Author:William Palmer

Don Giovanni di Tenario, lives on in the memory of his servant Leporello. In Leporello's tale, the Don escapes his summons to Hell and master and servant travel through the courts and casinos, lodging houses and brothels of eighteenth-century Europe. Their journey ends with Don Giovanni returning to his family estates - and a terrible inheritance.
One realises afresh the full meaning of originality, the magic of the mind which plays around concrete facts as though they were all spirit. And when it is finished it is with a renewed sense of zest and stimulus that one takes up life again and looks anew at objects which before were only ordinary.
—— GuardianBrilliant interweaving of personal experience, imaginative musing and political clarity
—— Kate MosseAchingly relevant
—— Natasha Walter , GuardianThis novel's genius ... lies in Fallada's ability to reveal ... as well as to analyse the macabre game of musical chairs that was the Weimar Republic. Fallada gives us front-row seats to Germany's decade-long quest for a sacrificial scapegoat that culminated in the Nazi takeover. ... Two years after Alone in Berlin's runaway success, A Small Circus continues the Fallada revival that owes so much to the efforts of its translator, the poet Michael Hofmann
—— André Naffis-Sahely , IndependentFallada creates characters with Dickensian prodigality, each yokel, hack, pig and pen-pusher brought to life in Michael Hofmann's beautifully judged translation ... a generous, life-affirming treat
—— Jake Kerridge , TelegraphMichael Hofmann ... comes as close as possible to giving us Fallada's work in all its coarse, humorous, immediate, tragic glory
—— Charlotte Moore , SpectatorNot for the first time, all praise is due to Michael Hofmann's art and feel for nuance. His translation catches the many voices - some exasperated, others bewildered, a few downright angry - that make this bold, exuberant and candid narrative sizzle with life and the relentlessly shocking reality of it all
—— Irish TimesFallada's own experiences as a regional journalist in north Germany underlie the action, and it is this sense of realism, combined with an ear for dialogue and an acute understanding of human frailty, that make the novel such an authentic portrayal of an imploding era
—— Ben Hutchinson , ObserverA major new voice in historical fiction
—— The BooksellerWildly entertaining . . . One of the best historical novels I've read
—— Huffington PostThe thrilling follow-up to Treasure Island, as told by one of England's greatest contemporary writers...Silver is a worthy sequel to Treasure Island and a work of extraordinary authenticity
—— GQLike Stevenson, Motion has achieved that very difficult thing: a children’s novel that works even better for adults. Look to your laurels, Rowling
—— The TimesA solid adventure yarn, full of ghostly echoes of Stevenson, with a denser tropical atmosphere and an even more palpable sense of evil
—— TLSThere are sequels and prequels aplenty, but this follow-up to Robert Louis Stevenson’s Treasure island by the former Poet Laureate reeks of authenticity, cunning, intrigue, suspense and adventure.It’s brilliant, and for all ages
—— Henry Sutton , Daily MirrorHe reinvents Stevenson’s world to reveal its dark underside, illuminating both its mysterious beauty and its grim immortality.Silver provides a fitting sequel to Treasure Island, certainly, but also stands in its own right as a companion volume to a literary classic.
—— Daisy Hay , The ObserverSilver is a deeply pleasing and convivial book… As with Treasure Island, Silver is left open to the possibility of its own sequel, and surely no one would wish Motion to swallow the anchor. All aboard! All aboard! All aboard that's coming aboard.
—— Ian Sansom , The GuardianSilver…captures something of the old magic. The thrilling flight across moor and heather that Henry James admired in Kidnapped.... finds expression in Silver’s action scenes set amid Caribbean waters.
—— Ian Thomson , Financial TimesBeautifully written and genuinely exciting... Motion’s novel stays true to Stevenson’s original... Outstanding.
—— Emma Lee-Potter, author of House With No NameSilver’s plot twists and turns and introduces elements beyond even Stevenson’s imagination. The result is a fascinating and richly coloured novel that can be read by children with an appetite for adventure and adults who will relish reliving the glory days of youth.
—— Alan Taylor , HeraldElegant, affectionate homage to Robert Louis Stevenson is straight out of this classic adventure-story mould… A piece of writing born of genuine love and respect for the original.
—— Adam Lively , Sunday TimesA thrilling follow-up to Robert Louis Stevenson’s Treasure Island...Silver is a novel that will appeal to readers of all ages. Beautifully written and genuinely exciting...Best of all, Motion’s novel stays true to Stevenson’s original tale while adding an extra dimension.
—— Emma Lee-Potter , Daily ExpressElegant, thrilling sequel...The plot is gripping, a mixture of high adventure, low cunning and desperation...Motion’s prose vivid and glowingly poetic, is a brilliant counterpoint to the fascinating action.
—— Eithne Farry , Daily MailThis is a pacey tale with an appropriately feisty young heroine for modern readers
—— Lesley McDowell , Independent on SundayAndrew Motion brings lyricism but, more importantly, rollicking adventure to this sequel to Treasure Island
—— Mail on Sunday






