Author:Michael Redhill
In 1984, Jolene Iolas, a student in upstate New York, encounters Martin Sloane's work while visiting a Toronto gallery. She strikes up a correspondence with the older artist, and eventually they become lovers. And then, without warning, without a word, he vanishes. There is no hint of his fate, no chain of cause and effect to be followed. Over the following months, Jolene sheds her life, losing everything, including her oldest friend, Molly, to her grief. Ten years pass, and Jolene begins to live with Martin's disappearance. But then the opportunity to confront her ghost arises. Word comes from, of all people, Molly, that someone named Sloane has been exhibiting in Irish galleries. Jolene travels to Dublin, where she is reluctantly reunited with her old friend. Together, the two women become lost in a jumble of pasts as they try to piece together what happened to Martin Sloane. Seamlessly crafted and beautifully written, Martin Sloane evokes the mysteries of love and art, the weight of history, and what it means to bear memory for the missing and the dead.
It is rare to read a novel that pulses with such pleasure that you don't want it to end, but this is what Redhill's debut delivers
—— IndependentA deeply moving first novel... profound and full of affection. It is a book of constant surprises.
—— Michael OndaatjeBeautifully structured, and shards of cleverness and humour run through it... hard to put down
—— TLSReading "Martin Sloane" made me feel melancholic, hopeful, amused, energized, enlightened, unnerved, touched, and finally grateful that occasionally a writer comes along who gets real life just right.
—— New York TimesRedhill [has] a gift for studied lyricism, a complex kind of emotional intelligence and, most of all, a poet's understanding of the workings of time... a powerful meditation on the implications of memory and the vacancies opened up by the loss of love... Redhill paces this sad and oblique detective story with great heart and delicacy.
—— ObserverRedhill's mild prose is dense with powerful emotional insights. Like Martin's art, it inspires a feeling of stillness and calm, of looking down on things from above; while underneath rest layer upon layer of meaning, prompting reflection on the novel's images and understandings long after the last page is reached.
—— The TimesHauntingly good.
—— ElleA first novel with a rich centre... not a word to spare or an image too many.
—— Montreal GazetteOften intriguing... Jolene's youthful crassness and belated recognit ion or everything she lost are sharply and movingly evoked.
—— Sunday TimesJohn le Carré takes us back to his favourite scenarios: Whitehall, the secret services, the gentleman's clubs, dodgy bankers, corrupt public schoolboys and gruesome American neo-cons . . . revelling once more in that imaginary world of secrets and lies that is le Carré's gift to us
—— Evening StandardTense, twisty, and driven by a melancholy insight into human motivation . . . deeply compelling
—— The WeekJohn le Carré is as recognisable a writer as Dickens or Austen, with an often-imitated but never rivalled cast of seedy spies, false lovers, public schoolboys struggling with guilt, and charming but immoral leaders of the brutal establishment . . . This is vintage le Carré and highly enjoyable
—— Financial TimesThrilling, suspenseful . . . Fans will not be disappointed
—— Sunday ExpressUtterly convincing characters, a tight plot . . . Wonderful
—— Sunday MirrorThrilling
—— ExpressChoreographed with unsettling precision
—— MetroWhen I was under house arrest I was helped by the books of John le Carré ... they were a journey into the wider world ... These were the journeys that made me feel that I was not really cut off from the rest of humankind
—— Aung San Suu KyiPlunges the reader into a modern-day thriller...Dad won't be able to put it down
—— Metro[It] has all the essential ingredients of his masterpieces: the dilemmas of duty, patriotism and decency
—— Simon Sebag Montefiore , Metro 'Books of the Year'John Le Carré at his masterful best . . . nobody does it better
—— Ben Macintyre , The Times 'Books of the Year'Widely hailed as a return to the good old Smiley days . . . le Carré writes with laconic elegance
—— Kate Saunders , The Times 'Books of the Year'