The most impressive debut collection of the year so far: beautiful, sincere and unexpectedly heartbreaking

An astonishing debut...The writing itself hardly draws breath; it's crowded and confident in range and depth...If poetry is "about" anything, then If All the World is about cancer, bereavement, family life, natural and material worlds and the nature of memory. Despite this range it is quite astonishingly through-composed....it is a book to gulp down at one sitting, then to return to, to savour

A poetry debut fit to compare with Seamus Heaney. This wonderful long poem is up there with the greats...A wonderful piece of writing

Every poem in this book is a marvel. Taken all together they make up a work of almost miraculous depth and beauty

The best poetry of the year so far

Stephen Sexton's collection If All the World and Love Were Young has a playful quality and a lightness of touch that he somehow combines with the jagged-ness of grief to make a sequence of poems that is very fresh and eerily beautiful. It is clear from the first lines that this is a debut of significance, one that achieves a most difficult balancing act between wildness and control.

There's virtuosity aplenty in Stephen Sexton's poetry debut If All the World and Love Were Young, too. Imagery and emotion interweave in a work of astonishing maturity by the young Northern Irish poet, whose impressive new voice promises to help refresh contemporary verse.

Poignant, playful yet disarmingly sincere, it's the year's best debut

This is an extraordinary, moving collection of poems whose dense, constrained forms are the forms the intellect takes when it is coping; the self takes when it can, as it must; when the subject envelopes. This book is as rich and sustaining, as memorable and inimitable as is the loved one's voice. You will follow it across the Causeway, into the beached whale in Donegal, into the pixelated hyacinths and the heavy rain. With the munificent vocabulary of Alan Gillis and the gut-punched wisdom of Anne Sexton and Denise Riley, the speaker claims: 'I tried to make a monument from the emptiness of the house.' Sexton has made a monument. Readers: crowd around it.

A remarkable requiem for the poet's mother and for the worlds of childhood imagination...a beautiful, vital, generous work of art

This book of poetry is far beyond wondrous. A thing of devastating beauty ... anyone that loves language and has lost someone dear to them will drink this book down like an elixir. Even the book title seems to have an entire symphony in it. Thank you #stephensexton. This book is a gift to anyone that reads it. As it was for me

Rushdie’s Booker-longlisted fourteenth novel is certainly the work of a frisky imagination... You can’t help being charmed by Rushdie’s largesse.

[Quichotte] is Don Quixote for our time, a smart satire of every aspect of the contemporary culture. Witty, profound, tender, this love story shows a fiction master at his brilliant best.

Quichotte overwhelms you from the first page with a lightning storm of ideas and a monsoon of exuberant prose… Quichotte has all the verbal pyrotechnics and outlandish invention that will be familiar to readers of Rushdie’s fourteen previous novels, but at the heart it is a serious and affecting tale about the irresistible pull of history… those who are prepared to sit back and enjoy the ride will encounter scenery like none they have ever seen.

Nothing but extraordinary... This incisively outlandish but lyrical meditation on intolerance, TV addiction, and the opioid crisis operates on multiple planes, with razor-sharp topicality and humor, delivering a reflective examination of the plight of marginalized personhood with veritable aplomb. Highly recommended.

Quichotte is a story of breathtaking intellectual scope... Like Cervantes, Rushdie is able to balance his commentary with a voice full of tragicomic fervor, which makes the novel a thrilling adventure on a sentence-by-sentence level and another triumph for Rushdie.

Rushdie’s rambunctious latest... [is an] uproarious comedy… a brilliant rendition of the cheesy, sleazy, scary pandemonium of life in modern times.

A genre-hopping, cross-country picaresque which rips along with a great deal of wit, verve and empathy.

Rushdie's dazzling and provocative improvisation on an essential classic has powerful resonance in this time of weaponized lies and denials.

Hilarious by all accounts.

This sardonic portrait of America combines exuberant humour with sober reflections on the toxic excesses of 21st-century media.

Rushdie’s most personal novel for years… a truly imaginative response to his own experience of exile and dislocation.

Quichotte is funny… beautiful, lucid prose.

About a dozen pages into Quichotte, Salman Rushdie’s 14th novel, we read of an invention so devious, so outrageous, that it dispels any thought that the author’s imaginative powers might be waning… It’s a masterstroke in an uneven but diverting and occasionally brilliant novel… [and] a perfect fit for a moment of transcontinental derangement.

