Japanese No Dramas

Feb 23, 2026 1:17 AM

Author:Royall Tyler,Royall Tyler,Royall Tyler

Japanese No Dramas

Japanese nõ theatre or the drama of 'perfected art' flourished in the fourteenth and fifteenth centuries largely through the genius of the dramatist Zeami. An intricate fusion of music, dance, mask, costume and language, the dramas address many subjects, but the idea of 'form' is more central than 'meaning' and their structure is always ritualized. Selected for their literary merit, the twenty-four plays in this volume dramatize such ideas as the relationship between men and the gods, brother and sister, parent and child, lover and beloved, and the power of greed and desire. Revered in Japan as a cultural treasure, the spiritual and sensuous beauty of these works has been a profound influence for English-speaking artists including W. B. Yeats, Ezra Pound and Benjamin Britten.

Reviews

Keyes has given us another rollicking good read, guarantee to make you snort into your cocktail

—— Mumsnet, Best Summer Reads

One of the funniest novels I've ever read

—— Jill Mansell , Good Housekeeping

Gem-like, lyrical portrait of a girl growing-up

—— Boyd Tonkin , Independent

Reads like a luminous album of photographs marked by an almost unbearable sadness

—— Weekend Australian

An immensely well crafted novel

—— Sunday Independent

A transcendentally harmonious and compassionate work

—— Times Literary Supplement

A surprisingly tender book... Amid the terror a classic story about love sneaks through: love lost, love imagined, love morphed into madness

—— New York Times Book Review

Beautifully written... It puts a human face on the suffering inflicted by the Taliban... Disturbing and mesmerizing, The Swallows of Kabul will stay with you long after you've finished it

—— San Francisco Chronicle

Riveting... Spare, taut, and pristinely clear prose... An uncanny knack for making moral tension palpable... Extraordinarily moving

—— Philadelphia Inquirer

A novel very much in the tradition of Albert Camus, not only in its humanism and concern with the consequences of individual choices but also in its determination to bear witness to the absurdities of daily life... [A] chilling portrait of fundamentalism run amok and its fallout on ordinary people

—— New York Times

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