Author:Rob Gittins,Various

A BBC Radio 4 full-cast dramatisation on the writer and poet Dylan Thomas. Based on a true story, Rob Gittins's play draws on archive material. When 'Time' magazine printed a warts-and-all article about Dylan Thomas in 1953, the poet sued them for libel. Needing to gather more evidence, the magazine hired a private detective to shadow Thomas in New York. Stars Trevor White as the detective and Doug Ballard as the editor, also with a cast including Genevieve Adam, Laurel Lefkow, Rhys Parry Jones and Richard Elfyn.
What beauties the book contains! There are many pages in it so saturated with warm and lovely intimacies that one reads absorbed
—— GuardianAn astonishingly avant-garde novel
—— GuardianI do not claim to be a literary critic, but I know dirt when I smell it, and here is dirt in heaps- festering, putrid heaps which smell to high Heaven
—— John Bull, 1921Lawrence was the first literary artist to emphasise the huge importance of sex as a means of human fulfillment
—— The TimesIts questions about marriage and eroticism, grief and the frightening blankness of nature, have made it one of our century's most popular novels
—— Financial TimesAbsorbing, uplifting and truly impressive
—— Daily ExpressThis is a great story...Malouf's beautiful language puts fresh flesh on to these ancient characters
—— Claire Allfree , MetroFew writers possess the natural lyric grace of Malouf
—— Eileen Battersby , Irish TimesMalouf's poetic yet muscular prose is wonderful
—— Ronald Wright , Times Literary SupplementA marvel- beautifully written, surprisingly moving, quietly rather brilliant
—— Harry Ritchie , Daily MailWhile Malouf's chief interest is in the human impulses that lie behind the epic deeds, he remains faithful to the beliefs and values of the ancient world
—— Edmund Gordon , Times Literary Supplementimmensely moving, modern novel
—— Elizabeth Speller , IndependentA dignified performance ... in writing this novel Malouf is honouring a great work and also making a great work of his own ... his graceful fiction deals in truth and is always beautiful
—— Eileen Battersby , Irish TimesBeautifully written and very moving, Ransom is a reimagining that respects Homer's original while expanding expertly on its themes.
—— Alastair Mabbott , HeraldMalouf captures the moving humanity of Priam's grief
—— Robert Collins , Sunday TimesLyrical reworking of the final scenes of The Iliad
—— MetroThis superb novel goes by in a heartbeat, so smooth and engrossing is David Malouf's prose...It is a touching tale, full of pain, but rendered beautifully by Malouf's humanity
—— Lesley McDowell , Independent on SundayAn audacious reworking of Homer's Iliad.
—— Holly Kyte , Sunday TelegraphDavid Malouf...has given Homer's epic fresh life in this haunting mood piece...a graceful, eloquent text dominated by rage and sorrow
—— Eileen Battersby , Irish TimesThis novel explores the timeless motifs of epic, in miniature
—— The TimesYou know it ends in death, and so do Malouf's haunted protagonists, but this telling, at once unfussy and wonderfully poetic, breathes warm life into a great epic
—— James Smart , GuardianBreathtaking skill...an extraordinary emotional charge.
—— Colm Toibin , Guardian, Christmas round upA finely honed, writerly and wise revisiting of one of the most famous episodes in The Iliad, when Priam the King of Troy goes to bring home the body of his dead son Hector. No-one in prose has managed to better Malouf's imaginative recreation of the Homeric world.
—— Robert Crawford , Sunday Herald, Christmas round upa potent new yarn... Beautifully written in simple language freighted with meaning, Ransom explores a king's impulse to act as a mourning father.
—— James Urquhart , Financial Times