Compelling... Moshfegh's bold venture beyond her comfort zone in Lapvona is a welcome promise of how much more she has to offer American literature today.

What impresses here is not so much Moshfegh's abilities with character or narrative, or even her language . . . as the qualities Lapvona shares with a Francis Bacon painting: depicting in blood-red vitality, without morals or judgment, the human animal in its native chaos.

Moshfegh expertly creates a world with its own superstitions and laws, both timeless and topical.

Moshfegh's genius is her ability to rip away the veil, revealing the horrors beneath, in writing so compelling, and bleakly funny, that we can't bear to look away.

A witty, vicious novel.. . Moshfegh is one of our most thrilling chroniclers of the abject

Booker-shortlisted Ottessa Moshfegh is likely to out-weird most things published next year - set in a medieval fiefdom, could it be a work of genius, too?

Deliriously quirky medieval tale . . . Moshfegh brings her trademark fascination with the grotesque to depictions of the pandemic, inequality, and governmental corruption, making them feel both uncanny and all too familiar. It's a triumph.

[A] truly unique novel.

Moshfegh writes brilliantly bizarre. Her arresting fourth novel continues this tradition.

Despite its medieval milieu, Lapvona is a quintessential Moshfegh book. It has the warped earthiness of the author's first two novels... [and] a powerful undercurrent of allegory.

Enjoyably disgusting - an effective...medieval fantasy.

One of America's most celebrated authors continues her exploration of what fiction has to offer with a further digression from the standard realist purview and into fantasy... a fascinating premise, and I'm excited to see the yarn Moshfegh is able to weave.

No one is quite who he first seems in the latest wicked tale from macabre master Moshfegh . . . Sculpting an eerily canny fabular world of contrasts and evil, cartoonish cruelty, in her signature way, Moshfegh conjures a grotesque, disturbing story of gross inequality and senseless strife.

A thrilling dissection of illusion and reality.

Lapvona is a sublime work in the truest sense - mighty, irrepressible and terrifying.

Like a twisted reworking of A Hundred Years of Solitude... readers will no doubt relish its icy intensity and Old Testament grimness.

Strange, subversive and utterly unique.

Weird, unsettling and exciting...Moshfegh writes like a dream - or perhaps a nightmare?

[A] strange, disturbingly funny faux-historical novel.

A brazen, mordantly comic and decidedly odd examination of corruption... proving to be one of the most provocative and divisive reads of the year.

Brace yourself for a daring, dizzying fable about corruption.

A strange, daring book.

An addictive read... a curious, unjudging journey into humanity's craters.

Lapvona is an interrogation of faith, greed, and abuse - yet Moshfegh's dark humour cackles right through it.

This unsettling read is unlike anything else.

[Lapvona] is unlike anything she's [Moshfegh] written before... a rollercoaster ride exploring the themes of poverty, religion and greed.

Moshfegh's novel is bitterly comic, compelling reading, ever-pulsing with perversity.

[A] wry, bewitching and slightly dark novel.

Moshfegh is one of the most original and astute young novelists working today.

The superabundantly talented...Moshfegh's sentences are piercing and vixenish... she is always a deep pleasure to read.

Funny... Unforgettable... Batuman is particularly good on sex and sexual politics... The star feature is the narration... garrulous, rambunctious... full of baroque riffs and digressions.

A fresh voice is a rare thing, and Elif Batuman is one such.

Either/Or is extremely funny and delightfully ludic, as it probes the very act of reading from the point of view of confused university student Selin.

I was desperately looking forward to Elif Batuman's Either/Or, and it more than lived up to it.

Re-encountering Selin...felt like being reunited with an old friend.

Hilarious.

I greatly enjoyed the comic zing of Elif Batuman's delightful Either/Or

Witty, intelligent and funny... [Selin's] inner monologue is addictive enough to read a thousand more pages of, and I can only cross my fingers that this isn't the last instalment of the series.

Just as funny and self-aware and clever as The Idiot.

Funny, wry and insightful

Laugh out loud…hilarious and thoughtful