Author:Tim Sebastian
Edward Bell’s mother had left the Soviet Union thirty years before – a political firebrand, a troublemaker. She worked as an interpreter, and to begin with she’d tried hard to be English. She’d kept her accent in check, been friendly with other mothers at Edward’s school. But gradually she returned to being a foreigner, she went to foreign shops, communicated only with foreign people. To her, England was nothing more than the view for the front window.
She and Edward appear to have lived quietly enough until one day, the war over, a Russian businessman is found dead in London. Suddenly they are hunted by security agents from the major powers, unleashing a cycle of killing right across Europe and into Russia. For Edward Bell it is a nightmare journey – his past is colliding frighteningly with the present and he must extract his family from the ruins of a cold war that is still threatening their lives.
The world through which he travels divides husband and wife, mother and son, twisting their destiny in violence and betrayal. In making his move, Bell must ultimately choose between the death of a principle and the life of a human being. He must struggle to break the political stranglehold on him and on those he loves – struggle for his last rights.
Delightful… Segal’s writing is wise, witty and observant.
—— Kate Saunders , The TimesWonderful...witty…an astonishingly accomplished debut which will draw comparisons between Segal and Zadie Smith and Monica Ali.
—— StylistAn impressive debut...the struggle to achieve true adulthood, the loss of innocence and the consequences of adapting to a culture that levies certain expectations on its members, are all cleverly worked into a poised text
—— Elizabeth Buchan , Sunday TimesA subtle, witty and acutely observed study of a narrow but very recognisable world.
—— The ObserverWitty and touching... An assured and audacious debut
—— Michael Arditti , Daily MailCompelling... Segal writes with an understated elegance
—— Lucy Scholes , ObserverHumourous and touching
—— Emam Hagestadt , IndependentThe central story transcends time, reflecting the omnipresence of love and its conflicting web of duty, confusion, temptation and lust.
—— Camilla Ter Haar , The LadyStylish, witty, wonderfully moreish
—— A.D. MillerThe Innocents is an exuberant, sensitive, witty novel, elegantly written, partly a study of universal dramas of love, marriage and fear, partly a very modern, sassy London story, partly a Jewish novel. I found it irresistible
—— Simon Sebag MontefioreA moving, funny, richly drawn story of a young man's attempts to find out who he wants to be when there are so many others who know best. Full of real pleasures and unexpected wisdom, this book sweeps you along
—— Esther FreudA beautiful, bittersweet novel
—— Gin PhillipsWritten with wisdom and deliciously subtle wit, in the tradition of Jane Austen and Nancy Mitford. Francesca Segal has a remarkable ability to bring characters vividly to life who are at once warm, funny, complex, and utterly recognizable. This is a wonderfully readable novel: elegant, accomplished and romantic
—— Andre AcimanAn elegant little novel and a real delight to read... an updated version of the 1920 Pulitzer-prize-winning The Age of Innocence by Edith Wharton - the parallels are close, but given how deeply anti-Semitic the New York social elite was in that period, transplanting the story to a Jewish community is not only clever, it also gives a wider, more general point of reference, in quite a subtle way
—— Sara Maitland , Book Oxygen·A mature love story that meditates on community and ties that bind…a contemporary recasting of that adroit classic, The Age of Innocence…Just like Old New York, this is a community that has its own way of doing things, and The Innocents takes its cue from Wharton’s anthropological musings, doubling as a primer on the importance of the Friday night dinner, the symbolism of the Rosh Hashanah, and the evolution of the Christmakah party…Segal…is a writer of instinctive warmth who can divertingly lavish a full page on a breakfast spread, yet she never loses sight of this haunted truth’
—— Hephzibah Anderson , StandpointThe Innocents has garnered her a next-Zadie-Smith style buzz.
—— TatlerSegal writes with delicacy, accumulating details that create the texture of Adam and Rachel’s world… Adam is well drawn and not unsympathetic, and Segal has skillfully created a cast of secondary characters, including Ziva, a survivor of the Holocaust.
—— Tina Jackson , MetroIt takes chutzpah to appropriate such a well-loved classic but Segal parallels the two convention-bound worlds with aplomb… [a] classily composed comedy of manners
—— Emma Hagestadt , IndependentImpresive debut…a poised text
—— Elizabeth Buchan , Sunday TimesWittily observant
—— Caroline Jowett , Daily ExpressHugely enjoyable first novel... The end result falls somewhere between Charlotte Mendelson's When We Were Bad (about a matriarchal Jewish rabbi) and David Nicholl's One Day (with its theme of mismatched love) and is all the more pleasing for that
—— Viv Groskop , ObserverElegant little novel and a real delight to read
—— BookOxygen.com