Author:Comte Lautreamont

Insolent and defiant, the Chants de Maldoror, by the self-styled Comte de Lautréamont (1846-70), depicts a sinister and sadistic world of unrestrained savagery and brutality. One of the earliest and most astonishing examples of surrealist writing, it follows the experiences of Maldoror, a master of disguises pursued by the police as the incarnation of evil, as he makes his way through a nightmarish realm of angels and gravediggers, hermaphrodites and prostitutes, lunatics and strange children. Delirious, erotic, blasphemous and grandiose by turns, this hallucinatory novel captured the imagination of artists and writers as diverse as Modigliani, Verlaine, André Gide and André Breton; it was hailed by the twentieth-century Surrealist movement as a formative and revelatory masterpiece.
Moers' creative mind is like J. K. Rowling's on Ecstasy
—— Detroit Evening NewsMoers' writing is alluring, to say the least. He writes with as much detail as he draws, and his vivid imagination is matched by his ability to pace a story and create interesting characters
—— The State (South Carolina)Moers' drawings...are fantastic, in both definitions of the word, but what's truly appealing is the world that he creates in this marvelous tale of adventure and self-discovery... It's less a text and more an imagination on paper
—— Philadelphia InquirerParodic and sincere, slapstick and heart-tugging by turns, Moers's novel has fresh things to say on the nature of heroism and nobility
—— Washington PostWritten with insight, wit and tremendous style
—— SpectatorForster's empathy and lack of sentimentality, as well as her quick ear and eye for the telling detail, command attention, while her skills as a storyteller ensure the reader's avid curiosity about what happens next
—— Literary ReviewForster excels at depicting ordinary lives.Beautifully controlled
—— Independent on SundayForster's prose, is, as always, clear, robust and unpretentious
—— Daily TelegraphPristine writing
—— Time OutInsightful and intelligent
—— Woman & HomeWonderfully comic and touching
—— Sunday TelegraphInterweaves a variety of thoroughly imagined life stories and predicaments with quiet, effective skill
—— Mail on SundayI have greater admiration for Margaret Forster than for most novelists. A very fine, continuously interesting, and often moving work, all the better because it is so firmly rooted in the ordinary world of everyday experience
—— ScotsmanCadwalladr also captures the desperation at the heart of most good comedy. She maintains the tragicomic balance to the end and has the confidence to chose the right, realistic ending over the wrong, romantic one
—— The Observer/ReviewA hilariously funny and moving chronical of three generations of the Monroe family told through the eyes of Rebecca in the 1970s. It is not just a habit of quoting proverbs and a recipe for sherry trifle that have passed down the maternal line. There's a habit of broken marriages, dubiously fathered children and untimely deaths.
—— EliteRebecca Monroe is really stumped when it comes to her family's behaviour. Why, on the day Charles and Camilla got married, did her mum lock herself in the loo and refuse to come out? Was it due to the collapse of her chocolate cake, or because Rebecca's grandmother ended up marrying her first cousin?
Pondering what it is that makes her clan click, Rebecca is determined to discover whether it is genes or fate that affects the different generations.
A fun little romp about the joys of family and the genes we inherit.
Touching and surprising...A moving account of the personal and social pressures that shape our childhood experiences and resonate throughout out lives
—— The Sunday TimesThis exciting first novel by a talented writer is a moving exploration of family life in the twenty-first century...You won't want to put this book down
—— My WeeklyHilariously funny and moving chronicle of three generations
—— Peterborough Evening News






