Author:Terry Pratchett,Indira Varma,Peter Serafinowicz,Bill Nighy
Brought to you by Penguin.
The audiobook of Maskerade is narrated by Indira Varma (Game of Thrones; Luther; This Way Up). BAFTA and Golden Globe award-winning actor Bill Nighy (Love Actually; Pirates of the Caribbean; Harry Potter and the Deathly Hallows) reads the footnotes, and Peter Serafinowicz (Star Wars: Episode I - The Phantom Menace; Shaun of the Dead) stars as the voice of Death. Featuring a new theme tune composed by James Hannigan.
'There's a kind of magic in masks. Masks conceal one face, but they reveal another. The one that only comes out in darkness....'
The Opera House in Ankh-Morpork is home to music, theatrics and a harmless masked Ghost who lurks behind the scenes. But now a set of mysterious backstage murders may just stop the show.
Agnes Nitt has left her rural home of Lancre in the hopes of launching a successful singing career in the big city. The only problem is, she doesn't quite look the part. And there are two witches who would much rather she return home to join their coven.
Granny Weatherwax and Nanny Ogg have travelled to Ankh-Morpork to convince Agnes that life as a witch is much better than one on the stage. Only now they're caught up in a murder mystery featuring masks and maniacal laughter.
And the show MUST go on . . .
'Funny, delightfully inventive, and refuses to lie down in its genre' Observer
Maskerade is the fifth book in the Witches series, but you can listen to the Discworld novels in any order.
The first book in the Discworld series - The Colour of Magic - was published in 1983. Some elements of the Discworld universe may reflect this.
©1995 Terry and Lyn Pratchett (P)2022 Penguin Audio
'Pratchett is as funny as Wodehouse and as witty as Waugh'
—— Independent'The great Terry Pratchett, whose wit is metaphysical, who creates an energetic and lively secondary world, who has a multifarious genius for strong parody ... who deals with death with startling originality. Who writes amazing sentences'
—— New York Times'Like Jonathan Swift, Pratchett uses his other world to hold up a distorting mirror to our own, and like Swift he is a satirist of enormous talent ... incredibly funny ... compulsively readable'
—— The Times'Cracking dialogue, compelling illogic and unchained whimsy...Pratchett has a subject and a style that is very much his own'
—— Sunday Times'Entertaining and gloriously funny'
—— Chicago TribuneThe Oscar Wilde of Japan ... one of Japan's great novelists ... his subtlety, warmth and wit shine through
—— TelegraphA mixture of humour, high literary seriousness and flying saucers ... remarkable
—— Sam Leith , SpectatorA writer of immense energy and ability
—— Time OutOne of the greatest avant-garde Japanese writers of the twentieth century
—— New YorkerAmong Japan's most celebrated post-war authors
—— Little White LiesInterplanetary, quite extraordinary ... a fusion of sci-fi and social satire with great pathos, awash with dark humour and scenes of intense beauty ... Mishima blends the sublime and ridiculous in provocative and surprising ways ... a fresh and limpid translation
—— Bryan Karetnyk , Financial TimesMoves from vividly described scenes of ordinary human life and the beauties of the natural world to arguments about human nature and whether peace is possible this side of death
—— Lisa Tuttle , Guardian Best Recent Science FictionIts humour may be the book's most brilliant trait ... intense and earnest, the novel contains plenty of Mishima's spectacular writing ... an impressive accomplishment by Dodd in conveying a sense of import, sophistication and mastery of prose
—— Eric Margolis , Japan TimesA delightfully strange, absorbing work. Full of humour and insight. Highly recommended
—— Irenosen OkojieThe wunderkind of the Japanese literary world ... an extraordinary literary talent
—— The Times Literary SupplementChingonyi is the living writer who inspires and influences me the most
—— Derek Owusu , Big IssueA beautiful exploration of grief and boyhood... Each poem is delivered with such precision and deftness
—— Evening StandardPooley delivers not only acerbic, enchanting Iona but a compelling, tangled cast of quirky, complicated characters so engaging, it's enough to make you miss crowded commuter trains
—— Laurie Frankel, New York Times bestselling authorThis feel-good ensemble story will bring joy to readers who loved Anxious People and Eleanor Oliphant Is Completely Fine-not to mention fans of quirky London-set fare such as Ted Lasso...a warm, fun pick-me-up of a book
—— Mary Laura PhilpottClare Pooley has found a delightful way to bring home the point that we need each other
—— Kelly Corrigan, New York Times bestselling authorLeaving you with that fuzzy feeling you want from a feel-good book
—— Woman & HomeEntertaining and uplifting
—— Good HousekeepingFilled with delightful characters... this heart-warming book explores relationships and the dilemmas of everyday life
—— CandisTackling many relevant issues, it's a heart-warming read
—— HeatPoignant, totally joyful, this is a great read
—— FabulousA feel-good read, with great characters to care about, it takes current issues seriously but adds plenty of humour
—— Choice[It leaves] the reader with that fuzzy feeling you want from a feel-good book. Fans of her previous hit, The Authenticity Project, will not be disappointed
—— Woman's WeeklyA feel-good tale about the power of real-life connections
—— SunYou can always rely on Pooley to deliver not just wonderful, lively characters but a story that leaves you feeling uplifted and hopeful
—— CultureFlyBatuman has taken what made The Idiot so brilliant, distilled it, and created an equally brilliant new work. Either/Or is unbridled joy.
—— Big IssueFunny... Unforgettable... Batuman is particularly good on sex and sexual politics... The star feature is the narration... garrulous, rambunctious... full of baroque riffs and digressions.
—— Claire Lowdown , SpectatorA fresh voice is a rare thing, and Elif Batuman is one such.
—— Times Literary Supplement, *Books of the Year*Either/Or is extremely funny and delightfully ludic, as it probes the very act of reading from the point of view of confused university student Selin.
—— Anakana Schofield, Irish Times, Books of the Year 2022I was desperately looking forward to Elif Batuman's Either/Or, and it more than lived up to it.
—— Samir Chadha , White Review, *Books of the Year*Re-encountering Selin...felt like being reunited with an old friend.
—— Helen Charman , White Review, *Books of the Year*Hilarious.
—— Alice Hattrick , White Review, *Books of the Year*I greatly enjoyed the comic zing of Elif Batuman's delightful Either/Or
—— Megan Hunter , White Review, *Books of the Year*Witty, intelligent and funny... [Selin's] inner monologue is addictive enough to read a thousand more pages of, and I can only cross my fingers that this isn't the last instalment of the series.
—— CrackJust as funny and self-aware and clever as The Idiot.
—— Jessica Zhan Mei Yu , White Review, *Books of the Year*Funny, wry and insightful
—— The Times, *Summer Reads of 2023*Laugh out loud…hilarious and thoughtful
—— Times Literary Supplement, *Books of the Year*