Author:Lucasta Miller

'Outstanding... The best short introduction I have come across' Sunday Times
When he died at the age of just twenty-five, few imagined John Keats would one day be considered among the greatest poets of all time.
Taking nine of Keats's best-known poems, Lucasta Miller excavates their backstories and, in doing so, resurrects the real Keats: an outsider from a damaged family whose visceral love of language allowed him to change the face of English literature for ever.
Combining close-up readings with the story of his brief existence, Miller shows us how Keats crafted his groundbreaking poetry and explains why it continues to speak to us across the centuries.
'One never wants Keats's life to end so soon; I didn't want this book to end, either' TLS Books of the Year
'Irresistible... [Miller]digs into the backstories of her subject's most famous poems to uncover aspects of his life and work that challenge well-worn romantic myths' Wall Street Journal
In lucid, graceful prose she [Miller] manages to bring us closer to the life and work of a poet who never seemed that far away... I didn't want this book to end.
—— Times Literary Supplement, *Books of the Year*An enlightening and perceptive introduction to (or reminder of) the great Romantic poet's life and work.
—— Financial TimesOutstanding... [Miller's] knowledge of all things Keatsian is formidable... For newcomers to Keats, Miller's is the best short introduction I have come across.
—— John Carey , Sunday TimesMiller disrobes the myth, while helping us to appreciate what she calls Keats's "vertiginous originality". As a wittily perceptive introduction to (or reminder of) the poet and his work, her book is unlikely to be surpassed any time soon.
—— Miranda Seymour , Financial TimesLucasta Miller's task, which she carries out very successfully, is to strip away what we think when we think about Keats... This excellent book... enters an already crowded market of Keats biographies, but earns its place through its firm basis in precise reading. Miller is empathetic, and relishes Keats's best phrases.
—— Philip Hensher , SpectatorLucasta Miller's brilliant life of Keats, told through a close reading of "nine poems and one epitaph", reminds us more than once of the way in which Keats can deploy Shakespearean techniques to stop us in our readerly tracks. A timely and fresh re-appropriation of Keats... satisfying, engaging and accessible.
—— Rowan Williams , New StatesmanExcellent... [Keats] challenges us to make up our own minds about the self-styled 'chamelion poet'.
—— Claire Harman , Evening StandardA readable guide to the poet's life.
—— James Marriott , The TimesCreates a vivid picture of Keats's writing process.
—— Conrad Landin , Islington TribuneIn this excellent translation by Yan Yan, Golden Age demonstrates that Wang Xiaobo is one of the most original writers in post-Mao China. At once hilarious and charged with serious political discourse, Golden Age is a tour de force. It is as playful as Animal Farm by Orwell and as complex as Master and Margarita by Bulgakov. Anyone who is interested in modern China should read this book
—— Xiaolu GuoEvery page is a surprise. The novel is outrageous, startling, and very, very funny
—— Roddy DoyleOne of the great writers to have emerged in post-Mao China. Wang Xiaobo excels in writing about love and sex - and coming of age - in an arid and bizarre world. With beautiful simplicity, he fills the reader with aching poignancy, and yet makes them want to laugh out loud
—— Jung ChangLike a Chinese Kurt Vonnegut. By turns lyrical and satirical, Wang Xiaobo's sexual comedies set during the Chinese Cultural Revolution are as improbable as that genre sounds. His long overdue publication in English comes as a gift. Golden Age is funny and brave and profound
—— Chris KrausAn iconic writer with a cult status who influenced an entire generation of Chinese writers, Wang Xiaobo culls a different personal memory from the days of the Cultural Revolution. A secret sexual affair between two youths sent to the countryside for reeducation opens a window unto love and punishment, ideology and privacy, reason and absurdity. The wistful triumph in Golden Age bespeaks a time when sanity was survival at its minimum. For all its dark humor, irony, and matter-of-fact fornication, the novel carries tremendous heart in what it encourages the individual to feel. A must-read novel
—— Jing Tsu, author of KINGDOM OF CHARACTERSUntil reading Wang Xiaobo's Golden Age, I had not seen a work that captures the ironies and contradictions Wang Er endures living in a communist country in a decidedly capitalist world. Just my saying this sounds academic, but the novel is not academic. It's hilarious, loose, surprising and so smart. I am reminded of Heller's Catch 22, but whereas circularity was the enemy for Yossarian, it might well be Wang Er's ally
—— Percival EverettStartlingly funny, darkly profound, Golden Age is one of the most memorable novels published in Chinese language in the past hundred years, and it will still be read a hundred years from now
—— Yiyun LiA comic take on oppressive regimes . . . wonderful euphemisms, wide-ranging irreverence, abetted by a voice that is variously smart, quirky, or sarcastic . . . entertaining . . . An unusual writer worth discovering for his humor and flair
—— Kirkus ReviewsA novel of lust and loss during China's Cultural Revolution . . . The idea of how to stand up to power underlies Golden Age
—— Ian Johnson , New York TimesStartling and direct . . . Golden Age has long been admired by Chinese readers for its clever take on sexual rebellion, and its innovative voice and narrative style. Using the language of the state to highlight the absurdity of their laws, Xiaobo made a satire that is both amusing and effective. This fable remains relevant decades later and thousands of miles away
—— Rhea Ramakrishnan , PloughsharesWang Xiaobo was arguably the most influential intellectual of the post-Tiananmen generation, a nonchalant provocateur as well as an unconventional, anti-authoritarian thinker whose writing has stood the test of time
—— Sebastian Veg, author of MINJIANGolden Age, long admired in many circles, may prove a revelation to readers outside China. Wang Xiaobo steeped himself in the literatures of East and West, and the blending of influences - including Proust and Twain - makes for a searingly funny and fearless narration full of brilliant head-long riffs on sex, time, history, and the terrifying absurdities of the Cultural Revolution. Bawdy, earthy, cerebral, outrageous, bleakly hilarious and off-handedly brave, this novel is like nothing else
—— Sam Lipsyte, author of THE ASK and THE SUBJECT STEVEAdmired for his cynicism, irony, humor, readers and critics around the world now widely regard Wang Xiaobo as one of the most important modern Chinese authors ... His [writing is] considered crucial to understanding China's recent past
—— Ian Johnson , New York Review of BooksChinese author Wang Xiaobo died aged just 44 in 1997, but his masterpiece, Golden Age (Penguin, April), has now been translated into English in full for the first time by Yan Yan. It's a scabrous, bawdy novel set in the years of the Cultural Revolution. It's also very moving.
