Author:Jonathan Coe

Marginal Notes, Doubtful Statements by Jonathan Coe - an extraordinary non-fiction collection from the author of EXPO 58
From celebrating the greatness of Gulliver's Travels to tracing the impact of Margaret Thatcher's death, from interviewing Brian Eno to finding Hitchcockian elements in a Disney film, Marginal Notes, Doubtful Statements is a hugely funny, moving and fascinating 20-year journey through the world of books, music, film, politics and memory from one of Britain's most acclaimed novelists and cultural thinkers.
This will be loved by fans of What A Carve Up and The Rotters' Club, as well as readers of Nick Hornby, David Foster Wallace and Zadie Smith's Changing My Mind.
'Clever and funny, enthralling and moving, this is, for my money, Coe's best novel since What A Carve-Up! Wonderful' Daily Mail on Expo 58
'A rich and splendidly comic confection' Independent on EXPO 58
Jonathan Coe is the author of ten novels, the latest Expo 58 (2013). His previous nine novels are all published by Penguin and include the acclaimed bestsellers What a Carve Up!, The House of Sleep and The Rotters' Club.
I was captivated from the first page. I cannot remember when I enjoyed a first novel more
—— Nina Bawden , Daily TelegraphIf all works of fiction were as thoughtful, as subtle, as well constructed, and as funny as Metroland there would be no more talk of the death of the novel
—— New StatesmanA rare and unusual first novel
—— William Boyd , London MagazineA very funny, touching first novel. It has a hard comic edge to it that is logical and at the same time extremely diverting
—— SpectatorOne would have to look very hard to find a wryer, more lovingly detailed account of intellectual and sexual innocence abroad
—— Jay Parini , New York TimesAn alert, witty, unpredictable novel which brings a sharp fresh eye to bear on English character and English compromises
—— ObserverMetroland is a delicious book, sharp and witty and observant
—— The ListenerOne of the best accounts of clever English schoolboyhood I've read
—— Times Educational SupplementFlighty, playful… Barnes succeeds in vividly recreating teenage precociousness, particularly what it feels like to be a young male encountering love and sex
—— Los Angeles TimesA dazzling entertainer
—— New YorkerHe writes perceptively about the shift from self-absorbed teenager to adult.
—— The TimesIrony and imagery are deployed with a finesse even Flaubert wouldn't wince at...consumately elegant
—— Sunday TimesA great read for all fantasy fans
—— tbk MagA sequel that will be greeted eagerly by fans of The Spook's Apprentice.
—— Fiona Lafferty , TESWatch out for the new installment of Joe Delaney's Spook's series.
—— S (supp. to Sunday Express)The second volume in an excellent series... the author eschews the usual predictable weirdo fantasy settings and places the characters in a kind of olden-days Lancashire.
—— Islington TribuneThe story has an intense, creepy feel from the very start, and is full of darkly atmospheric scenes, which are it's great strength
—— School LibrarianDelaney's tale of the Spook and his apprentice deftly combine elements of horror with the idea of the wandering, despised hero, as popularised in the western and it's imitators. The Wardstone Chronicles remain one of the strongest ongoing series of the moment.
—— Write Away!Thrilling tale.
—— CarouselThe slangy prose is this novel by the winner of the 2012 Sunday Times EFG Private Bank Award… is what makes this book such a success. A raw slab of life from a hellish future.
—— Anthony Cummins , The Sunday TimesBarry’s vernacular, like his plot, is a wonderful blend of past, present and imagined future. His characters all have different voices, and his free indirect style changes as it moves across the city. That Barry has control over all these registers, and makes them hi9s own, is quite astonishing. This debut novel marks him out as a writer of great promise.
—— Scarlett Thomas , GuardianKevin Barry’s race gangland thriller blends vivid characterisation with a Joycean exuberance of language.
