Author:David Adams Richards

The novel tells the story of Sydney Henderson and his son, Lyle. As a young man, Sydney, believing he has accidentally killed a friend, makes a pact with God, promising never to harm another if the boy's life is spared. In the years that follow the almost pathologically gentle Sydney tries to hold true to his promise - at terrible cost to himself and his family.
Like Hardy before him, Richards seems determined not only to dignify the inhabitants of his native rural community, but to give them a universal significant as well
—— The TimesAstonishing... fiercely imagined and brilliantly rendered
—— Globe and MailThis is a book that is redolent of Annie Proulx in its elegiac narrative, while achieving a depth of touch that feels truthful, individual and glorious
—— Scotland on SundayAppallingly funny
—— Daily TelegraphExceptionally illuminating... brilliantly acute and enticingly widely read work. It should be compulsory reading for anyone in the reviewing trade and committed to memory before aspiring writers put pen to paper. For those who intend to pursue the underrated calling of reading fiction without wishing to add to its ranks, it will not only make reading more pleasurable, but articulate what you may have felt but never been able to express
—— Rosemary Goring , HeraldJames Wood is Britain's lost literary critic. It's impossible to read this book and not want immediately to turn back to the authors he discusses...and read more of them, more closely, yourself. And very little literary criticism achieves that
—— Evening StandardIntelligent, well-read and extremely confident
—— GuardianShould find a place on every novel-lover's shelf. It has the quality all useful works of criticism should have: refined taste, keen observation, and the ability to make the reader argue, passionately, with it
—— John Sutherland , Financial TimesFondly and delicately pieces back together what the deconstructors put asunder
—— ObserverDisplaying a playful exuberance wonderfully at odds with the dry, jargon-strewn tradition of academic criticism, this deft, slender volume analyses how novelists pull rabbits out of hats
—— The Economist