—— Alex Preston , Guardian Fiction to Look Out for in 2023No solemn, reverent account, this is a book of many erections ... playful, though undercut with cynicism
—— Nick Holdstock , TLSAmazingly assured first novel. Magee is too good a writer... Gentle as well as brutal
—— The TabletAs beautiful as it is brilliant. Reading Close to Home is like crossing a frontier into a new and thrilling territory
—— Glenn Patterson, author of 'The International'Close To Home announces an exciting new voice - at once open and wary, tender and unyielding - and sharply alive to the pains and discoveries and mysteries of youth
—— Colin Barrett, author of 'Young Skins'Ringing out clear and true as a bell, it gleams with tenderness and perception. There are few narrators so unassuming and unaffected, yet so full of sharp intelligence
—— Wendy Erskine, author of 'Dance Move'Precise, compulsive, companionable and genuinely moving. Michael Magee writes a world we see far too little of in contemporary literature. We need books like this
—— Seán Hewitt, author of 'All Down Darkness Wide'A beautiful and devastating debut novel about political memory, violence, masculinity, and the impossibility of escaping your origins.
—— JacobinA sharp and humane novel about a young man, and a city, caught in the painful throes of reimagining themselves. It rings with authenticity, and the wisdom of hard-won observation and experience - a hymn to the ways in which art can be a lifeline and an escape. Michael Magee's debut is an important addition to the burgeoning new canon of Belfast literature
—— Lucy Caldwell, author of 'These Days'Compulsively readable - you will need to know how this ends!
—— Emilie Pine, author of 'Notes to Self'Sharp, immediate, beautiful writing. A vivid portrait of modern Belfast and of how our circumstances shape our lives. Every character is drawn with nuance and complexity, with great precision and attention to detail. I really loved this book
—— Rachel Connolly, author of 'Lazy City'Artfully crafted, compassionate, precise and unafraid. I loved this book
—— Susannah Dickey, author of 'Common Decency'Close to Home tracks brilliantly written characters across a vividly drawn Belfast
—— Business PostOne of the year’s most distinctive and immersive debuts . . . Drawing on his own experiences, Michael Magee refreshes the post-Troubles novel to wrestle with his community’s painful heritage of violence and poverty. It sounds bleak, but Sean’s voice fizzes with life
—— The Times, 'Best Novels of 2023'It's hard to find fault with a debut novel that unfold its storylines and characters with such care, handling themes of class, masculinity, addiction and trauma with both tenderness and a matter-of-factness
—— RTÉ, Book of the WeekMichael Magees Close to Home is yet another brilliant novel to emerge from Northern Ireland, making sense of the impact of the long conflict and the transition to troubled peace; Magee powerfully delineates the psychology of those crushed by betrayal
—— Irish Times, 'Best Books of 2023'An emotionally satisfying book with wise and moving moments
—— Good HousekeepingA humorous take on Hollywood romcoms
—— BBC BEST BOOKS OF THE YEARSexy, funny, thought-provoking and everything I hoped it would be. Her best novel since American Wife.
—— RED, Best Books of the YearRomantic Comedy combines humour with poignancy and a lot of heart.
—— GOOD HOUSEKEEPING, Best romance books to readSittenfeld's novel continues her wider project of exploring the possibility for a kind of redemptive idealism within our flawed world
—— GUARDIANSittenfeld has penned another exquisitely written novel
—— WOMAN MAGAZINEA fizzy love letter to the prototypical romcom
—— NEW YORK TIMES, Editor's ChoiceSo much of Sittenfeld's work exists in the dissection and comprehension of female desire
—— NEW YORK TIMESFlirting with the tropes of its namesake genre, this playful novel follows Sally, a writer on an "S.N.L."-like show called "Night Owls," who falls in love with one of its guest hosts. Their relationship develops via e-mail in the post-grocery-wiping, pre-vaccine days of covid-19. When Sally decides to visit her beloved in L.A., their time together in his Topanga mansion requires her to navigate incredulity, insecurity, and an offer that she feels is an "affront to my independence." The novel is preoccupied with the instinctual nature of self-sabotage, and with the fulfillment that can come from defying ingrained impulses
—— NEW YORKERInsightful romcom sparkles with real wit and wisdom
—— SUNDAY INDEPENDENTWhip smart and really funny
—— BUSINESS POSTScores big on giving readers an insight into the machinations of a TV writers-room
—— CRACKFull of dazzling banter and sizzling chemistry
—— PEOPLE MAGAZINEIf you ever wanted a backstage pass to Saturday Night Live, this book is for you
—— GOOD MORNING AMERICAExcellent
—— MAIL ON SUNDAYBoth a brilliant portrait of the comedy world and a witty grown-up love story. Lives up to its name
—— IRISH TIMES