—— Sally Cousins , TelegraphThis just might be the exceptional book which should be judged by its cover
—— Liam Heylin , Irish ExaminerAn ingenious tale
—— ObserverCleverly metafictional, humorously perverse, and impressively original
—— Courtney Garner , YorkerFunny, charming and heart-warming
—— Good Housekeeping UKIn this extremely bold, swashbuckling novel, romantic and disillusioned at once, intellectually daring and even subversive, Rachel Kushner has created the most beguiling American ingénue abroad, well, maybe ever: Daisy Miller as a sharply observant yet vulnerable Reno-raised motorcycle racer and aspiring artist, set loose in gritty 70s New York and the Italy of the Red Brigades
—— Francisco Goldman, author of Say Her NameRiveting
—— TimeRachel Kushner's The Flamethrowers is remarkable for its expansiveness and for its exhilarating succession of ideas
—— Mark West , The ListNational Book Award finalist Rachel Kushner brings NYC's art scene to life so well in The Flamethrowers you could get high off the paint
—— Entertainment WeeklyFast-paced, sexy and smart
—— CosmopolitanElectric...addictive...smart and satisfying
—— Oprah MagazineCaptivating and compelling
—— The BookbagThis is a work of ferocious energy and imaginative verve, straining at the seams with ideas, riffs, jokes, set-pieces, belly-laughs, horror and heartbreak
—— BooktrustKushner writes with authority, passion and humour, her characters richly drawn and her story packed with delicious anecdotes and side lines from a wide array of memorable characters
—— Tracy Eynon , We Love This BookSexy and brilliant
—— Sunday Times StyleIncandescent
—— ImageKushner's second novel comes loaded with recommendations and it's easy to see why…highly unusual and written with great seriousness and potency
—— GuardianIt manages to relate the art scene in 1970s New York to the Red Brigades in Italy, with lots of motorbikes thrown in
—— Nick Barley , HeraldKushner’s writing is a kind of marvel
—— Richard Fitzpatrick , Irish ExaminerThis novel has undeniable force and power… it’s beautifully written
—— Tim Martin , TelegraphYou can feel the wind whipping through your hair, your pulse racing, as Kushner’s daring heroine, Reno, motorcycles across salt flats and down city streets, on the prowl for art, for love, for a cause
—— The Oprah MagazineKushner’s take on 1970s radicalism, art and politics is a big, absorbing read
—— Financial TimesA self-consciously cool mash-up of motorbikes, art and unpleasant Italian politics
—— Nick Curtis , Evening StandardIn fiction I enjoyed Rachel Kushner's The Flamethrowers for its style and its daring
—— Colm Toibin , ObserverThe Flamethrowers by Rachel Kushner manages to connect the art scene in New York in the 1970s with the Red Brigades in Italy, through the medium of motorcycles and drag car racing. Ambitious and beautifully written, it is one of the more surprising books I have read this year
—— Gordon Brewer , ScotsmanIntroducing a fresh new voice
—— Justine Jordan , Guardian OnlineA left-field and potentially ludicrous literary concept – a multigenerational transcontinental historical epic built around a speed-freak biker heroine – is executed with élan by American novelist Rachel Kushner … Genius
—— Kevin Maher , The TimesThe novel, Kushner’s second, deploys mordant observations and chiseled sentences to explore how individuals are swept along by implacable social forces
—— New York TimesA Bildungsroman set against the violence of the 20th century, The Flamethrowers is less a litmus test for misogyny than a standard for the recent historical novel
—— Hannah Rosefield , Literary ReviewIt should've won the National Book Award... It is second to none
—— New York MagazineSome of the prose is as thrilling as riding a motorbike on a mountain road with no lights
—— Nicky Dunne , Evening StandardHas the kind of poise, wariness and moral graininess that puts you in mind of weary-souled visionaries like Robert Stone or Joan Didion
—— Dwight Garner , New York TimesFor a while last spring it seemed like every single person I knew in New York was reading The Flamethrowers, which is normally enough to put me off a book, but in this case I did read it and found that its ubiquity was more than justified. Then in September I happened to visit the Bonneville Salt Flats in Utah, where one of its most memorable set-pieces takes place, and I wanted to read it all over again. If I say it captures a young woman's experience of the downtown art world in the 1970s, I'm going to make it sound boring, but in fact it's superbly enjoyable
—— Ned Beauman , EsquireMuch of what makes this book so magnificent is Kushner's astonishing observational powers; she seems to work with a muse and a nail gun, so surprisingly yet forcefully do her sentences pin reality to the page. I was pinned there too –– BEST BOOK OF 2013
—— Kathryn Schulz , New York MagazineA terrific, gripping, poetic book... Kushner's meandering plot and pacy pose has completely won me over
—— Thomas Quinn , Big IssueKushner’s prose dazzles with invention
—— Emily Rhodes , Spectator






