Author:Saul Bellow,Malcolm Bradbury

Saul Bellow's Herzog is part confessional, part exorcism, and a wholly unique achievement in postmodern fiction.
Is Moses Herzog losing his mind? His formidable wife Madeleine has left him for his best friend, and Herzog is left alone with his whirling thoughts - yet he still sees himself as a survivor, raging against private disasters and the myriad catastrophes of the modern age. In a crumbling house which he shares with rats, his head buzzing with ideas, he writes frantic, unsent letters to friends and enemies, colleagues and famous people, the living and the dead, revealing the spectacular workings of his labyrinthine mind and the innermost secrets of his troubled heart.
This Penguin Modern Classics edition includes an introduction by Malcolm Bradbury
'Spectacular ... surely Bellow's greatest novel'
Malcolm Bradbury
'A masterpiece ... Herzog's voice, for all its wildness and strangeness and foolishness, is the voice of a civilization, our civilization'
The New York Times Book Review
The character of Herzog is Bellow's grandest creation, and his mind is as rich as the mind of any character in American literature
—— Philip RothSpectacular ... surely Bellow's greatest novel
—— Malcolm BradburyA writer of genius
—— Sunday TimesNobody else has ever sat down and wallowed to this extent in his own life, with full art
—— John Berrymanan engrossing read, seamlessly translated from Iturbe's original Spanish. Iturbe retains the dignity and full horror of Dita's situation, while creating a narrative of hope and bravery in the face of fear.
—— Compass MagazineReading The Librarian Of Auschwitz may make you feel sadness, anger, and disbelief (I had to stop reading at points), but overwhelmingly it’s about hope, courage, and the importance of the written word. This is a story for everyone who loves books.
—— People's FriendHooper is fascinated by the emotional territory of migration and how individual lives are shaped by forces as powerful and inexorable as the sea
—— Daily MailEmma Hooper has constructed such an authentic sense of place from such a distant shore
—— Irish TimesWith stark prose, Hooper captures the desperation and difficulty of life on the edge of civilization. Heartbreaking and empathetic, Hooper's fine novel is a haunting evocation of changing times and the power of place
—— Publishers WeeklyLovely and lyrical. A story about storytellers told with a beguiling simplicity. Hooper's work brims with mermaids and music and memory
—— Toronto StarMagnificently arresting, fresh, gripping. A bright new star of literature ... will leave you thinking on a new level about the connections between men, women and places
—— The Times on 'Etta and Otto and Russell and James'Wonderful! Incredibly moving, beautifully written and luminous with wisdom. A book that restores one's faith in life even as it deepens its mystery
—— Chris CleaveA sweet, disarming story of lasting love
—— The New York Times on 'Etta and Otto and Russell and James'Beautiful, eccentric, romantic, hugely satisfying
—— Big Issue on 'Etta and Otto and Russell and James'Does literary fiction have a blind spot when it comes to race? When a novel like Diana Evans's Ordinary People feels unusual, you have to wonder... This is a wonderful novel – generous, clear-sighted and rich with the old-fashioned pleasure of characters you're left impatient to revisit
—— MetroThat rarest thing: a literary novel about real, recognizable human beings—a poignant portrait of middle life in London's middle class. Evans has given us four thirtysomething characters so perfectly drawn that they seem to come from a brilliant Netflix dramedy, but has rendered them with a classical prose so confident that it seems to come from a 19th century novel. Beach reading for the thinking beachgoer: as intelligent and insightful as it is hilariously entertaining.
—— Taiye Selasi, author of Ghana Must GoOrdinary People is that rarest of books – a portrait that lays bare the normality of black family life in suburban London, while revealing its deepest psyche, its tragedies, its hopes and its magic. The words are infused with a beauty that leaves the reader spellbound and yet astounded by the familiarity of it all. I had not realised how much I longed for characters like these until I found them, brought alive here with such compassion. A wondrous book.
—— Afua Hirsch, author of Brit(ish)Ordinary People sings with every word. The writing is pitch perfect, the underlying politics of race and gender is never heavy handed, and the characterisation of south London is enviable. I know these streets and they beat to the music that runs through this book...a lyrical and beautiful story. It's a triumph
—— Christie Watson, author of The Language of KindnessIntensely relatable
—— IndependentDiana Evans writes exquisitely beautifully about the interior landscapes of human relationships set against the urban and suburban cityscapes of London. Her characters are portrayed with depth, perceptiveness and complexity, and through the descriptions of their emotional journeys, we discover a language to understand ourselves
—— Bernardine EvaristoDiana Evans has masterfully crafted a beautiful, nuanced story about love, loss, and redemption. With compelling prose and an uncanny insight into the questions life throw at us as human beings, she has established herself as a voice to behold.
—— Nicole Dennis-Benn, author of Here Comes the SunEvans' prose has a musical quality
—— Eithne Farry , Mail on SundayA wonderfully warm and intelligent novel
—— Sarra Manning , Red13 new books to put a spring in your step’, mention: ‘Ordinary London lives are captured with lyricism and integrity… A quiet, vividly-drawn novel about the moments of angst and joy that make up everyday life.
—— Lucy Brooks , CultureWhisperSheer energy and effervescence… Funny, sad, magnificent prose.
—— Arifa Akbar , GuardianThe agony of ordinary life is what makes Ordinary People an absorbing read. Evans gives us an entirely readable account of relationships, recognising how they defeat us, encircle us and leave us gasping for air.
