Author:Per Petterson,Don Bartlett

Audun is the only one of his family who remains with his mother in working-class Oslo. He delivers newspapers when he is not in school and talks for hours about Jack London and Ernest Hemingway with his best friend – but there are some things Audun won’t talk about. Stories about his family, the weeks he spent living in a couple of cardboard boxes, and the day of his little brother's birth, when his drunken father fired three shots into the ceiling.
A beautiful and disquieting coming-of-age story from the winner of the Independent Foreign Fiction Prize and the International IMPAC Dublin Literary Award.
· an intriguing story featuring all of the Petterson quirks — charm, melancholy, loneliness, the rifts between parents and children, the bonds between siblings and friends
—— Reading MattersBeautifully written and understatedly uplifting, It's Fine By Me is an essential read
—— StylistBeguiling and beautiful… a gripping and subtle coming-of-age story, ripe with melancholy… graceful and moving
—— Daily TelegraphExecuted with not only a magical attention to detail but also with heart-swelling affection... page after page of clear, glitchless and truthful writing
—— Financial TimesA movingly observed story about growing up
—— The TimesA brilliantly vivid piece of storytelling
—— The ScotsmanAtmospheric coming-of-age tale by one of Norway’s most renowned writers
—— ObserverThe detail is perfect; the emotions are raw and beautifully conveyed
—— William Leith , Evening StandardPetterson’s novel is a compelling study… Petterson’s beautifully spare prose subtly captures the effort that comes with this seeming inaction, this lack of fight, providing us with a lens through which we come to see Audun’s grim inertia as a paralyzing struggle to forget the past and get on with the task of living
—— ObserverBeautifully crafted but undeniably bleak; its spare prose, mournfully succinct characterisation and disorientating chronology deliver an edgy read
—— James Urquhart , Financial TimesMelancholic
—— Emma Hagestadt , IndependentCovering the twenty years that turned Catherine the Great from a young bride on approval to the legendary Empress of Russia, Eva Stachniak's novel gives a magical insight into the hopes and fears that haunted the corridors of the St Petersburg palace. It brings alive the very tastes and textures of the mid-eighteenth century
—— Sarah Gristwood, author of Arbella and The Girl in the MirrorAn intimate portrait of 18th century girl-power
—— IndependentA wry moral tale exploring the little evasions and compromises of everyday life. Translator Agnes Scott does justice to Solstad’s measured voice
—— Emma Hagestadt , IndependentThis short-but-striking novel quickly reveals itself to be…crime fiction, yes, but also a subtle and deeply introspective consideration of the inertia of lonely middle-age, its philosophy existentialist in the manner of Jean Paul Sartre, Ingmar Bergman and certain novels of Georges Simenon. The result is a highly complex and accomplished work
—— Billy O'Callaghan , Irish ExaminerIntriguing tale… Solstad expertly navigates the bizarre mind of a clever but lonely man locked in an existentialist nightmare
—— TelegraphThis is no straightforward crime novel…an exploration of guilt, inaction and moral quandaries
—— Nic Bottomley , Bath Life






