Author:Kjell Westo,Ebba Segerberg

"I asked you to write a story about love, not a story about crime!" he yelled, and I answered, "I'm sorry, but in my mind they've become inseparable."
In the middle of the night, a man makes a phone call to his best friend. He needs help, he says - and the loan of a heavy-duty shovel. The story of Christian Lang is one of obsession both physical and emotional. A famous novelist and television chat-show host, Lang wants to keep his affair with the enchanting Sarita a secret, but she has her own reasons for keeping it quiet too. Lang finds himself caught up in a sinister love triangle with Sarita and her violent ex-husband. He knows that his life is in danger but so great is Lang's passion for his lover that he is unable to stay away.
As Lang is drawn further into a spiral of lust, lies and violence his judgement becomes increasingly irrational. This is a compelling story about love, hatred and obsession and of how these can override the emotion of intense fear. Westö has produced a superbly crafted tale of the terrifying lengths to which a man will go to fuel his addiction to a woman.
You will find scenes from this majestic novel burned into your mind forever
—— Alice MunroOne of the great undiscovered writers of our time
—— Michael OndaatjeThe novel is close to being a masterpiece. The characters, the light and the weather, the story itself - its beautiful tone and shape, its harsh and melancholy music - stay with you for days afterwards. The novel is simply breathtaking in its emotional range
—— Colm Toibin , Irish TimesExceptional... The book is pervaded by the humour and colour; intensely vivid, and very, very moving
—— IndependentAlistair MacLeod is a wonderfully talented writer
—— Margaret AtwoodThis year No Great Mischief made Alistair MacLeod's position as a master of prose even more firmly assured. This is a work of true lyricism, emotional intelligence and breathtakingly acute observation
—— ObserverA lesson in the art of storytelling
—— Times Literary SupplementClose to being a masterpiece, this intensely poignant 1999 novel stays in the mind for days...Quite simply, a wonderful, wonderful book
—— Val Hennessey , Daily MailHauntingly elegiac novel
—— Simon Shaw , Daily MailThe story is so expertly crafted that it achieves a luminous intensity, which lingers long in the memory
—— Mail on SundayThis novel deserves to be read as closely as Nora listens to Beethoven. It leaves you with much to ponder . . . Our bond with the Websters makes us imagine they're out there, living and longing, with fire crackling in their hearth
—— Guardian[A] love story and a love letter . . . from one of Ireland's contemporary masters
—— ObserverThis very readable novel undercuts the cliches of misery fiction . . . Tóibín's great weapon in this regard is Nora's genuine agency as a character. Both she and the novel which bears her name are defined by what has come before, this is true, both both are more interested in moving forward than being caught in the past
—— Irish ExaminerThis novel is the real thing, rare and tremendous . . . It does everything we ought to ask of a great novel: that it respond to the fullness of our lives, be as large as life itself
—— Tessa Hadley , Guardian 'Book of the Week'A work of extraordinary achievement. In Nora Webster the slow build-up of pressure, the sense of pain experienced and barely withstood, is cumulatively almost unbearable, and the climax provides a catharsis that raises the hairs on the back of your head. The novel at once takes it place with the very best of Tóibín's fiction
—— Roy Foster , Irish TimesIn plain and unsentimental prose, Colm Tóibín has created a character who, in her recently widowed state, must find her way through life for herself and her children. Deftly depicting the self-confined world of Nora and her boys, Tóibín provokes sympathy from the reader, but also unexpected feelings of frustation as Nora dwells on the death of a husband who cushioned her against the realities of life. As haunting as Hedda Gabler, Tóibín's latest offering a triumphant addition to his canon. The relatable voice of Nora Webster will remain with the reader long after the story has ended
—— The LadyNora Webster is a beautiful and heartbreaking portrayal of one woman's experience of depression and loneliness. But it also evokes the protagonist's struggle to find - and express - her own voice and identity. Quietly perceptive and [a] wonderfully modulated portrayal . . . It's so richly detailed and laced with such dialogue that you feel like you are living in Nora's world. Very moving
—— RadarMoving, honest and truthful, this is a masterful depiction of the grief process
—— PsychologiesBeautifully told
—— Good HousekeepingTóibín is a master at evoking emotions with particular sensitivity . . . This is a beguiling story that envelops readers like Irish mist. The slow unhurried narrative keeps pace with Nora's grief and changing emotions. By the time she is ready to cut the last ties to her husband, Tóibín has woven the complex threads of family life into a portrait of a much-loved woman
—— Daily ExpressA moving masterpiece. Tóibín really plumbs the heart of his characters
—— Women and HomeAs elegantly and delicately wrought as gossamer . . . What makes Nora Webster so intriguing is the author's complex and nuanced attitudes both to the period and his characters
—— MetroOnce again Colm Tóibín proves he knows women perhaps better than we know ourselves in this quietly devastating portrait of a grieving widow's tortoise-like re-emergence into the world. Tóibín provides a seductive narrative, moments of levity and an entirely honest portrayal of a woman struggling to simply be herself and rebuild her life
—— Mariella Frostrup , Waitrose, Books of the YearIf there is a more brilliant writer than Tóibín working today, I don't know who that would be
—— Karen Joy Fowler , Irish Times, Books of the Year[A] deeply affecting novel…Culminating in a shattering revelation, her tale is funny, sad, hopeful: She’s bound for death, but full of life.
—— People MagazineA moving, lyrical read about life, love and saying goodbye. this is a companion story to the similarly entrancing The Unlikely Pilgrimage of Harold Fry, but could be read alone.
—— Cathy Rentzenbrink , Prima