Well, if you’re not reading Peter Clines’s books, you should be...

Elliott writes teenagers well, refraining from trying to use any slang . . . and just focusing on the issues that seem to come up for all teenagers, no matter what new tech is added to their life. It's also so refreshing to read about a young woman with ambition and passion that is not, say, a vampire/werewolf love interest . . . [Haylah] is a realistic character I believe plenty of teenagers would identify with . . . I wish this book had been written when I was a teenager!

Kameron Hurley's a brave, unflinching, truly original writer with a unique vision - her fiction burns right through your brain and your heart.

Hurley's world-building is phenomenal... [she] smoothly handles tricky themes such as race, class, religion, and gender without sacrificing action.

An aggressively dark, highly original SF-fantasy novel with tight, cutting prose and some of the most inventive world-building I've seen in a while.

‘Part 21st-century political satire, part unexpectedly affecting 19th-century love story…It’s every bit as strange as it sounds, and yet somehow it works: there’s a pleasing symmetry to the parallel plots, and Anthony’s writing is evocative enough to snare the imagination.'

'Old, dead creature brings down flash, vain senator... Out in front as the most fizzing and amusing novel of the year.'

‘Jessica Anthony’s Enter the Aardvark was exactly the smart, funny and poignant pick-me-up that I needed…Anthony entwines her two narrative threads with seamless precision...Riotously entertaining’

Sharp, inventive and very funny, it’s an entertainingly bizarre political satire.

‘A joyfully weird, compulsive political satire'

Inventive and darkly funny...as Anthony connects characters from today with those from 19th-century England, she offers an original and unsettling lens through which to view male power as it has evolved over time.

‘Weird, wonderful, and very much of the moment, Enter the Aardvark is a landmark political novel of the Trump era.’

The scope of Anthony’s imagination can sometimes beggar belief. What a mind she has. As the narrative twists between the past and the present, it seems like anything could happen at any time….a hilariously poisonous evisceration of the cowardly, disingenuous politicians running rampant through Trump’s Washington.

‘Sometimes, a paragraph near the start of a novel is so perfect and funny that you read it over and over, laugh every time, and know you’re in for a treat…I'm loving it. Completely insane but utterly hilarious’

‘A curious, surprising and moving story about two men who— to put it one way — become involved with an aardvark and thereby condemn themselves to death.’

Like A.S. Byatt like with a demented sense of humor… [Jessica Anthony] holds up a funhouse mirror to our own political media in the age of spin…with sentences reminiscent of Joyce’s Dubliners and the later works of T. S. Eliot.

A wild ride and might just be the perfect antidote to the wild ride we’re in in real life].

The structure doesn’t so much intrigue as ensnare you, weaving its cat’s cradle of a plot as you lie there, strapped to a table... “Enter the Aardvark” is brutally suited to our moment of absurd political theater.

A blisteringly innovative and outrageous novel...If you're searching for a sharp, looking-glass view into the far end of contemporary politics, look no further. Jessica Anthony's novel has the pacing of a thriller with satirical verve of Nathanael West.

'Enter the Aardvark is one wild ride: a condemnation, a haunting, a song of love, a madcap political thriller—and it is absolutely unputdownable.' LAURA VAN DEN BERG, author of THE THIRD HOTEL

'Hilarious, moving, ingenious... Enter the Aardvark is an absolute original.'