Author:Claudia Rankine

A TLS, FINANCIAL TIMES, NEW STATESMAN, GUARDIAN, OBSERVER AND WHITE REVIEW BOOK OF THE YEAR
FINALIST FOR THE 2021 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION
From award-winning writer Claudia Rankine, the stunning follow-up to Citizen and Don't Let Me Be Lonely
'Riveting' Bernardine Evaristo, TLS (Books of the Year)
'Brilliant' Gary Younge, New Statesman (Books of the Year)
'Timely and powerful' Fatima Bhutto, Financial Times
'One of our time's most incisive, brilliant and necessary intellectuals' Seán Hewitt, Irish Times
'Ranking is a writer of genius' Jeremy Noel-Tod, Sunday Times
At home and in government, contemporary America finds itself riven by a culture war in which aggression and defensiveness alike are on the rise. It is not alone. In such partisan conditions, how can humans best approach one another across our differences?
Taking the study of whiteness and white supremacy as a guiding light, Claudia Rankine explores a series of real encounters with friends and strangers - each disrupting the false comfort of spaces where our public and private lives intersect, like the airport, the theatre, the dinner party and the voting booth - and urges us to enter into the conversations which could offer the only humane pathways through this moment of division.
Just Us is an invitation to discover what it takes to stay in the room together, and to breach the silence, guilt and violence that surround whiteness. Brilliantly arranging essays, images and poems along with the voices and rebuttals of others, it counterpoints Rankine's own text with facing-page notes and commentary, and closes with a bravura study of women confronting the political and cultural implications of dyeing their hair blonde.
Wry, vulnerable and prescient, this is Rankine's most intimate work, less interested in being right than in being true, and being together.
Claudia Rankine marshalls the full range of her substantial talents - from poetry to essay - to explore how racism is lived, privilege is expressed and engagement might be possible. Personal, political, interrogative and, most all, impressive
—— Gary YoungeThis brilliant and multi-layered work is a call, a bid, an insistent, rightly impatient demand for a public conversation on whiteness . . . bold and vital
—— Judith ButlerIn my work, well-meaning white people consistently ask me how to recognize racism. Yet we might ask, "How have we managed not to know?" The information is everywhere, if we care to listen . . . With clarity and grace, Claudia Rankine delivers a gut punch to white denial. Just Us is stunning work - audacious, revelatory, devastating
—— Robin DiAngeloIn Just Us, Claudia Rankine continues her remarkable and brilliant interrogation of the language, culture, and history that have shaped America, forging through poems, essays, and documents a literary archive that is utterly original and desperately needed
—— Dinaw MengestuFiercely intimate, rigorous . . . [Just Us] lets all of us in on the conversations - with others and the self - that are necessary for survival
—— Nuar AlsadirKleist's narrative language is something completely unique. It is not enough to read it as historical-even in his day nobody wrote as he did. An impetus squeezed out with iron, absolutely un-lyrical detachment brings forth tangled, knotted, overloaded sentences painfully soldered together and driven by a breathless tempo.
—— Thomas MannMichael Kohlhaas is an influential book, loved by best of all by early 20th-century European writers, including Rilke, Mann and Kafka... The wonder of this story is its relentless, vertiginous escalation
—— John Self , ObserverMichael Kohlhaas could be called a pathology of obsession, or a juridical riddle, or even a kind of magnicent taunt, though none of these is right, or right enough. One must merely read it, and then read it again, staggered by its sheer acceleration, its furious savagery, its vertiginous authority, its exquisite prolongment of closure as event follows improbable event. Kohlhaas is one of literature's eternal characters because he outpaces any interpretive framework. His indomitable reality exceeds our own.
—— The New YorkerKleist is a giant, Cervantes's heir and a one-man avant-garde of the modern German novel.
—— The GuardianOur sort is nothing compared to Kleist.
—— Rainer Maria RilkeI did not write to you last night, it got too late because of Michael Kohlhaas (have you read it? If not, don't! I shall read it to you!); apart from a short section which I had read the day before, I finished it in one sitting. Probably for the tenth time. This is a story I read with true piety; it carries me along waves of wonder.
