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Histories
Histories
Aug 12, 2025 12:35 AM

Author:Herodotus

Histories

Traditionally known as the Father of History, the Greek writer Herodotus(c. 484-420 BC), was the first man to tell a story in prose on the scale of the ILIAD and the ODYSSEY. His subject is the war between the Persians and the Greeks but, in order to explain how this war came about, he also describes the rise of the Persian empire and analyses the causes of its conflict with neighbouring states. Despite its remoteness from our own time, this is a fascinating story, told by a great writer. Herodotus has a powerful narrative style and penetrating eye for character. The great men of the age are vividly described and extraordinary details of customs, places and even the weather are sketched in. Herodotus is not merely an historian; he is also a political commentator, a geographer, an anthropologist and a philosopher. Yet events are described swiftly in simple sentences and drama is rarely far away. The continuing relevance of the HISTORIES to our time has been vividly highlighted by the extensive allusions to the book in Michael Ondaatje's novel THE ENGLISH PATIENT. The film of THE ENGLISH PATIENT in which the role of Herodotus' HISTORIES is even more pronounced opens in Britain in March 1997 after colossal success in the US.

Reviews

It's science fiction and it's extremely funny...inspired lunacy that leaves hardly a science fiction cliche alive.

—— Washington Post

The feckless protagonist, Arthur Dent, is reminiscent of Vonnegut heroes, and his travels afford a wild satire of present institutions.

—— Chicago Tribune

Very simply, the book is one of the funniest SF spoofs ever written, with hyperbolic ideas folding in on themselves.

—— School Library Journal

A sci-fi book, packed full of adventure and humour

—— The Guardian

In his major postwar novels, the pain and earnestness of the individual’s quest for ‘meaning and design’ can be felt more intensely than perhaps anywhere else in contemporary Western prose

—— Sunday Times

An antipodean King Lear writ gentle and tragicomic, almost Chekhovian . . . an intensely dramatic masterpiece.

—— The Australian
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