Author:Terry Pratchett,Richard Coyle,Bill Nighy,Peter Serafinowicz

Brought to you by Penguin.
The audiobook of Making Money is narrated by Richard Coyle, who starred as Moist von Lipwig in the television adaptation of Going Postal. BAFTA and Golden Globe award-winning actor Bill Nighy (Love Actually; Pirates of the Caribbean; Harry Potter and the Deathly Hallows) reads the footnotes, and Peter Serafinowicz (Star Wars: Episode I - The Phantom Menace; Shaun of the Dead) stars as the voice of Death. Featuring a new theme tune composed by James Hannigan.
'IF YOU COULD SELL THE DREAM TO ENOUGH PEOPLE, NO ONE DARED WAKE UP.'
The Royal Bank of Ankh-Morpork is facing a crisis and needs a shake-up in management. Cue Moist von Lipwig, Postmaster General and former con artist. If anyone can rescue the city's ailing financial institution, it's him. He doesn't really want the job, but the thing is, he doesn't have a choice.
Moist has many problems to solve as part of his new role: the chief cashier is almost certainly a vampire, the chairman needs his daily walkies, there's something strange happening in the cellar, and the Royal Mint is running at a loss.
Moist begins making some ambitious changes ... and some dangerous enemies. Because money is power and certain stakeholders will do anything to keep a firm grip on both...
The first book in the Discworld series-The Colour of Magic-was published in 1983. Some elements of the Discworld universe may reflect this.
'As bright and shiny as a newly minted coin; clever, engaging and laugh-out-loud funny' The Times
©2007 Terry and Lyn Pratchett (P)2023 Penguin Audio
Terry Pratchett is a comic genius.
—— Daily ExpressIf you've never read Discworld, then perhaps you're unaware that what started out as a very funny fantasy spoof quickly became the finest satirical series running. It has dealt with - among many other topics - racism, sexism, journalism, death, war, the army, the Inquisition, the ambiguous nature of good and evil, and the uncomfortable power of narrative, all in novels that are smart, hilarious and humane. Come to think of it, if you've never read a Discworld novel, what's the matter with you?
—— The GuardianAlthough Terry Pratchett's comic novels are set in the imaginary Discworld, do not assume that they are divorced from contemporary concerns. His latest is almost spookily relevant...As bright and shiny as a newly minted coin; clever, engaging and laugh-out-loud funny.
—— The TimesRemarkably topical timing, concerning as it does major wobbles in the financial system brought about by unscrupulous and idiotic banking practices...Most writing on the economy is either opaque or depressing; this is funny.
—— Irish ExaminerAlong the way Pratchett shines as he mocks modern society whilst taking us on a merry chase inside the pages. As with all his novels, Making Money is very readable and the constant edge of gentle sardonicism rarely grates.
—— Daily ExpressOn-the-nose and up-to-the-minute...Pratchett remains a consistently clever, charming and funny voice.
—— IndependentOffers more comic inventiveness and originality than most other novels of the year. And more fun.
—— Sunday TimesNon-stop wit . . . Pratchett is a master of juggling multiple plotlines and multiplying punch lines, and Money is a wondrous farce.
—— USA TodayA triumph. A novel in verse, an elegy, a profound act of witness . . . Eliza is brought to such tangible and complex life I feel as though I've met her
—— Luke Kennard'One of my favourite books of all time. Every collection by Liz Berry is a treasure, but this one struck even deeper. It has universal reach to the ongoing exploitation of earth's poor.
—— Pascale PetitA haunting, deeply compelling narrative, that holds the reader tight to the animal anchor of the natural world, and speaks in the unique idiolect of its own genealogy
—— Andrew McMillan, author of PHYSICALThe Home Child is so beautiful . . . [Liz] honours Home Children & with a eerie magic ventriloquises her ancestor Eliza Showell
—— Amy Key'A remarkable collection . . . A thought-provoking weave of fact and imagination . . . It describes in her own words how her life is transformed, and in doing so, transforms ours'
—— John GlendayDeeply moving. A graceful, delicate book, stunning in its emotional depth... I know I'll return to it many times in the future
—— Megan Hunter, author of THE END WE START FROMThere is something of Hardy's heartbreak note to these poems . . . The Home Child is both blues and rhapsody; Liz Berry's musicality and gift for the telling image matched by her sensitivity to and love for her subject.
—— Declan RyanDeeply moving, unforgettable.
—— Doireann Ní Ghríofa, author of A Ghost in the Throat'Liz Berry's poetry is spell-work . . . Her voice carves creatures out of words, and sets them dancing.'
