Author:Judith Krantz

Few American women are as ripe for adventure as Gigi Orsini in the booming, optimistic year of 1983. In her mid-twenties, Gigi is an original: as amusingly naughty as she is romantic, as personally courageous as she is sexually alluring.
A talented copywriter, Gigi has just accepted a job at a Los Angeles advertising agency where she is teamed with a tenderly seductive art director. But the three owners of the agency include two ambitious bachelors and one powerful woman whose irrational hatred for Gigi turns her into a dangerous adversary. As Gigi's life veers in a new direction she finds herself facing enormous demands and challenges. Never have the passionate practitioners of the business of advertising been unmasked so nakedly as Gigi is drawn into a whirlwind of desire, betrayal - and perilous love.
Stuart Neville’s books just get better and better and Ratlines is simply superb. A shocking moment in history is the backdrop to a hugely gripping thriller
—— Mark BillinghamA Nazi-hunting thriller writhing with double and triple-crosses
—— MetroAccomplished, assured and expertly plotted...a seriously impressive piece of crime fiction, that lingers long in the memory
—— Independent on SundayRatlines is a belter: fast, furious, bloody and good
—— Ian RankinA stunning depiction of what might have happened to one of Germany's senior Nazis...a first-rate story that seizes the imagination, and never lets go
—— Daily MailA great thriller from this emerging talent, with a fascinating subject, clever plot and vivid depiction of 1960s Ireland
—— Daily MirrorWildly entertaining, Ratlines is a superb mystery but in addition, a spotlight on a slice of Irish history largely ignored. This is a complex mystery told in the exceptional style that Stuart Neville has made his own. Jameson and Nazis, Irish rebel songs and Charles Haughey, it's a bold and brilliant blend
—— Ken BruenA superbly written, supremely intelligent thriller
—— Mail on SundayAbsolute blockbuster – and one you won’t want to put down
—— Crime ReviewFull of compassion... the heartbreaking story of how two lives are derailed by a split-second mistake.
—— Good HousekeepingA compelling novel about the crushing restrictions that class and gender can impose, the burden of parental expectation, and the stigma attached to mental illness.
—— Independent on Sunday[Joyce] is a charming and skilful writer
—— GuardianThe language [Joyce] uses is really poignant and evocative. It is so beautiful and well-crafted I didn't want it to end.
—— Jo Whiley, Mail on SundayUnforgettable... a deft and original follow-up to The Unlikely Pilgrimage of Harold Fry
—— Woman & HomeThe author of last year's biggest selling debut The Unlikely Pilgrimage of Harold Fry returns with a very different but equally captivating novel... This is a heartbreaking story, full of compassion, that unfolds gently but relentlessly against the backdrop of the suburban '70s. Perfect confirms [Rachel Joyce] as a major new voice.
—— Cathy Rentzenbrink , Bookseller Book of the Month July 2013Moving, insightful and satirical
—— BooktimeJoyce’s last novel The Unlikely Pilgrimage Of Harold Fry was a wonderful story of an older man walking across England to say goodbye to a dying friend. It was spoken of fondly in book clubs and in reviews and longlisted for the Man Booker Prize. In Perfect, Joyce has created an excellent follow up.
—— Emerald StreetA cleverly-plotted tale, it is moving yet unsentimental. Sure to delight Joyce fans who made The Unlikely Pilgrimage of Harold Fry a best-seller.
—— Sunday MirrorWith Perfect, Joyce wrings another rewarding tale out of the little tragedies of life
—— The Simple ThingsRachel Joyce's first novel, The Unlikely Pilgrimage of Harold Fry, won both commercial success and wide critical acclaim (it was longlisted for the Man Booker Prize). She may just repeat the trick with Perfect, a mixture of comedy and drama in much the same vein... this is a novel with the capacity to both surprise and charm.
—— Financial TimesOut of the smallest, most delicate building blocks, Rachel Joyce gradually builds a towering sense of menace. She understands people, in all their intricacy and vulnerability, in a way few writers do. Perfect is a poignant and powerful book, rich with empathy and charged with beautiful, atmospheric writing.
—— Tana French, bestselling author of In The Woods and Broken HarbourIntriguing and suspenseful... Joyce, showing the same talent for adroit plot development seen in the bestselling The Unlikely Pilgrimage of Harold Fry, brings both narrative strands together in a shocking, redemptive denouement.
—— Publishers Weekly[Joyce's] sympathetically realised characters are people living on the edge, whether of loneliness, poverty or mental illness, and despite its underlying sadness, the book ends with the presage of hope.
—— Good Book GuideA moving and original novel... it confirms [Joyce] as one of the most interesting voices in British fiction
—— Il VenerdiA rewarding, multi-layered novel with empathy for disturbed mental states and, towards the end, a clever fast-forwarding 30 years.
—— The OldieRachel Joyce's new novel is simply Perfect.
—— Vanity Fair[Joyce] triumphantly returns with PERFECT…As Joyce probes the souls of Diane, Byron, and Jim, she reveals – slowly and deliberately, as if peeling back a delicate onion skin – the connection between the two stories, creating a poignant, searching tale.”
—— O: The Oprah MagazineIn alternating chapters, these two stories set 40 years apart frame Joyce’s exquisitely played novel of tragedy and mental illness and the kind of wrenching courage unique to those who suffer from the latter and yet battle to overcome it. As in her brilliant debut, The Unlikely Pilgrimage of Harold Fry, Joyce stuns with her beautifully realized characters and the unexpected convergence of her two tales.
—— Library JournalPerfect touches on class, mental illness, and the ways a psyche is formed or broken. It has the tenor of a horror film, and yet at the end, in some kind of contortionist trick, the narrative unfolds into an unexpected burst of redemption. Buy It.
—— New York MagazineJoyce flings “Perfect’s” characters into chaotic situations fraught with misgivings and confusion ... Diana’s descent into terror is provocative enough to carry this story, but Joyce complements it with a contemporary one about an equally fragile man named Jim who has spent most of his life in a facility for the mentally ill. His connection to Diana will surprise many readers as Joyce spins this equally compelling subplot toward its shocking revelations and conclusion.
—— Star TribuneBetter than The Unlikely Pilgrimage of Harold Fry... touching [and] eccentric.
—— Janet Maslin, New York TimesAmbitious, dark and honest
—— The GuardianThat [Perfect] is unputdownable lies in its exploration of so many multilayered emotions. There is the unbreakable bond between mother and son, ?the fear of not belonging, loneliness, grief, guilt, depression, loss, the destructive nature of mental illness and how love can offer redemption.It has been a long time since a novel made me cry, but Joyce’s prose forced those tears out in the closing chapters. It is her clever did-I-read-that-right twist at the end that really got to me and had me scrabbling back though the chapters, open-mouthed.
—— Jackie Annesley , Scotland on Sunday