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How to Use Your Enemies
How to Use Your Enemies
Sep 14, 2025 9:05 AM

Author:Baltasar Gracián,Jeremy Robbins

How to Use Your Enemies

'Better mad with the crowd than sane all alone'

In these witty, Machiavellian aphorisms, unlikely Spanish priest Baltasar Gracián shows us how to exploit friends and enemies alike to thrive in a world of deception and illusion.

Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.

Baltasar Gracián (1601-1658). Gracián's work is available in Penguin Classics in The Pocket Oracle and Art of Prudence.

Reviews

In fiction, we usually have to wait until long after the guns fall silent to hear such stories. Yet this precious act of literary reclamation on the part of Penguin Classics reveals a novel with a solar-plexus punch that was written from the dark heart of conflict

—— Boyd Tonkin , Independent

Deeply affecting and relevant

—— Paris Review

Anselme's 1957 On Leave - now translated by the estimable David Bellos - follows three soldiers in Paris on a 10-day leave. In style and particularly in spirit, it resembles the early works of Aldous Huxley (Crome Yellow or Antic Hay), with their combination of lightness and intellect, their strong ethics and unexpected tenderness

—— New York Times

A rare find . . . a compelling read . . . the book captures with great precision the sense that all soldiers must feel on returning from the front: that their homeland is no longer home . . . David Bellos is not only one of the best translators in the world - and he is here at his casually brilliant best with a fluent and tangy scholarship - but is also a fine literary scholar. In excavating this forgotten and ignored book and restoring it to its proper context, he has quietly but irrevocably shifted our historical knowledge of what really went on in Paris during the Algerian conflict

—— Andrew Hussey , Literary Review

There are times when you are reminded what it means to be in the presence of a genius...with Amos Oz you have to add wisdom and hope too

—— Scotsman

Insightful, inventive and lyrical

—— New York Times

Delicately beautiful, atmospheric

—— Irish Times

Pynchon leaves the rest of the American literary establishment at the starting gate...the range over which he moves is extraordinary, not simply in terms of ideas explored but also in the range of emotions he takes you through

—— Time Out

The most important and mysterious writer of his generation

—— Time

A warm and joyous read. There is softness about this book, but also a tinge of melancholy

—— Billy O’Callaghan , Irish Examiner

[Vann is] such a fine craftsman.

—— Observer

Strange and sad and desperately readable

—— We Love This Book

A kind of modern fairy tale, one laced with treachery and trials and the greatest demon of all to battle, the past ... Vann’s novels are striking, uncompromising portraits of American life; here is another exceptional example.

—— Booklist starred review

By pulling no punches in this explicit exploration of family, forgiveness, duty, acceptance, parent-child relationships, and what constitutes abuse, Vann has outdone himself.

—— Kirkus starred review

A 12-year-old’s fragile world, mesmerizing innocence, and emerging adolescence are the heart of this alluring novel … Her fresh voice rings true … Since electrifying the literary world five years ago with his debut novel, Legend of a Suicide, Vann has racked up an astonishing number of international awards. This lovely, wrenching novel should add to that list.

—— Library Journal, starred review

Genuinely thought-provoking.

—— CultureFly

Vann’s deceptively simple style conceals the story’s raw emotional power.

—— Mail on Sunday
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