Author:Robert Louis Stevenson,Alistair Gray
Robert Louis Stevenson's Kidnapped is at once a rollicking adventure story and an earnest political allegory. This Penguin Classics edition is edited with an introduction and notes by Donald McFarlan and a foreword by Alasdair Gray.
Orphaned and penniless, David Balfour sets out to find his last living relative, miserly and reclusive Uncle Ebenezer. But Ebenezer is far from welcoming, and David narrowly escapes being murdered before he is kidnapped and imprisoned on a ship bound for the Carolinas. When the ship is wrecked, David, along with the fiery rebel Alan Breck, makes his way back across the treacherous Highland terrain on a quest for justice. Through his powerful depiction of the two very different central characters - the romantic Breck and the rational Whig David - Stevenson dramatized a conflict at the heart of Scottish culture in the aftermath of the Jacobite rebellion, as well as creating an unforgettable adventure story.
This new edition includes a foreword by Alasdair Gray discussing Stevenson's life and literary career and how he came to write Kidnapped. In his introduction, Donald McFarlan considers the novel's realism and a depiction of Scotland. This volume also includes a historical note, a map, notes, new further reading and a glossary.
Robert Louis Stevenson (1850-1894) was born in Edinburgh, the son of a prosperous civil engineer. Although he began his career as an essayist and travel writer, the success of Treasure Island (1883) and Kidnapped (1886) established his reputation as a writer of tales of action and adventure. Stevenson's Calvinist upbringing lent him a preoccupation with predestination and a fascination with the presence of evil, themes he explored in The Strange Case of Dr Jekyll and Mr Hyde (1886), and The Master of Ballantrae (1893).
If you enjoyed Kidnapped, you might like Jack London's The Call of the Wild, White Fang, and Other Stories, also available in Penguin Classics.
Pynchon's finest work yet...if anyone is still looking for the Great American Novel...then this may well be it
—— Brian Morton , Scotland on SundayA rollicking, picaresque tale... playful, erudite and funny
—— New York TimesVery grand and mad and beautiful...I can't remember ever having reviewed a more original novel... and if America produces a novel to come near this marvellous, proliferating thing this decade, I promise to eat it
—— Philip Hensher , SpectatorPynchon offers readers a trip as long and full of yearning as that of his heroes
—— New YorkerA hugely ambitous epic...show cases all of Mr Pynchon's gifts as a writer: his magical abilty to fuse history and fable, science and science fiction; his Swiftean grasp of satire and his vaudevillian's sense of farce. It's a book that testifies to his remarkable powers of invention and his sheer power as a storyteller... as moving as it is cerebral, as poignant as it is daring
—— New York TimesAchingly funny and infuriatingly erudite, every page so effortlessly well-constructed it made me want to give up writing
—— Tablet, *Summer Reads of 2021*Seiffert returns to many of the themes of her first novel, The Dark Room: guilt, grief, memory and forgetting. But Afterwards also asks the questions about how much people can really know about the people they love
—— IndependentSuperb...the drama is balanced and the tension sustained...masterful
—— Financial TimesReaders who wonder why... Martin Amis and... Kiran Desai seem to flinch from writing about their own times should study Ms Seiffert
—— EconomistRachel Seiffert is the poet and spokeswoman of those who find themselves on the wrong side of history...powerful, almost unbearably intense and wonderfully written
—— The TimesA quietly ambitious book
—— GuardianDespite the halting, low-key narration as Joe and Alice attempt to piece together the terms of their engagement, a simmering tension builds, though Seiffert is admirably less concerned with the revelation of atrocities than in how the soldier, having breached the first commandment, negotiates a return to ordinary life
—— ObserverA beautiful book and it's beautifully written
—— Kit de Waal , Good Housekeeping UKMy favourite book of all time
—— Sareeta Domingo , Good HousekeepingMorrison's stunning trilogy is an evocation of black life over the past four centuries. It defies summary. Completed almost 25 years ago, these novels top anything produced by any American writer including Hemingway, Updike and DeLillo
—— Trevor Phillips , Sunday Times[A] beautiful, haunting novel
—— Stig Abell , Sunday TimesMore than one of Morrison's books could be classed as masterpieces, but this one is famous for a reason: everyone should read it
—— Bernice McFadden, author of SUGAR , GuardianA magnificent achievement...an American masterpiece
—— A.S. Byatt , GuardianA triumph
—— Margaret Atwood , New York Times Book ReviewShe melds horror and beauty in a story that will disturb the mind forever
—— Sunday TimesToni Morrison is not just an important contemporary novelist but a major figure in our national literature
—— New York Review of BooksA work of genuine force. . .Beautifully written
—— Washington PostThere is something great in Beloved: a play of human voices, consciously exalted, perversely stressed, yet holding true. It gets you
—— The New YorkerSuperb. . .A profound and shattering story that carries the weight of history. . .Exquisitely told
This is a wonderful novel about slavery, freedom, parental loss and revenants
—— The Week, Thomas Keneally
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