—— Franz KafkaThe garden of Cheryl's Destinies is wild, Rousseau-lush, magic-hour lit ... Sexton's flair comes in balancing the otherworldly with the very ordinary, acutely observed detail ... joyous and often very, very funny
—— Genevieve Stevens , Poetry ReviewThe spring-loaded poems of Cheryl's Destinies foreground questions about art and authenticity, belief and make-believe, the inescapable presence of history and the contingent self in crisis ... many of the poems in Cheryl's Destinies vibrate not only forwards but backwards as Sexton continues to unlock the possibilities of poetic form.
—— Maria Johnston , The Times Literary SupplementEnchanting and intriguing, Matrix absorbs the reader into the medieval period without compelling them to depart entirely from the present
—— iNewsIt's a bold, luminous tale that captivates from first to last.
—— Mail on SundayA robust and pleasingly strange slice of historical fiction
—— Times, Best Fiction Books of 2021Lauren Groff's Matrix is just marvellous; vivid and vibrant, it hums with the lives of those contained within the convent walls, as Marie becomes the ambitious and canny hub at the heart of this female utopia.
—— Daily MailNo doubt a mini-series beckons
—— Catholic HeraldGroff offers a world that is rapturous, rapacious, ecstatic, profane; a novel of seismic revelations.
—— Eley WilliamsMatrix explores the story of Marie de France, a young woman sent to languish in a struggling convent that she begins to transform through her own leadership. Both epic and intimate, this sweeping novel explores questions of female ambition, creativity and passion with electrifying prose and sparkling wit. A propulsive, captivating read.
—— Brit Bennett, author of The Vanishing HalfMatrix is alive with lust and glory. In the incandescent Marie de France - visionary, cantankerous and uncowed by the constraints of her sex - Groff paints a portrait of sisterhood that shines out of the past and into the lives of women today.
—— C Pam Zhang, author of Booker-longlisted How Much of These Hills is GoldAnimated with sensual detail on every page and filled with lush, gripping storytelling that cuts to the bone, MATRIX resonates right into the present moment. I never thought I would find myself longing to be a medieval nun but Groff is a worker of wonders. This book is a ferocious joy
—— Madeline MillerLushly textured and uniquely vivid, Matrix settles itself on your mind like a dream or vision - it's absolutely stunning
—— Sophie MackintoshWhat a book. Perfectly done. I adored it
—— Max PorterIt's as brightly lit as an illuminated manuscript and would make the most perfect Christmas present imaginable
—— Naomi AldermanFull of sharp sensory detail, it's balm and nourishment for brain, heart and soul
—— GuardianMatrix takes the mysterious life of the late 12th-century poet - known today for her romantic lais - and runs with it . . . Groff explores themes of domination, death and desire in compelling (if at times, stomach-turning) detail
—— Financial Times, Best Books of the YearHowever, like Groff's earlier novel, this becomes a vivid, immersive and at times wild account of female agency
—— Sunday TimesIn Lauren Groff's hands, the tale of a medieval nunnery is must-read fiction
—— Washington PostA marvelously told story of devotion, desire and ambition in the heart of a female utopia
—— Daily MailMatrix is another masterpiece from a writer whom few at this point can best
—— The AtlanticThrough Marie, Groff explores how a society's religious and gendered constraints can be turned on their head to create a utopia
—— The New Yorker[A]n electric reimagining . . . feminist, sensual, magisterial, de France's saga is one of hardship and triumph, an unforgettable character whose far-seeing vision and devotion to the nuns in her community enable them to transcend what threatens to erase and silence them
—— Oprah MagazineMatrix focuses less on Marie the author and more on Marie the abbess - and if you think that doesn't sound like the obvious angle for a fun and engaging story, you underestimate the scope of Groff 's imagination and talent
—— The Daily TelegraphIn these incandescent pages, Groff reverently imagines her way into the life and lore of Marie de France . . . Woven from Groff's trademark ecstatic sentences and brimming with spiritual fervor, Matrix is a radiant work of imagination and accomplishment
—— EsquireThrilling and heartbreaking, Groff crafts an electric work of historical fiction
—— TIME, Most Anticipated Book of the FallA transportive and meditative tale that will swallow you up from the very start
—— NewsweekGroff, a premier stylist . . . .continues to grow, taking on a medieval foremother's story in her latest novel. The voice she finds for Marie de France . . . .will hold readers fast as the exiled Angevin royal becomes abbess of a convent, leading her charges through historic upheavals
—— LA TimesFeverishly exhilarating stuff
—— Chicago TribuneWith her unparalleled gift for sumptuous, sublime prose, Groff paints an engrossing portrait of a woman who, despite living in a world bound by constraints, experiences a life rich with passion and creativity. Surrounded by a supportive sisterhood, Marie uses strength and ingenuity to subvert the oppression of the patriarchy
—— Atlanta Journal ConstitutionUtterly absorbing
—— VogueSplendid with rich description and period vocabulary, this courageous and spin-tingling novel shows an incredible range for Groff (FLORIDA, 2018), and will envelop readers fully in Marie's world, interior and exterior, all senses lit up. It is both a complete departure and an easy-to-envision tale of faith, power, and temptation.
