It stands as one of Robert Louis Stevenson's most compelling works - it was one of the author's favourites, and his affection for his central characters is unmistakable - and is a novel you want to press on people, knowing they'll love it

Generations of readers have been enthralled by his tale of the gauche young David, orphaned at 17, who is plunged into a life of danger and excitement... His rescue by the daredevil Jacobite Alan Breck Stewart, their bloody battle with the crew of the Covenant and shipwreck on rocks off the west coast isle of Earraid are among the most exciting scenes penned by a Scots author

Anyone who has read Kidnapped knows that Robert Louis Stevenson was a marvellously powerful storyteller as well as a great stylist

It's a pacy, twisting story that appeals to all ages and across classes and cultures. It's a tale of friendship in adversity, and a coming-of-age story

This really inspired me. I read it when I was young but still think it’s great. Forget the Booker Prize, storytelling is what I love and this is storytelling at its best

draws national intelligence...reality-like fiction

An entertaining read with a distinctive voice - and her most ambitious work yet

Unsworth is the most accomplished of novelists. All the characters are thoroughly imagined and ring true - even Jehar, convinced of the truth of his own lying rhetoric. As in all the best novels, characters reveal themselves in speech - and we see them as they present themselves to others. The plot moves faster as the novel gets into its stride. Unsworth, like Walter Scott, knows what is to be gained by an apparently languid introduction, scene-setting before the action takes over. He knows that credibility must first be established before action is significant. This is a cunningly put-together novel, in which the development of the plot advancing to an inexorable climax gains enormously from the deliberately leisurely opening.

A terrifically entertaining novel.

A richly imagined novel squarely in the tradition of his Booker Prize triumph Sacred Hunger.

Unsworth moves lightly between his characters, as Somerville's explorations prove fruitful and a race to the finish line ensues. There's a great deal of tension but the prose stays cool - partly because he means to show us the value of the various prizes they covet.

Undertones of doom never silence the high notes of an elegantly dressed adventure yarn ... The plot, so delicately stitched, unravels - literally - in a flash ... As always with Unsworth, no moral lectures or glib ironies ensue. Rather we glimpse what happened to these folk (or those who survived) during and beyond the first global war. It ended with, among many other new-born nations, the Anglo French fabrication of the four-letter land whose name ends this compelling - and unsettling - book.

Unsworth is a spare and elegant writer, and his lean prose keeps perfect pace with the mounting tension as international players fight over the land. An unexpected page-turner that foreshadows the current turbulence in the Middle East.

Land of Marvels is a most intriguing fiction, as multi-layered and full of unexpected discoveries as the terrain so rich in narrative into which Somerville is so desperately burrowing. Unsworth's knowledge of his novel's historical and archaeological background is gracefully deployed, as are the parallels with the later conflict, which are never allowed to overshadow the vivid characterisation and elegant, intricate plotting by means of which the author pursues his real theme: the nature of stories that human beings tell themselves about the past, the present, and the future.

As you would expect from Barry Unsworth, the place and period are beautifully evoked and the plot gathers pace to a brilliant climax.

Land of Marvels is a novel about deception, greed and the restrictions of decorum, a time capsule reopened and a well-paced saga of broken family ties. It also offers an evocative glimpse at the lands that have since been reborn as Iraq.

Anyone familiar with Barry Unsworth's work will know the relish he takes in intrigue and subterfuge. Here, the entire cast is engaged in a kind of gavotte of dissembling, eagerly trying to outwit each other. This, as one might expect, is beautifully orchestrated, with everyone dancing to what they falsely believe to be their own tunes. And while the contemporary resonances of his story are plainly there - Mesopotamia, or modern-day Iraq, is being picked over by various self-interested outsiders keen to plunder its resources - they are never laboured.

He has a marvellously sinuous way of moving in and out of his characters points of view and styles of speech... neck-deep in spies, double- and triple-crosses, forbidden love and pistol-shots... Give yourself up and there's a clanking good read to be enjoyed.

A heady mix of history, politics and espionage.

Barry Unsworth - winner of the Booker Prize once, shortlisted twice - has a lot to live up to. In Land of Marvels he does so magnificently ... Lofty dreams and smash-and-grab capitalism are deftly woven together in precise and elegant prose.

Engaging and informative, with snappy dialogue and a fabulous, if slightly abrupt, ending.

Brilliant exploration of the tensions on an archaeological dig as the first world war looms.

Land of Marvels offers a fluent plot peopled by sharp, affecting characters and graced with the author's usual erudite wit and understanding humour

[a] cleverly plotted and elegantly written novel...Unsworth has evidently done a great deal of research, but this is woven seamlessly into the fabric of the novel so that the reader is caught up in the excitement of Somerville's discoveries.