Author:Jim Younger

A dark comedy, written at the Devil's dictation.
Welcome to London! Not quite the London we know. The King of England has converted to Roman Catholicism, along with his sons, and has abdicated in favour of his brother, now known as Andy One. Sickened by years of corrupt and incompetent presidents, the United States has petitioned Andy One to resume sovereignty over America. In England, the government of Christian Coalition Socialists has been ousted in a coup d'état. The survivors have gone underground, led by High John the Conqueror, chief of the Flagellants, a squad of paramilitary sadomasochists. To escape arrest and execution, High John (real name Organ McWhinny) fakes his own death and disappears, so successfully that his son Lingus, a boy in his mid-teens, believes him to be dead. Motherless and fatherless, Lingus takes to the streets.
So we have a fant-sci-historico-romp on our hands. And we'll need both of them because this is one juggling act of a novel....some will cover their ears but some will want to leap up to dance
—— Tom Gatti , The TimesRambunctious, rollicking, yet lightly spun... Interestingly different... Younger writes with great vigour and playfulness. His characters are rich and vividly drawn... Energetic and undisciplined, full of dirty, chaotic life - and death
—— Nicholas Royle , Independent on SundayA deeply English dystopia...Each of Lingus's perceptions is lovingly worked, and so is each minor character's speaking voice. The novel succeeds because of the breadth of language it uses
—— Sam Thompson , GuardianFull of splendid disjointed moments, in which tropes from the picturesque squalor of the historical thriller are relocated into a satiric future
—— Times Literary SupplementDarkly comic
—— Daily ExpressSince The Usual Suspects, novels and movies have become obsessed with the trick ending but .Insolently resisting this trend Harris has brought off a known-ending story
—— GuardianA sophisticated thriller that takes in its stride the conventions of the historical novel, Pompeii deserves the place it will undoubtedly have at the top of the bestseller list.
—— Times Literary SupplementBlazingly exciting... Harris, as Vesuvius explodes, gives full vent to his genius for thrilling narrative... pulse-rate-speeding masterpieces of suffocating suspense and searing action
—— Sunday TimesRobert Harris's Pompeii is his best yet: as explosive as Etna, as addictive as a thriller, as satisfying as great history - Simon Sebag Montefiore 'Books of the Year'
—— Daily TelegraphBreakneck pace, constant jeopardy and subtle twists of plot... a blazing blockbuster
—— Daily MailHarris has done a tremendous job in evoking life in ancient Italy... I am lost in admiration at his energy and skill
—— Mail on SundayThe long drawn-out death agony of the two cities is brilliantly done. Explosive stuff indeed
—— Daily TelegraphGripping, topical and dauntingly intelligent
—— Sunday TimesA stunning novel... The subtlety and power of its construction holds our attention to the end
—— The TimesA whole community, buried in volcanic ash 2000 years ago, has been brought to life... Stirring and absorbing
—— Sunday TelegraphA supremely good piece of storytelling, most impressively researched
—— The GuardianBritain’s leading thriller writer … Explosive stuff, indeed – and yes, it goes with a bang
—— Tom Holland , Daily TelegraphThe depth of the research in the book is staggering … Pompeii is indeed a blazing blockbuster
—— Simon Brett , Daily MailThe final 100 pages are terrific, as good as anything Harris has done ... Stirring and absorbing
—— David Robson , Sunday TelegraphPompeii by Robert Harris was another triumph … put together with the skill of a craftsman
—— David Robson , Sunday TelegraphRobert Harris's Pompeii is his best yet: as explosive as Etna, as addictive as a thriller, as satisfying as great history
—— Simon Sebag Montefiore , Daily TelegraphMcCarthy's descriptions of nature and of the everyday details of the era are vivid, surprising and true. And while the writing is often beautiful and ornate, the story has a bracing, Beckett-like severity
—— Irish Times