in her particularly witty debut
—— Harper's BazaarThis witty novel about the haves and have-mores is Succession with a soul
—— TIMEA novel about inheritance and the cultural inanities of the American WASP, set in a maximalist mansion? Don't mind if I do. Pineapple Street is more than a field report on the WASPs and their shabby-sweater super-wealth, of course-it's about class difference and the taxations of love
—— BustleSparkling . . . The book is smart and sharply observed, peppered with small gems
—— The Washington PostPineapple Street encapsulates the oftentimes ridiculous nature of the ultra-wealthy. The author seamlessly immerses readers in the lives of the Stocktons...[who] must ask themselves the uncomfortable question: Is it possible to be "good" with this much money?
—— ShondalandEver wondered what it's like to be a New York socialite? This account of three ficitionalied Brooklyn Heights women lets you into the world of tennis clubs, long lunches and party politics. Life for Sasha, Daley and Georgina isn't as rosy as it seems. Each has her own personal drama, but releatable failures keep you rooting for them. Remember: money can't buy you love
—— Woman and HomeA observed comedy of manners set among New York's one-per-centers . . . the angsty relationship they each have with the family coffers spices the escapist entertainment that ensues
—— Mail on SundaySharp-eyed and witty, this is writing which cuts to the quick. Engrossing, full of pleasure, sadness too, it traces loss and change in a world of the haves and the have nots
—— Daily MailAn absorbing tale
—— SUNDAY EXPRESSThe latest novel from an author who never lets you down
—— READER'S DIGESTA bittersweet, utterly beguiling story of love and loss from a brilliant writer
—— John Koski , Mail on SundayBoth compelling and deeply touching, once you start reading you won’t want The Beginner’s Goodbye to end
—— Hannah Britt , Daily ExpressIt begins with one of those sentences that impels you to read on…Tyler’s haunting tale of love and loss is intelligent, unsentimental and often wryly funny
—— The LadyA lovely, stylish way to write a novel about marriage
—— William Leith , Evening StandardA beautifully poignant portrait of marriage, loss and grief
—— Good HousekeepingExhibit[s] all the delicious readability that admirers of Tyler expect
—— Brandon Robshaw , Independent on SundayBoth compelling and deeply touching, once you start reading you won't want The Beginner's Goodbye to end
—— Hannah Britt , Scottish Daily ExpressAn emotionally satisfying book with wise and moving moments
—— Good HousekeepingA humorous take on Hollywood romcoms
—— BBC BEST BOOKS OF THE YEARSexy, funny, thought-provoking and everything I hoped it would be. Her best novel since American Wife.
—— RED, Best Books of the YearRomantic Comedy combines humour with poignancy and a lot of heart.
—— GOOD HOUSEKEEPING, Best romance books to readSittenfeld's novel continues her wider project of exploring the possibility for a kind of redemptive idealism within our flawed world
—— GUARDIANSittenfeld has penned another exquisitely written novel
—— WOMAN MAGAZINEA fizzy love letter to the prototypical romcom
—— NEW YORK TIMES, Editor's ChoiceSo much of Sittenfeld's work exists in the dissection and comprehension of female desire
—— NEW YORK TIMESFlirting with the tropes of its namesake genre, this playful novel follows Sally, a writer on an "S.N.L."-like show called "Night Owls," who falls in love with one of its guest hosts. Their relationship develops via e-mail in the post-grocery-wiping, pre-vaccine days of covid-19. When Sally decides to visit her beloved in L.A., their time together in his Topanga mansion requires her to navigate incredulity, insecurity, and an offer that she feels is an "affront to my independence." The novel is preoccupied with the instinctual nature of self-sabotage, and with the fulfillment that can come from defying ingrained impulses
—— NEW YORKERInsightful romcom sparkles with real wit and wisdom
—— SUNDAY INDEPENDENTWhip smart and really funny
—— BUSINESS POSTScores big on giving readers an insight into the machinations of a TV writers-room
—— CRACKFull of dazzling banter and sizzling chemistry
—— PEOPLE MAGAZINEIf you ever wanted a backstage pass to Saturday Night Live, this book is for you
—— GOOD MORNING AMERICAExcellent
—— MAIL ON SUNDAYBoth a brilliant portrait of the comedy world and a witty grown-up love story. Lives up to its name
—— IRISH TIMES