Author:Tim Pears
In a small town in the middle of England, the aftermath of the Second World War brings change. For ambitious industrialist Charles Freeman, it offers new opportunities and marriage to Mary. He buys the big house on the hill and nails his aspirations to the future.
In quick succession, three sons and a daughter bring life to the big house and, with it, the seeds of family joy and tragedy. As the children grow and struggle with the hazards of adulthood, Charles' business expands in direct proportion to his girth and becomes a symbol of the town's fortunes as Britain claws its way back from the grey austerity of wartime Britain.
As times change, so do the family's fortunes. Their stories create a generous epic, an extraordinarily rich and plangent hymn to the transformation of middle England over the past fifty years. At its heart is a diverse and persuasive cast of loveable and odious characters attempting to contend with the restrictions of their generation. This is the story of our lives.
A dark comedy about the vanity of human desires which deftly balances compassion and cynicism
—— Financial TimesBizarrely funny and beautifully crafted
—— Times Literary SupplementUndeniably compelling
—— Daily MailA brilliantly inventive writer...He understands the nature of storytelling and is at once terribly moving and wildly funny
—— A. S. ByattSeven Houses in France is an enjoyable, somewhat frightening novel by one of Europe's best novelists... Atxaga is still the master of a complex story, told with deceptive simplicity
—— Michael Eaude , IndependentAtxaga’s grim and complicated story is lucidly told
—— Emma Hagestadt , IndependentSharp
—— GuardianAtxaga’s story is fresh and his treatment of violence psychologically rich
—— GuardianIt takes a special kind of genius to transform this most unpromising of locations into a vehicle for black comedy, but that is precisely what the Basque author Bernardo Atxaga achieves in this mesmerizing novel
—— Simon Shaw , Mail on SundayA penetrating combination of Hitchcock's Rear Window, Camus' existential ennui and Larkin's social embarrassment
—— Times Higher Education SupplementAt times dark and moving, even on occasion, unexpectedly funny...It is visceral in its investigations into the derailing of one mans life in all its sticky, existential glory.The book’s icy prose and long sentences – which in the wrong hands would feel heavy and laboured – flow with a quickness that hints at the workings of Andersen’s mind, and Solstad has a way of producing at the protagonists bourgeois anxieties desperately sorry for him
—— Alice Wyllie , The WeekSolstad, Norway’s most distinguished living writer, is a clear-eyed moralist who takes an existentialist’s interest in the compromises, evasions and accommodations we make to get though life. Wryly humorous and needle-sharp in skewering pretension, Solstad is unlike anyone currently writing in English
—— David Milss , Sunday TimesForget the Scandi crime production line and turn to this sly thriller
—— Claire Allfree , Metro ScotlandA wry moral tale exploring the little evasions and compromises of everyday life. Translator Agnes Scott does justice to Solstad’s measured voice
—— Emma Hagestadt , IndependentThis short-but-striking novel quickly reveals itself to be…crime fiction, yes, but also a subtle and deeply introspective consideration of the inertia of lonely middle-age, its philosophy existentialist in the manner of Jean Paul Sartre, Ingmar Bergman and certain novels of Georges Simenon. The result is a highly complex and accomplished work
—— Billy O'Callaghan , Irish ExaminerIntriguing tale… Solstad expertly navigates the bizarre mind of a clever but lonely man locked in an existentialist nightmare
—— TelegraphThis is no straightforward crime novel…an exploration of guilt, inaction and moral quandaries
—— Nic Bottomley , Bath Life