A great storyteller

Jazz blazes with an intensity more usually found in tragic poetry of the past, not in fiction today.... Morrison's voice transcends colour and creed and she has become one of America's outstanding post-war writers... A great storyteller, her characters have amazing and terrible pasts - they must find them out, or be haunted by them

Morrison’s writing of a black romance pays its debt to blues music, the rhythms and the melancholy pleasures of which she has so magically transformed into a novel

The author conjures up worlds with complete authority and makes no secret of her angst at the injustices dealt to black women

Wonderful... A brilliant, daring novel... Every voice amazes

As rich in themes and poetic images as her Pulitzer Prize-winning Beloved... Morrison conjures up the hand of slavery on Harlem's jazz generation. The more you listen, the more you crave to hear

She may be the last classic American writer, squarely in the tradition of Poe, Melville, Twain and Faulkner

[A] masterpiece... She has moved from strength to strength until she has reached the distinction of being beyond comparison

A masterpiece... A sensuous, haunting story of various kinds of passion... Mesmerizing

Thrillingly written...seductive... Some of the finest lyric passages ever written in a modern novel

A compelling blend of heart and language... Resounds with passion

She captures that almost indistinguishable mixture of the anxiety and rapture of expectation - that state of desire where sin is just another word for appetite

Lyrically brooding... One accepts the characters of Jazz as generalized figures moving rhythmically in the narrator's mind

She is the best writer in America. Jazz, for sure; but also Mozart

Transforms a familiar refrain of jilted love into a bold, sustaining time of self-knowledge and discovery. Its rhythms are infectious

A tale of love, death, beauty, murder and obsession...told in a free-form syncopated prose so rhythmic that you can almost imagine Nina Simone singing it

Maureen is so beautifully and unflinchingly portrayed - a complex contradiction of brittle and prickly with an underbelly of fragility and fear. Her journey - both physical and psychological - is compelling and profoundly moving and leaves the reader feeling fully satisfied and just a little lighter.

In this slender, lyrical novel, Rachel Joyce offers a story as epic and encompassing as that wide-armed angel of the North. A journey of redemption, forgiveness and love. A journey you don't want to miss.

Rachel Joyce writes with incredible depth, beauty and heart. Reading her prose is like listening to great music - sometimes soft and sweet, sometimes heart-rending, always beguiling. This is an emotional story about loss, resilience and reconciliation. Maureen Fry is a prickly kind of star... but wow, how she shines!

Beautifully written and endlessly touching, Rachel Joyce once again captures what it means to be human in the final book of her wonderful trilogy.

Maureen is the sort of person we pass in the street every day, every hour, and probably give little thought to. She is difficult perhaps, a little brittle, unable to engage successfully with the world, and maybe hard to warm to - an embattled figure often lost against the vast opera of life. But Rachel allows us to see into her complex universe, feel first-hand her fears, the profound longing, the grim phantoms of the past, the ordered rebelliousness, and strange, dark sense of humour - and of shame. This story also happens to tie three life-affirming, vital and unpredictable novels together into a perfect, never-ending dance..

This is a deceptively simple story of love, forgiveness, fulfilment and hope. I can't think of any other novelist quite as tender and compassionate as Rachel Joyce, who understands that miracle of transformation when human fragility becomes strength of spirit.

This is a fitting and deeply moving end to the trilogy of Harold Fry. A portrait of a woman adrift in grief, it is as fragile as a songbird and just as beautiful.

Profoundly moving and deeply human, this story of self-discovery and forgiveness is essential reading. I loved every word.

I adored Harold & Queenie, but who knew Maureen waited in the wings to steal my heart? A testament to just how exquisitely Rachel Joyce understands people, and written with kindness and such perception. I can't recommend it enough.

I was enthralled from the first page of this short, powerful book. Maureen is a wonderful, frustrating character--so rigid, and so frightened of what she might learn about herself and her own past. We all have some Maureen inside us, and so the journey we take with her across England and into her own personal tumult is a satisfying, visceral one.

Astonishingly powerful... Truly stunning

A new novel by William Boyd is always a treat and in his picaresque latest, The Romantic, his hero is Cashel Greville Ross, born in 1799, a soldier, lover, friend of poets, bankrupt and adventurer who is swept into many of the most important episodes of the 19th century

This highly entertaining, engrossing page-turner is the fictionalised biography of Cashel Greville Ross, who was born in 1799 in Scotland and brought up in Cork. Such is William Boyd's mastery as a storyteller, one begins to believe that all of the events are entirely real

The Romantic is a rollicking read that will delight his many fans

A wild ride across the 19th century on the back of a narrative that never pauses for breath . . . this breakneck pace seems to be a function of Boyd's exceptional imaginative facility, which sees him just as irresistibly drawn to new ideas as his hero is

What could be more reassuring in troubling times than a new William Boyd novel? Trio is immensely readable, its descriptions full of light and colour, its humour spot on, its mood a perfect mix of frolicsome and melancholy

Reading William Boyd's Trio is like shrugging on a worn leather jacket on the first brisk morning of autumn: cosy but cool . . . He has enormous fun with the worlds - and egos - of page and screen

Breakneck pace seems to be a function of Boyd's exceptional imaginative facility, which sees him just as irresistibly drawn to new ideas as his hero is . . . there's something irresistible about that energy . . . if a whole-life novel is intended to represent the span of a unique existence, then The Romantic gets it right

The Romantic is a whole-life novel, a form in which Boyd excels . . . a terrific read

On The Overstory: The best book I've read in ten years. A remarkable piece of literature

On The Overstory: An extraordinary novel . . . an astonishing performance . . . he is incredibly good at turning science into poetry

The success of the story - and a success it is - comes not from the ingenious scientific speculations, nor the shrewd literary connections (on the "emotional telepathy" of a work of art, or Daniel Keyes's Flowers for Algernon), but the human story between father and son, as Theo finds out 'how my brain learns to resemble what it loves

Richard Powers's Booker Prize-shortlisted novel is both brutal and heartwarming, intimate and profound. A masterfully curated story of love, grief and loneliness, quietly building to an inevitable and devastating close

He composes some of the most beautiful sentences I've ever read. I'm in awe of his talent

In Bewilderment, the Pulitzer Prize-winning American novelist has crafted a story of great beauty and power