—— Shahidya Bari , Financial TimesIntelligent and thoughtful.
—— The WeekRich, complex and quietly extreme… A joy from start to finish.
—— Jude Cook , Literary ReviewA painfully accurate analysis of a life stage.
—— The Pool[An] impressively controlled tale of marital disharmony, parental ambivalence and lost identity… There’s a deep underlying sadness here, but it’s a rewarding and ruthlessly funny novel.
—— Johanna Thomas-Corr , The TimesThis is a highly enjoyable novel, full of wit and sharp observation
—— Vanessa Berridge , The Sunday ExpressEvans is a superb writer of emotional moments: how enchanting they are, how they both resist and inspire description… Evans’s prose is always magnificent, composed and unshowy
—— Cal Revely-Calder , Daily TelegraphA sympathetic and smart study of two metropolitan couples on the brink. Evans paints a quietly agonising picture of everyday life that is at once specific and timeless
—— Rebecca Rose , Financial TimesSteeped in London’s grit and enduring allure, this is a psychologically acute, sexy, funny and hugely affecting novel
—— Anthony Cummins , Daily MailThe compromises we make in marriage and as parents are explored in Evans’ lyrical and entertaining study of two thirtysomething couples on the brink. With its accompanying playlist of Faith Evans, Amy Winehouse and Jay-Z, a beat pulses through this slice of south London life, as Evans’ characters celebrate Obama’s victory and come to terms with the end of their salad days.
—— Financial TimesEvans' writing is like water; her sentences ebb and flow and change course, mirroring the Thames as it wends its way in and around the characters' lives
—— Katy Thompsett , Refinery29, **Books of the Year**A masterpiece of modern living
—— Kerry Fowler , Sainsbury's MagazineAn amazing book full of wisdom and empathy
—— Elif Shafak , WeekAn immersive look into friendship, parenthood, sex, and grief - as well as the fragility of love. It is told with such detail, you're left wanting more
—— IndependentBeautifully written and observed
—— Tom Chivers , GeographicalEvans is extraordinarily good on the minutiae of grief, family, and the fragility of love
—— ia lyrical portrait of modern London
—— Sunday TimesPlacing culturally marginalised voices centre stage to explode open a world many of us know little about... [The Mars Room] left me in tears.
—— Claire Allfree , Daily MailCrushing... A powerful, tragic novel.
—— Alastair Mabbott , Herald Scotland[A] visceral portrait of prison life
—— James Cann , UK Press SyndicationThe charm and wit of the incarcerated people in The Mars Room shines in Kushner's prose
—— Irish IndependentA mysterious portrait of contemporary America and life on its margins... for fans of "Orange Is The New Black".
—— Marta Bausells , ElleA very compelling read… hilarious and depressing and rage-inducing in equal measures.
—— Valerie O’Riordan , BookmunchAbsorbing.
—— The Week - Novel Of The WeekLyrical, bleakly comic and, ultimately, intensely affecting
—— Stephanie Cross , The LadyIt is a necessary and compelling book, and this year’s must read
—— Anne Enright , GuardianRachel Kushner’s exhaustive research into what goes on within these walls
—— Strong WordsKushner’s high-definition, high-impact prose is as electrifying as it is daring
—— Anthony Cummins , Daily MailThe momentum of the novel resides in its prose, the spring and sass of a voice so vivid it can largely dispense with the mechanics of plot
—— Nat Segnit , Times Literary SupplementA salty and hilarious novel from one of America's best living novelists.
—— Daily TelegraphRachel Kushner's The Mars Room should be a favourite [to win the Man Booker Prize]. If you like your escapism as gritty as it gets, prepare to be hooked by this unflinching account of a female prisoner serving a double life sentence... The Mars Room is rarely easy reading, but the furore of voices and violence and injustice throws you right into the story and keeps you immersed there.
—— Culture WhisperKushner’s novel is a timely reminder that a country’s authoritarian tendencies can be most easily measured by the number of people it deems unworthy of freedom
—— Emily Witt , London Review of BooksRachel Kushner knows how to sniff out a good character.
—— Sunday TimesRachel Kushner’s The Mars Room immerses you in the life of a high-security women’s prison in California, its central character Romy – accused of killing her stalker – both gritty and fragile. This was not a subject I thought would grip me, but in Kushner’s firm hands I was entranced. Much of the book is autobiographical – while never in prison herself, Kushner was the daughter of Beatniks and allowed to roam the dodgier areas of San Francisco as a teenager. The characters range from bullet-headed killers to a well-meaning male teacher whose ambiguities are brilliantly done. Romy’s trans friend Conan, “shoulders as broad as the aisle, and a jawline beard”, is delightfully free of the politically correct, while the style veers excitingly from straight narrative to scribbled lists like whimpers of despair.
—— Adam Thorpe , Times Literary Supplement **Books of the Year 2018**Rachel Kushner's The Mars Room was a hot favourite on this year's Booker shortlist, and it's easy to see why… Kushner's atmospheric writing is compelling to the last.
—— Irish Independent, *The best reads of 2018: Our critics name their top picks*Kushner’s writing is the most marvellous I read this year… time and again I found myself rereading paragraphs of The Mars Room for her perfectly turned sentences, the music of her prose
—— Neil D. A. Stewart , Civilian, **Books of the Year**






