Author:Helen Gordon

For fans of Jeffrey Eugenides's The Virgin Suicides, Landfall is a clear-eyed, witty and warm debut novel by former Granta editor Helen Gordon, that marks the arrival of a major new literary talent.
Alice Robinson, art critic for a magazine so fashionable it's just gone out of business, finds herself agreeing to housesit for her parents. Moving back home to a suburbia she thought long behind her, she finds herself reconnecting with a different landscape, a fraught and painful past.
For everywhere Alice turns she finds traces of her sister, who went missing as a teenager. Can she stop her old life intruding on the present? Should she even try? What does Alice's new future look like?
'An intriguing novel . . . a hipster version of Margaret Atwood's Surfacing' Metro
'A memorable novel. I loved the pace and verve of Alice's voyage from Shoreditch to suburbia, and the unexpectedness of the story as it swerves past the familiar into a dangerous and beautiful unknown' Helen Dunmore
'Compulsively readable' Independent on Sunday
'Fine writing . . . wrapped in an arresting evocation of timelessness' Guardian
'Brooding and haunting' Tatler
'Uplifting, witty, wonderfully unsettling' Psychologies
'Beautifully descriptive, with a cliff-hanger finale' Easy Living
Helen Gordon was born in 1979 and grew up in Croydon. She currently lives in east London and is a former associate editor of Granta magazine. Landfall is her first novel.
Quirky, compelling, unpredictable . . . layers peel away almost imperceptibly and the ending is surreal yet believable
—— The TimesA charming and compelling novel
—— ObserverFor the most part it's an uplifting, witty tale, but the ending is wonderfully unsettling, forcing us to consider whether the guidelines we follow really will lead to a more satisfying life
—— PsychologiesCompulsively readable, with a silky smooth pace
—— IndependentA memorable novel. I loved the pace and verve of Alice's voyage from Shoreditch to suburbia, and the unexpectedness of the story as it swerves past the familiar into a dangerous and beautiful unknown
—— Helen DunmoreAn intriguing debut . . . Landfall takes a gratifying left field swerve
—— MetroWritten with pluck and humour
—— IndependentBeautifully descriptive, with a cliff-hanger finale
—— Easy LivingAided by a translation (from Richard Dixon) that tucks into Eco’s rich period pastiche with relish, the story weaves a fictional master of mischief into actual events… Highly enjoyable in its cunning twists
—— Boyd Tonkin , IndependentHas latterly been dubbed the thinking person's Da Vinci Code. But Eco is at home in history in a way that Dan Brown is not... Eco has a sure grasp not only of historical fact but of a period's literature. He's a dab hand at intertextuality... His intent in exposing the moment that lies at the origin of modern anti-Semitism seems to be to show how fictions can have factual consequences. Contemporary spin-doctors take note. Lies, particularly if they follow the pattern of paranoid conspiracies and create an enemy, can have dire effects... Eco is a comic master and, in his 80th year, his irreverent intelligence, if not always his plotting or scabrous taste, remains bracing
—— Lisa Appignanesi , IndependentThere is a great deal of pleasure to be taken in the games Eco plays and in the serious thinking about history and stories that lies beneath them
—— Robert Gordon , Times Literary SupplementAn extremely readable narrative of betrayal, terrorism, murder… chilling
—— Daily TelegraphHis biggest, most ambitious and most engaging novel to date
—— The TimesPsychological acuity, a wonderful linguistic precision and the ability to make beautiful accordance between form and content via thoughtful narrative experiment. Gods without Men is a step further along the road towards the full realisation of Kunzru's early promise. It makes undeniable the claim that he is one of our most important novelists . . . As large and cruel and real as life
—— Independent on SundayAmbitiously eclectic . . . smartly sharp social detail, high-fidelity dialogue, vivid evocation of place . . . ironic wit and exuberant guyings of paranormal gobbledegook
—— The Sunday TimesFuelled by an energetic intelligence. Along with a love of big ideas came narrative zest, verbal and comic flair, and an acute eye for contemporary mores both East and West . . . Gods with Men marks another new and bold departure . . . This really is Kunru's great American novel . . . Compulsively readable, skilfully orchestrated, Kunzru's American odyssey brings a new note into his underlying preoccupation with human identity'
—— IndependentBeing able to create a vivid sense of place is one of the hallmarks of a quality literary writer, but few could have done so as brilliantly as Hari Kunzru in his latest novel Gods without Men
—— Big IssueIntensely involving . . . Gods Without Men is one of the best novels of the year
—— Daily Telegraph