—— Jen CampbellLiz Berry ... sings of love, loss, grief, work, wonder, hope. To say I love this, the quiet power of it, would understate
—— Jackie Morris, author of The Unwinding'Liz Berry's poems are captivating and charged with her characteristically rich and sensuous Black Country language. The Home Child brings to light the devastating history of forced child migration in the service of Empire and is a deeply moving tribute to the author's great aunt. This is a book that should be on the curriculum'
—— Naush SabahLiz Berry achieves a fusion of poetry and fiction as gripping as any thriller... Inspired by the true story of her great aunt...this compelling novel in verse is a moving portrait of a girl who will never see her family again
—— Daily MailA tour de force... Beautifully crafted and quietly devastating, The Home Child is a masterpiece
—— Literary ReviewDeeply poignant, the words through The Home Child seem cut into each page and defy you to read them at speed
—— Family Tree MagazineA wonderfully realised novel in verse
—— Guardian, *Books of the Year*Free Love artfully delves beneath the veneer of the British middle class to tell an intimate story of generational discord, political change and sexual freedom.
—— Mark Vessery , iHadley's resplendent eighth novel... [has] poignantly astute observations on class, destiny and the false promises of the sexual revolution.
—— Hephzibah Anderson , Mail on SundayHadley's eighth novel is as absorbing as any of her other fiction, with complex family secrets, brilliant insights...and lush descriptions of nature.
—— Markie Robson-Scott , Arts DeskHadley chooses her words with spellbinding precision.
—— Claire Allfree , MetroHadley's complex sentences are purring marvels of engineering... A brilliant writer of interiority...she has a gift...for portraying the state of wanting to be wanted, or simply to be seen... almost every page struck me anew with some elegant phrasing, feline irony or shrewdly sympathetic insight.
—— Anthony Cummins , ObserverFew contemporary novelists write about their characters' inner worlds with a finely filigreed but plain-spoken acuity that Tessa Hadley brings to her work...accessing roving, rich depths... Hadley is a master in her field.
—— Lucy Scholes , Daily Telegraph"With each new book by Tessa Hadley, I grow more convinced that she's one of the greatest stylists alive. . . . To read Hadley's fiction is to grow self-conscious in the best way: to recognize with astonishment the emotions playing behind our own expressions, to hear articulated our own inchoate anxieties. . . . The whole grief-steeped story should be as fun as a dirge, but instead it feels effervescent-lit not with mockery but with the energy of Hadley's attention, her sensitivity to the abiding comedy of human desire. . . . Extraordinary.
—— The Washington PostBrilliant.... In the hands of a lesser novelist, the intricate tangle of lives at the center of Late in the Day would feel like just such a self-satisfied riddle or, at best, like sly narrative machinations. Because this is Tessa Hadley, it instead feels earned and real and, even in its smallest nuances, important.... It's to her credit that Hadley manages to be old-fashioned and modernist and brilliantly postmodern all at once.... We've seen this before, and we've never seen this before, and it's spectacular.
—— New York Times Book ReviewUtterly engrossing... Free Love is highly gratifying.
—— Ellen Peirson-Hagger , New StatesmanFree Love is a triumph.
—— Sarah Collins , ProspectBrilliantly done... Hadley writes with devastating psychological insight, her prose spare and scalpel sharp. But she is also judiciously non-judgemental, a generous chronicler of the foibles and fears that mar and make a marriage.
—— Eithne Farry , Daily ExpressFree Love is an absolute joy to read from a writer who never puts a word wrong. Fans of Small Pleasures will love it.
—— Sarra Manning , Red[A] brilliant, sensual, seductively plotted new novel... Hadley has written an extraordinary story about love and transformation.
—— IndependentFree Love is often deeply perceptive and affecting... it lets you imagine what it was like to wrestle with old and new ways of thinking in an age that shaped (and continues to shape) our own.
—— Guy Stevenson , Literary ReviewIt's the 1960s and socialism, sex and nuclear anxiety have come crashing into the middle-class bubble Tessa Hadley novels usually operate so brilliant within.
—— The Times, *Summer Reads of 2022*A story about change and its limits, its beautifully judged ending will bring you to tears.
—— Daily Mail, *Summer Reads of 2022*[An] acutely realised, deeply humane novel... Unmissable.
—— Tablet, *Summer Reads of 2022*No novel published this year gave me more pleasure than Tessa Hadley's Free Love.
—— New Statesman, *Books of the Year*Nothing drew me in as conclusively as Free Love by Tessa Hadley, who is surely one of our most astute and deft observers of everyday lives.
—— New Statesman, *Books of the Year*Hadley's novels continue to get better and better - and this is her finest, most pleasurable yet... it's near enough the perfect present in book form
—— Daily Mail, *Books of the Year*She is, in all her mastery of the craft, a writer's writer.
—— Marie Claire