Now in his eighth decade, it is clear he [Rushdie] still possesses the linguistic energy, resourcefulness and sheer amplitude of a writer half his age – buoyant and life-enhancing qualities shared by his great Spanish predecessor [Cervantes]

Rushdie’s novel is many things beyond just a Don Quixote retelling. It’s a satire on our contemporary fake-news, post-truth, Trumpian cultural moment, where the concept of reality itself is coming apart. It’s a sci-fi novel, a spy novel, a road trip novel, a work of magical realism. It’s a climate change parable, and an immigrant story in an era of anti-immigration feeling. It’s a love story that turns into a family drama... Characters, narratives and worlds collide and come apart in spectacular fashion, while Rushdie maintains an exhilarating control over it all.

A meditation on life, death and the stories told about both.

The fiction about fiction that takes the breath away… Quichotte expertly does it again.

Funny and touching and sad and oddly vulnerable, rather like its eponymous hero… [Quichotte is] compelling.

Rushdie is a master storyteller who weaves his fictions and characters into such agreeable tapestries.

The novel's dazzling virtuosity and cascade of cultural references culminate in a final moving moment of hope

An Updikean epic of intertwined families destabilized by grief and estrangement following a mother's breakdown, then redeemed by their enduring compassion for one another

10 new books to read this August

A powerful tale of two neighbouring families forever entwined by love and tragedy. . . A touching read

Mary Beth Keane draws two families in sharp, moving detail . . . With hints of Curtis Sittenfeld about it - the way it effortlessly unspools years, but buffets you with a huge amount of detail - it considers friendship and mental ill health, how love changes and warps, and despite a fairly slow start, does so beautifully

Poignant and powerful

A miniature epic . . . like Elizabeth Strout, Keane is good at creating distinctive characters - flawed, empathetic men and women whose inner landscapes she captures in powerful, pared-down prose. The novel is a nuanced portrait of the impact of mental illness and addiction, the limitations and endurance of love and of how 'we repeat what we don't repair'

A thought-provoking read exploring mental illness, alcoholism and violence

Fans of Celeste Ng will love this modern American novel based on two families linked by tragedy and passion . . . A lovely mix of childhood memories growing in to adulthood, and its really powerful

With the author's deftness of touch, characters are rendered as real as those you encounter in daily life, and it's hard not to think about them even after reading the last pages

An engrossing drama about family, forbidden love, the toll of mental illness and the power of mercy

A powerful novel about mental illness, alcoholism, love and redemption

Gripping and full of incident, a deft balance of horror and wit… As ever, Atwood cuts to the truth about women and power

The oppressed feminist shriek of the first novel gets its more optimistic echo in The Testaments...has the dramatic thrust and power to scorch the memory

It is a measure of Atwood's virtuosity as a writer... that rather than picking up where she left off in 1985 when The Handmaid's Tale was published, she has written such a perfect companion piece

Like all good dystopian writers, she presents us with a cracked mirror in which we are asked
to see distorted images of ourselves

If The Handmaid's Tale is disturbing, The Testaments is, in many ways, even more so. Less violent, sure, but Gilead isn't fresh and new at this point. It is a society that has existed for well over a decade, and as such it has become normality for all those who live there...this is, perhaps, far more frightening than the punishments and cruelty we see in the original text

After Donald Trump's election, Ms Atwood came to be seen by some as a soothsayer... If The Handmaid's Tale was a warning, The Testaments has a more positive message... Ms Atwood says that it reflects a sense of hopefulness on her part

For those waiting to find out what happened next, The Testaments is a fantastic conclusion to the story

The transgressive, deliciously dangerous mind of Margaret Atwood

Compelling, poignant and controlled, Atwood's latest work will have any reader gripped

The Handmaid’s Tale and The Testaments can seem like dark tales for dark times. But Atwood argues that they are not. "Writing is always an act of hope,” she says, “because it assumes a reader. It assumes a reader in the future"... If what we need right now is a great big bundle of hope – and we do – I for one feel extremely reassured that Margaret Atwood is on hand to provide it.

