A masterpiece

Exquisite.

Emotionally acute, profoundly beautiful, as droll as it is deep... this has to be one of the smartest novels that 2018 has to offer.

A gentle, bleak, and brilliant novel.

Immensely powerful.

This intense, taut, sad and often beautiful tale may well be Barnes’ best novel for years.

A tender and heartbreaking novel.

As quiet and aching and intimate as a James Blake ballad.

A sensitive look at what makes lovers tick.

A vivid dramatization of the narcissism of obsessive love.

Cunningly crafted and sharply observed.

Barnes writes with shattering emotional acuity. The moments of pure devastation pile up, the story crushing with increasing weight as it unfurls.

An utterly devastating masterpiece of a novel.

At once understated and dazzling. Which perhaps sums [Barnes] up, the dazzle lying not in the shimmer of individual sentences so much as in the curves and vaults of his structural decisions.

A quietly harrowing novel about the complexity of love and the slipperiness of memory.

Distils some of the pandemonium, and intergenerational conflict, of our own uncertain time.

Barnes gives us a novel that asks the profoundest questions about memory, love and human existence.

What begins as a witty tale of rebellion against bourgeois norms becomes a moving meditation on love. Once again Barnes shows off his skill at getting to the heart of a human heart.

Deeply affecting and profoundly philosophical, The Only Story is a novel by an author at the height of his technical powers.

Barnes' knowing combination of humour and seriousness makes [The Only Story] ... a persuasive universal romance.

A beautiful, tragic and poignant novel.

In this year’s hottest new releases.

Tender, wise and beautifully written, this is sad and deeply moving stuff from Barnes. Highly recommended.

Affecting.

A brave and expansive work, compellingly told.

A thoroughly rewarding book – a compassionate, touching and funny account… A profound book, it compels one to think about one’s own life.

A brilliant, rueful look at love.

Moving, funny, with ingenious emotional intelligence, it’s one to read and read again.

Barnes’s novel chronicles their romance with an austere tenderness

[Barnes’s] facility for writing artfully conceived and executed novels about unfulfilled, disappointed lives has risen to almost unassailable heights.

Julian Barnes writes shockingly well about emotion… The Only Story is devastating and wonderful.

A solemn-ish meditation on the fallibility of memory… A love story – bitter and sweet in parts – unfurls.

Strange, unsettling — eerily beautiful, discomfiting, stay-up-late-addictive, sometimes hair-raising... Always, it’s Hadley’s high-res magnification on the interplay of marital (and friendship, and parental) dynamics that supplies her work’s steady gold.

[Hadley’s] prose is a form of civilised conversation... Late in the Day is a very good novel indeed… [Hadley] knows when to let silence speak, and she has the rare gift of writing dialogue which both rings true and hints at what had been left unsaid but is keenly and sometimes painfully felt.

A clever, compassionate novel that sings to the possibility of renewal in late middle-age.

[A] splendid, perceptive book… Hadley has expertly examined the complications and intimacies of marriage and family in such novels as The Past, The Master Bedroom and Clever Girl. In Late in the Day she continues her persistent exploration of human frailty and resilience, moving easily between the present and the past to reveal the hard edges and silent compromises that shape all relationships.

Her prose has the penetrating quality of Henry James at his most accessible… and is alert, as Virginia Woolf and Elizabeth Bowen were, to how time sculpts, warps or casually destroys us... A quiet triumph.

Late in the Day is confident, brilliant, dark and interesting.

Tessa Hadley’s brilliant new novel – an event that always sparks joy… [– is an] elegantly written, ironically witty book… [Hadley] is constantly being favourably compared to Virginia Woolf – as well as Jane Austen and Henry James.

This is not a novel filled with incident, its pleasures are perception, insight and the intense examination of emotions… A very grown-up read.

Tessa Hadley’s compelling new novel, Late in the Day, is a subtle, delicate evocation of modern life… Hadley’s observation is pin-sharp: whether describing a contemporary student’s house, a late-night drive, or simply a quiet room with only the reading light turned on, there is a shapely intelligence at work… There is something of Iris Murdoch’s fierce attention to the physical here.

Tessa Hadley has become literary fiction’s chronicler-in-chief of the lives and loves of the English middle classes… Conveying their lifestyle with shrewd economy… Hadley relies on patient, persuasive observation to draw us into a satisfying family drama of hopes and regrets as viewed from the fag end of middle age.

Tessa Hadley’s great success as a novelist lies in… examining her characters with an unusual degree of psychological subtlety. Her particular strength is to combine a deep excavation of human frailty with compassion for its effects.

Clever and thoughtful… [Late in the Day] is wholly impressive.

Hadley… [is] authoritative and powerful… a complex story structure juxtaposing present and past and featuring carefully timed revelations.

This is the perfect example of domestic fiction done well… Hadley's prose is measured, spare and utterly perceptive of the human condition.

Extraordinarily skilled and penetrating.

The language is poetic and beautifully crafted… [and it] is the measured intimacy of Hadley's language that allows her to capture in so few words, the whirring emotions that stir beyond the surface.

Crisp, considered prose.

Exquisitely written… A slow burn that’s as elegant as it is crushingly emotional.

Late in the Day… [is] beautifully written with moments of real tenderness — I found it immensely enjoyable and thought-provoking.

A wonderfully involving, intelligent and subtle.

One of the best literary offerings so far this year.

A prime study of the modern condition.

Tessa Hadley is one of those rare authors who keep getting better and better… the writing is joyous, and the conclusion will set your heart singing.

Hadley’s prose is so elegant, her quiet observations on ageing, adultery, motherhood and art so penetrating, it is pure reading pleasure.

Unflinching, intelligent and fascinating

Hadley’s elegant sentence-making is pure joy, combining scathing observation with careful compassion in a novel.

A stunning read by a masterly writer.

Late in the Day will delight fans of Tessa’s work and is an excellent introduction to her style for those unfamiliar with her novels. It’s a gentle yet impactful and deeply thought-provoking book that will leave you reflecting on your own choices and relationships – and makes a perfect beginning to a new year of reading.

A brilliant, beautiful novel populated by multifaceted characters and lit by Hadley's insight and skill.

Reflective, poignant and beautifully written, it reminds us that the constant in life is change.

Compelling.

[A] compelling novel… Hadley captures the way old feelings, longings and hidden secrets unravel tight-knit relationships.