Author:Natasha Solomons
Perfect for fans of THE TEA PLANTER'S WIFE
'This has everything - engaging characters, a thrilling story and beautiful scenery' KATIE FFORDE
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The start of a war. The end of a dynasty.
VIENNA, 1911. Greta Goldbaum has always dreamed of being free to choose her own life's path, but the Goldbaum family, one of the wealthiest in the world, has different expectations. United across Europe, Goldbaum men are bankers, while Goldbaum women marry Goldbaum men to produce Goldbaum children.
So when Greta is sent to England to marry Albert, a distant cousin she has never met, the two form an instant dislike for one another. Defiant and lonely, Greta longs for a connection and a place to call her own. When Albert's mother gives Greta a garden, things begin to change.
But just as she begins to taste an unexpected happiness, the Great War breaks out, threatening to tear everything away. For the first time in two hundred years, the family will find themselves on opposing sides. How will Greta choose between the family she's created and the one she was forced to leave behind?
This has everything - engaging characters, a thrilling story and beautiful scenery
—— Katie FfordeOne of the best writers of historical fiction working today ... Solomons knows how to draw readers into a particular place and time. And once you're there, you just don't want to leave
—— GoopA triumph! So vividly and elegantly written, beautifully realised and populated with characters that live and breathe. I was hooked to it.
—— Katherine Webb, author of The Hiding PlaceSolomons has a gift for constructing a well-paced narrative filled with surprises
—— ObserverDelightful and involving ... rich in atmosphere and character
—— Woman & HomeNatasha Solomons brilliantly sets the scene... A compelling read full of lavish detail, undercut by the realities of war and what it means to be Jewish in an anti-Semitic world
—— Sunday ExpressDevastating and supremely human
—— GuardianAgonising, funny. His eloquent concern transforms something as pedestrian as a war movie seen back to front into a vision which, in its weird way, is as effecting as any short passage ever written against war
—— Time magazineVery tough and very funny...sad and delightful...very Vonnegut
—— New York TimesA most courageous account of the human condition; at the same time a satire so funny it makes one laugh aloud
—— Evening StandardSplendid... A Funny book at which you are not permitted to laugh, a sad book without tears
—— LifeExtraordinary… A remarkably nice and clever book… Billy is clearly something of a stand-in for his creator, a means of talking to the point about the horror in Dresden, a hushed-up massacre worse than Hiroshima. The author intervenes frequently enough throughout his tale to establish that: his private pain keeps thumbing up from the page
—— ObserverA rare accomplishment... it is a graceful, ferociously humorous, sarcastic and ultimately compassionate parable about man's power for evil and his capacity for grace
—— Sunday TimesFaulks excels at creating well-rounded characters.
—— Good HousekeepingAn intriguing guide to the many layers of Parisien life.
—— Anthony Gardner , Mail on SundayMaster storytelling... [An] intriguing and moving story that shows how the future is shaped by the past.
—— Women & HomeImmersive
—— The SpectatorA lovely novel by a writer who lives and breathes France
—— Saga MagazineAnother terrific, intelligent read from Faulks
—— Reader's DigestA gripping book that I devoured in about three days; this dark book reminds us of the history that lurks around every street corner
—— Claudia Jacobs , PalatinateGaël Faye makes us smile, despite the seriousness of his words
—— MédiapartWhat is autobiographical, and what imagined? In the end it doesn’t matter, when he Gaël Faye gives life to the lost land of his childhood, with poetry and modesty
—— Agence France Presse MondialesSmall Country is a stirring and graceful tale of stolen innocence and fragmented identity. Hopeful, raw and deeply human, it is a modern classic in the making.
—— France TodayAn excellent novel, a model of restraint and quiet literary sophistication
—— The TimesCherry, Nico Walker’s outstanding debut, is a hard-hitting, ghoulishly funny novel about drug addiction, war and bank robbery.
—— Washington PostHeartbreaking, unadorned, radically absent of pretense, Cherry is the debut novel America needs now, a letter from the frontlines of opioid addiction and, almost subliminally, a war story.
—— Lea Carpenter, author of Eleven Days and Red, White, BlueNico Walker’s Cherry is a wrenching, clear-eyed stare-down into the abyss of war, addiction and crime, a dark tumble into scumbaggery, but it’s also deeply humane and truly funny. That is one of the reasons I love it so much: it makes you laugh and ache at the same time, in the manner of the great Denis Johnson.
—— Dan Chaon, author of Ill WillOne of the most exciting new American novelists.
—— Men's JournalHeavily indebted to the profane blood, guts, bullets, and opiate-strewn absurdities dreamed up by Thomas McGuane, Larry Brown, and Barry Hannah, Cherry tells a story that feels infinitely more real, and undeniably tougher than the rest.
—— A.V. ClubA bruising dispatch from the frontline of the American opioid crisis… the final quarter [of Cherry] rushes by in a cold sweat.
—— Anthony Cummins , Daily Mail[An] incendiary debut… Nico Walker writes with real rhythm, exhibiting a poet’s discrimination about adjectival choice and the relative length of clauses. It is a rare and remarkable achievement to turn such suffering into a novel of such finely calibrated beauty.
—— Lucian Robinson , Times Literary SupplementA gritty, addictive read.
—— Chloe Cherry , FaceI think everyone should read it – it is so horrific.
—— Kirsty Wark , LadyA well-received return to form
—— Charlotte Heathcote , Daily ExpressAstonishingly bold novel… [It] is Amis’s best work in years
—— Mail on SundayAmis’s best work since Money
—— Richard Susskind , The Times