Beautiful in its depth... It is in some ways the continuation and in some sense a response to the extraordinarily powerful world of Gilead she created in The Handmaid's Tale 30-odd years ago. There is a need now to look at what complicity, resilience and resistance might look like

Atwood mania is entirely merited. Not only is there no greater living writer, "Peggy Nature" as friends refer to her eco-activism, is our beloved sage. Her novels have engaged with myth, identity, the sisterhood, and our apocalyptic ecological crisis. Yet nothing has taken flight like her patriarchal dystopia, and nowhere more so than among women

She's always before her time. Each novel is about something people become incredibly interested in half an hour later... There is this tradition of women's writing that uses irony and lightness of touch to deliver monstrous concepts and beliefs. It's that ironic voice that has helped her seamlessly move from one generation of reader to the next. That is the test of a great writer

A savage and beautiful novel, and it speaks to us today, all around the world, with particular conviction and power

The Testaments has come at the right moment for her as well as us because she's now a real sage

A feast

A truly dazzling literary feat that – blessed be the fruit – entirely lives up to the hope and the hype… Atwood’s particular genius is pushing and pushing at sexist tropes until they reach their grotesque but ultimately logical conclusion

The Testaments calls for thought and reflection… ideological commitment is not its only characteristic. It is also a thriller, with a fast-paced plot featuring many entangled concealments and dramatic confrontations… Atwood’s writing is at its incisive best... Atwood is not simply responding to our current anxieties… it is also her own testament, and a renewal of the warning of The Handmaid’s Tale

The Testaments is all the better for choosing other, quieter forms of resistance for women under Gilead’s rule… The sequel is able to buoy you as a reader in a way The Handmaid’s Tale had no interest in doing, but sit with it and it’s still slippery and at times satisfyingly unsatisfying. This is an intriguing book from a woman who knows she can do bleak any day of the week

The Testaments combines gripping entertainment with a complex sense of humanity

Lydia's fascinating tale serves almost as a prequel, while the girls' stirring battle is peppered with pithy wit. Praise be

Atwood has conjured a compelling sequel to The Handmaid’s Tale that is tautly plotted in spare, economical prose… In The Testaments, Atwood succeeds in regaining control of Gilead through words

Terrifying, rage-inducing and utterly gripping

The interaction between these three women is deftly drawn. The enemy never feels other than overwhelmingly malign, yet perversely human and fallible

The Testaments cements Aunt Lydia as one of the most fascinatingly monstrous anti-heroes in fiction

‘Reminds us of the vital connection between words and power and how important it is to validate women’s words in particular

But the biggest name, with the year’s biggest book, is Margaret Atwood: her Handmaid’s Tale sequel The Testaments

The biggest publishing event of the year

For my money, the single most exciting publishing event of the year

One of the most eagerly awaited books of the year

One of the year’s big novels will undoubtedly be Margaret Atwood’s sequel to The Handmaid’s Tale, The Testaments

It will be one of the literary events of the year

We'll be poring over The Handmaid's Tale for the 100th time in readiness

The hoopla around the launch of Margaret Atwood's The Testaments is more reminiscent of the unveiling of an iPhone or something Pokemon related than that of a mere book

Tuesday was not merely Tuesday but Testaments Day, and the Capital Testaments Town

Last week's release of Atwood's sequel, The Testaments, made the last Harry Potter launch look like a wet November afternoon...a truly dazzling literary feat that -- blessed be the fruit -- entirely lives up to the hope and the hype... Atwood's particular genius is pushing and pushing at sexist tropes until they reach their grotesque but ultimately logical conclusion

Taylor Swift would kill for this kind of drama... Now, to read it

Spoiler discretion and a ferocious non-disclosure agreement prevent any description of who, how, why and even where. So this: it’s terrifying and exhilarating

Terrifying and exhilarating

Atwood’s musings on power and the patterns of history [is] as incisive as ever

Undeniably page-turning stuff

A publishing sensation

The perfect escapist pleasure

Page-turning stuff

Canada's visionary

A delicious page-turner

A gripping novel with a satisfying conclusion

The Testamnets is a cracking sequel to Margaret Atwood’s The Handmaid’s Tale and a timely warning about the lengths to which a patriarchal culture will go to control female sexuality

A superb and suspenseful expose of misogyny and the moral ambiguity at the heart of a fanatical regime

[A] rare combination of a rollicking thriller with major political nous told one of our greatest living writers. Essential

An era-defining masterpiece

The Testaments… lived up to the hype

Superbly written and masterfully constructs the regime of Gilead more than its predecessor was able to

The extraordinary Margaret Atwood... she's fabulous'

[A] compelling story

Atwood's sequel shines with all the acuity and brilliance of the original, whilst continuing the story with flair and modern insight

There is no language I could use to express the emotion and beauty behind Margaret Atwood's words. Her work takes you on a journey of emotion - whether you are ready to fight, be kind, be vulnerable, stay strong or simply be, she takes you there

Thrilling, a meditation on courage which asks us to consider what our own response might be were we forced to choose between meek complicity and rebellion at risk of death

She's taken our times and made us wise to them

Inspiring and deeply disturbing