—— BooklistIn this bildungsroman about the real-life 12th-century poet Marie de France, a teenage Marie is exiled to a blighted Benedictine nunnery, where she finds strength and power as a prioress
—— Vanity FairPowerful, sapphic historical novel . . . Richly realized with historical details that don't overwhelm
—— BuzzFeedReaders will recognize her stunning prose and grand, mythic perspective. . . . in a tale that feels both ancient and urgent, as holy as it is deeply human
—— Entertainment WeeklyThe pages are almost completely devoid of men - seen, but not heard - with Groff using poetic, melodic and yet fierce writing to breathe volume into themes of power, ambition and success from the perspective of women
—— Press Association[A] propulsive, enchanting, and emotionally charged read
—— Washington Independent Review of BooksA clever spin on the story of Marie de France
—— BustleI loved this accomplished piece of storytelling. So much so, I added it to my Booker wish list at the last minute, a wish not fulfilled, of course
—— A Life In BooksMatrix is a rich, beautifully written novel about ambition and desire, and also witchy separatist medieval nuns
—— VoxMesmerizing and inspiring
—— NewsdayMedieval life can seem far from our modern grasp, but Groff vividly describes the daily workings of the convent, from prayers to practical chores. She has done her research and it shows in the rich details she provides of working the fields, preparing meals, governing novices . . . magical, a beautiful evocation of what women can achieve and what they can mean to each other
—— NY Journal of Books[A] feminist foray into a medieval nunnery that is stunning in its labyrinthine artistry and sensual tracing of life as lived during the era of the poet Marie de France and the legendary Eleanor of Aquitaine
—— Lit HubMust-read
—— HuffPostA[n] artful writer, Groff has no need for fantastic artifice to construct a world without men. She . . . gives us an extraordinary protagonist . . . Anyone who has read Groff's previous novels and stories knows that this author's greatest virtue is her economy of prose. A disciplined writer . . . If "Eleanor's best currency is story," that goes double for Groff . . . Groff's "Matrix" simultaneously transports us to a backward world that once was and the grim future that seems inevitable. And all this through the eyes of a group of extraordinary women who decline to live lives of quiet desperation
—— Gainesville Sun[A] transcendently beautiful novel with sensuality, religious ecstasy, gender and power explorations, and a fair bit of tasteful gore. It's surprisingly delicious to read fiction about a historical figure we know so little about
—— ShondalandI'm on page 17 and now nothing else matters . . . Once you have this book in your hands I feel certain you too will be consumed
—— Sarah Jessica Parker[D]reamy prose . . . At its heart, the book's message is simple: joy can exist in darkness
—— PopsugarRichly imaginative
—— AP[A] relentless exhibition of Groff's freakish talent . . . an unforgettable book . . . ecstatic, refulgent, God-struck, heretical
—— USA Today[A] creative, intelligent work that will last
—— Boston GlobeThe real Marie de France may continue to elude historians but the speculative fiction in Matrix combine to produce an unfailingly absorbing novel
—— TLSAn uplifting novel in its own unique way, and up there with Groff's best work
—— iNewsMatrix forms an intensely focused character study, but also succeeds as a probing exploration of female power
—— Literary ReviewA beautiful and beguiling novel that transports the listener utterly and completely to another world
—— Irish ExaminerAgainst a convincingly filthy and precarious medieval backdrop, Marie is a figure of dazzling complexity
—— The Times