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History of Violence
History of Violence
Jul 5, 2025 10:45 PM

Author:Edouard Louis,Lorin Stein

History of Violence

** Shortlisted for the 2020 International Dublin Literary Award **

The radical, urgent new novel from the author of The End of Eddy - a personal and powerful story of violence.

I met Reda on Christmas Eve 2012, at around four in the morning. He approached me in the street, and finally I invited him up to my apartment. He told me the story of his childhood and how his father had come to France, having fled Algeria.

We spent the rest of the night together, talking, laughing. At around 6 o'clock, he pulled out a gun and said he was going to kill me. He insulted me, strangled and raped me. The next day, the medical and legal proceedings began.

History of Violence retraces the story of that night, and looks at immigration, class, racism, desire and the effects of trauma in an attempt to understand a history of violence, its origins, its reasons and its causes.

'It stays with you' Times

'A heartbreaking novel' John Boyne

Reviews

Louis’s greatest strength as a writer is that he feels things so passionately, sometimes to the point of obsession, but that he also has a philosophical turn of mind that explores, rather than neutralises, his feelings.

—— Edmund White , Guardian

[B]oth brave and ambitious in its determination never to let its reader, or its author, escape lightly the damaging realities it describes.

—— Tim Adams , Observer

[A] harrowing piece of autofiction… History of Violence is a slim but densely layered novel that begins with raw urgency.

—— Johanna Thomas-Corr , The Times

[A] heartbreaking novel… I find myself captivated by Édouard Louis's books and his raw honesty.

—— John Boyne , Irish Times

An intense and uncomfortably thrilling book, which uses the harrowing events of that Christmas Eve as a basis for a wider exploration of class, race and individualism... a novel that is unflinching in its examination of class and discrimination.

—— Tash Aw , Times Literary Supplement

[Louis] writes with this amazing honesty and fantastically uncensored, brutal, beautiful clarity.

—— Ben Whishaw , Another Man

A painful and astonishing book, it tells the story of that night and its aftermath with ruthless poise and clinical precision… With almost superhuman compassion and moral courage, Louis traces the origins of Reda’s suffering by reconstructing his father’s story.

—— Matt Rowland Hill , Literary Review

History of Violence…pack[s] total immersion and cool detachment into a single page. As translator, Lorin Stein keeps faith with its rawness — and its refinement.

—— Boyd Tonkin , Financial Times

[A] provocative, incendiary and stunning second book.

—— Vice UK

Once more, Édouard Louis has given us something unique; a book so direct, shocking and moving it is like holding live fire in one's hands as the pages turn. Like all great writers, he shows us something of the self so that we might better understand something of the world.

—— Andrew McMillan

In this moving autobiographical novel . . . Louis's visceral story captures the overwhelming emotional impact and complicated shame of surviving sexual assault.

—— Publishers Weekly

A sharp, lucid meditation on how violence perpetuates itself in communities—by engendering fear, and then cruelty.

—— New Yorker

[A] stunning tale

—— Nilanjana Roy , Financial Times

Casey Cep’s painstakingly researched book is a gripping account of both the trial and Lee’s obsession with it.

—— Observer

Casey Cep has created a book that’s totally astounding and deeply moving.

—— Stylist

Astounding

—— Emerald Street

Superb, sparklingly intelligent

—— Daily Telegraph

In Furious Hours, her brilliant and gripping account, Casey Cep details and analyses [Harper] Lee’s increasingly desperate efforts to write that second book … Furious Hours is probably the nearest we will get to the book Harper Lee tried so hard to complete. It is a tacit tribute to Harper Lee but even more, an attempt, largely successful, to bring her abandoned project to final fruition … A book of compelling portraits … Cep’s narrative swarms with other characters, all credibly realised in their often cantankerous and eccentric ways … Painstakingly researched and beautifully written.

—— Times Literary Supplement

It’s as gripping as a thriller and as coolly dissected as a forensics report.

—— Robert Doulgas-Fairhurst , The Spectator

The inside scoop on Harper Lee’s long, post-Mockingbird silence. After working with Truman Capote on his true-crime book In Cold Blood, Lee attempted something similar, taking a murderous preacher, the Rev Willie Maxwell, as her subject. Despite years of research, Lee never produced a book – but Cep’s beautifully written offering goes a long way to making up for that. Utterly gripping, this is the ideal Christmas treat for anyone who loves Harper Lee.

—— Claire Lowdon , Sunday Times, Best Literary Books of the Year

An ingeniously structured, beautifully written double mystery

—— The Economist

Fascinating true story

—— The Times

The astonishing account of murders in Alabama and Harper Lee's attempt to unravel the story.

—— Hugo Vickers , The Telegraph

Fascinating ... Riveting.

—— Evening Standard

Wolitzer’s prose is direct and engaging… her characters feel alive and individual

—— Josie Mitchell , Literary Review

My favourite book of the year… Wolitzer deserves more recognition: she is as talented a storyteller as Donna Tartt, as funny as Jonathan Franzen, but she has her own distinct brilliance

—— Rebecca Rose , Financial Times, **Books of the Year**

Wolitzer is an empathy delivery system

—— Financial Times, **FT Readers' Books of the Year**

The end will leave you simmering with impotent rage, which sounds about right for 2018

—— Lucy Hunter Johnston , Evening Standard, **Books of the Year**

There’s lots to enjoy here – the plot is pacy and you’ll come to care and deeply invest in these characters through Wolitzer’s brilliantly sharp prose

—— Ella Walker , Herald Scotland

- Meg Wolitzer captures the zeitgeist like no one else

—— Elle

[W]arm and witty, and necessary… With affection and generosity, Wolitzer exposes the limits of power

—— Eva Wiseman , Observer

Rich and vivid

—— Daily Telegraph

Joseph O'Connor has written an entertaining novel that combines narrative with transcripts of recordings, diary entries and other notes. It steeps viewers in the theatre of Irving and Terry in the late 1870s and beyond, providing much informative colour at the same time as delving deeply and frankly into a series of relationships that are generally convincing.

—— Philip Fisher , British Theatre Guide

O’Connor tells his story in rich and stylish prose

—— Jonathan Barnes , Times Literary Supplement

A rousing story about a remarkable woman

—— Neil Armstrong and Hephzibah Anderson , Mail on Sunday, *Summer reads of 2019*

Joseph O’Connor’s vivid descriptive writing evokes Stoker’s memories of the post-famine Ireland of his youth and of Irving’s company’s fraught tours of America… [his] fine writing, his wit and sympathy create a richly enjoyable backdrop for some familiar characters

—— Lindsay Duguid , Tablet, *Novel of the Week*

Enthralling… Brings to teeming life the London of the late Victorian and Edwardian eras

—— Irish Times

Brilliant... alternately deeply moving and laugh-aloud funny

—— Peter Marshall , History Today

O'Connor's gift is to weave whimsical moments in between the complexity of relationships and people... a beautiful story

—— Tracey Steel , People's Friend

An ambitious celebration of friendship, theatre and the power of darkness, Shadowplay is chilling and dramatic in equal measure

—— Jane Shilling , Daily Mail

A wonderfully evocative tale within a tale

—— Ben East , Observer

A thrilling novel, exquisitely contrived to show the characters whose loves and lives inspired Dracula. A great tribute, and a work of art. Deeply affecting.

—— Essie Fox
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